-\version "2.16.0"
+\version "2.18.1"
\include "pop-chords.ly"
\include "english.ly"
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "I Have Decided To Follow Jesus" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Roger Freeland" }
- tagline = "Engraved by JLH and Lilypond 2.8.2"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
% Let's try a chord dictionary
- subtitle = \markup { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { Bbmaj7 \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
+ subtitle = \markup { \center-column { C9 \fret-diagram-terse #"x;3;2;3;3;x;" } " " \center-column { "B7#9" \fret-diagram-terse #"x;2;1;2;3;x;" } " " \center-column { Bbmaj7 \fret-diagram-terse #"x;1;3;2;3;x;" } " " \center-column { A7sus4 \fret-diagram-terse #"x;o;2;o;3;x;" } " " \center-column { "F#7#5" \fret-diagram-terse #"2;x;2;3;3;x;" } " " \center-column { "Ab7b5" \fret-diagram-terse #"4;5;4;5;x;x;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } " " \center-column { "C#m11" \fret-diagram-terse #"x;4;4;4;5;4;" } " " \center-column { "F#7#9" \fret-diagram-terse #"2;4;2;3;2;5;" } }
}
%
-% Lead vocal
+% Song's structure
%
-LeadVox = \relative c'
+Global =
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
- \override Staff.TimeSignature #'style = #'()
- \clef G
\key d \major
+ \override Staff.TimeSignature #'style = #'()
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-% \set Score.markFormatter = #format-mark-box-letters
% Intro
- r1^\markup { \italic { Ac. guitar } } | % 1
- r1 | % 2
- r1^\markup { \italic { Guitar II in } } | % 3
- r1 | % 4
- r1^\markup { \italic { Bass in } } | % 5
- r1 | % 6
- r1^\markup { \italic { Drums in } } | % 7
- r4 d d fs | % 8
+%{
+ s1^\markup { \italic { Ac. guitar } } | % 1
+ s1 | % 2
+ s1^\markup { \italic { Guitar II in } } | % 3
+ s1 | % 4
+ s1^\markup { \italic { Bass in } } | % 5
+ s1 | % 6
+ s1^\markup { \italic { Drums in } } | % 7
+ s1 | % 8
+%}
+ s1*8 | % 1-8
% Verse
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- a4. a8 ~ a8 r8 r4 | % 9
- r4 a b a | % 10
- fs4. d8 ~ d8 r8 r4 | % 11
- r4 d' d d | % 12
- d4. d8 ~ d8 r8 r4 | % 13
- r4 d e d | % 14
- b4. a8 ~ a8 r8 r4 | % 15
- r4 d, d fs | % 16
-
- a4. a8 ~ a8 r8 r4 | % 17
- r4 a b a | % 18
- fs4. d8 ~ d8 r8 r4 | % 19
- r4 a' b a | % 20
- fs4. r8 r2 | % 21
- r4 d fs e | % 22
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+
+ s1*14 | % 9-22
}
\alternative
{
{
- d4. r8 r2 | % 23
- r1 | % 24
- r1 | % 25
- r4 d d fs | % 26
+ s1*4 | % 23-26
}
{
- d4. r8 r2 | % 27
- r1 | % 28
- r1 | % 29
+ s1*3 | % 27-29
}
}
- r4 d' d fs \bar "|:" % 30
+ s1 | % 30
% Tag
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \small \italic { Women 8vb throughout } }
+ \repeat volta 1
+ {
+% \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } } %\small \italic { Women 8vb throughout } }
+
+ s1*8 | % 31-38
+ }
+
+ % Ending
+
+% \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { C } } } % \small \italic { On cue } }
+
+ s1*6 | % 39-44
+ s1 \bar "|." % 45
+}
+
+
+%
+% Lead vocal
+%
+
+LeadVox = \relative c'
+{
+ \override Staff.TimeSignature #'style = #'()
+ \clef G
+
+ % Intro
+
+ r1 | % 1
+ r1 | % 2
+ r1 | % 3
+ r1 | % 4
+ r1 | % 5
+ r1 | % 6
+ r1 | % 7
+ r4 d d fs | % 8
+
+ % Verse
+
+ a4. a8 ~ a8 r8 r4 | % 9
+ r4 a b a | % 10
+ fs4. d8 ~ d8 r8 r4 | % 11
+ r4 d' d d | % 12
+ d4. d8 ~ d8 r8 r4 | % 13
+ r4 d e d | % 14
+ b4. a8 ~ a8 r8 r4 | % 15
+ r4 d, d fs | % 16
+
+ a4. a8 ~ a8 r8 r4 | % 17
+ r4 a b a | % 18
+ fs4. d8 ~ d8 r8 r4 | % 19
+ r4 a' b a | % 20
+ fs4. r8 r2 | % 21
+ r4 d fs e | % 22
+
+ d4. r8 r2 | % 23
+ r1 | % 24
+ r1 | % 25
+ r4 d d fs | % 26
+
+ d4. r8 r2 | % 27
+ r1 | % 28
+ r1 | % 29
+
+ r4 d' d fs | % 30
+
+ % Tag
fs4 r r2 | % 31
r4 d d fs | % 32
fs4 r r2 | % 35
r4 d d fs | % 36
fs4 r r2 | % 37
- r4 d d fs \bar ":|" % 38
+ r4 d d fs | % 38
% Ending
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { C } } \small \italic { On cue } }
-
r1 | % 39
r1 | % 40
r1 | % 41
r1 | % 42
r1 | % 43
-% r1 | % 44
-% r1 | % 45
- r1 | % 46
- r1^\fermata \bar "|." % 47
+ r1 | % 44
+ r1^\fermata | % 45
}
}
+Riffs = \relative c'
+{
+}
+
+
%
% Chord names
%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
c4.:9 b2:7.9+ bf8:7+ | % 1
% Verse
- \repeat volta 3
- {
- d2..:7+ g8:/a | % 9
- s1 | % 10
- d2..:7+ fs8:aug7 | % 11
- s1 | % 12
- g4.:7+ d2:/fs e8:m7 | % 13
- s4. a2:sus4.7 s8 | % 14
- d2..:7+ g8:m/a | % 15
- s1 | % 16
-
- d2..:7+ cs8:m11 | % 17
- s4. fs2:7.9+ b8:m7 | % 18
- s2.. e8:9 | % 19
- s1 | % 20
- e2..:m9 a8:13 | % 21
- s2.. c8:9 | % 22
- }
- \alternative
- {
- {
- s4. b2:7.9+ bf8:7+ | % 23
- s4. a2:sus4.7 c8:9 | % 24
- s4. b2:7.9+ bf8:7+ | % 25
- s4. a2:sus4.7 s8 | % 26
- }
- {
- s4. b2:7.9+ bf8:7+ | % 27
- s4. a2:sus4.7 c8:9 | % 28
- s4. b2:7.9+ bf8:7+ | % 29
- }
- }
+ d2..:7+ g8:/a | % 9
+ s1 | % 10
+ d2..:7+ fs8:aug7 | % 11
+ s1 | % 12
+ g4.:7+ d2:/fs e8:m7 | % 13
+ s4. a2:sus4.7 s8 | % 14
+ d2..:7+ g8:m/a | % 15
+ s1 | % 16
+
+ d2..:7+ cs8:m11 | % 17
+ s4. fs2:7.9+ b8:m7 | % 18
+ s2.. e8:9 | % 19
+ s1 | % 20
+ e2..:m9 a8:13 | % 21
+ s2.. c8:9 | % 22
+
+ s4. b2:7.9+ bf8:7+ | % 23
+ s4. a2:sus4.7 c8:9 | % 24
+ s4. b2:7.9+ bf8:7+ | % 25
+ s4. a2:sus4.7 s8 | % 26
+
+ s4. b2:7.9+ bf8:7+ | % 27
+ s4. a2:sus4.7 c8:9 | % 28
+ s4. b2:7.9+ bf8:7+ | % 29
s4 a:sus4.7 s2 | % 30
s4. b2:7.9+ bf8:7+ | % 41
s4. a2:sus4.7 c8:9 | % 42
s4. b2:7.9+ bf8:7+ | % 43
-% s4. a2:sus4.7 c8:9 | % 44
-% s4. b2:7.9+ bf8:7+ | % 45
- s4. a2:sus4.7 s8 | % 46
- d1:7+ | % 47
+ s4. a2:sus4.7 s8 | % 44
+ d1:7+ | % 45
}
% Use a RhythmicStaff on the chords instead of this?
% It almost works, but not quite. Doesn't collapse chords above to single notes...
-StaffC = \relative c
+Rhythm = \relative c
{
- \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
+% \set Voice.autoBeaming = ##f
\override Staff.TimeSignature #'style = #'()
- \time 4/4
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verse
- \repeat volta 3
- {
- c4 c c r8 c ~ | % 9
- c4 c c c | % 10
- c4 c c r8 c ~ | % 11
- c4 c c c | % 12
- c4. c8 ~ c4. c8 ~ | % 13
- c4. c8 ~ c2 | % 14
- c4 c c c8 c ~ | % 15
- c4 c c c | % 16
-
- c4 c c r8 c ~ | % 17
- c4. c8 ~ c4. c8 ~ | % 18
- c4 c c r8 c ~ | % 19
- c4 c c c | % 20
- c4 c c r8 c ~ | % 21
- c4 c c r8 c ~ | % 22
- }
- \alternative
- {
- {
- c4. c8 ~ c4. c8 ~ | % 23
- c4. c8 ~ c4. c8 ~ | % 24
- c4. c8 ~ c4. c8 ~ | % 25
- c4. c8 ~ c2 | % 26
- }
- {
- c4. c8 ~ c4. c8 ~ | % 27
- c4. c8 ~ c4. c8 ~ | % 28
- c4. c8 ~ c4. c8 ~ | % 29
- }
- }
-
- c4 c r2 \bar "|:" % 30
+ c4 c c r8 c ~ | % 9
+ c4 c c c | % 10
+ c4 c c r8 c ~ | % 11
+ c4 c c c | % 12
+ c4. c8 ~ c4. c8 ~ | % 13
+ c4. c8 ~ c2 | % 14
+ c4 c c c8 c ~ | % 15
+ c4 c c c | % 16
+
+ c4 c c r8 c ~ | % 17
+ c4. c8 ~ c4. c8 ~ | % 18
+ c4 c c r8 c ~ | % 19
+ c4 c c c | % 20
+ c4 c c r8 c ~ | % 21
+ c4 c c r8 c ~ | % 22
+
+ c4. c8 ~ c4. c8 ~ | % 23
+ c4. c8 ~ c4. c8 ~ | % 24
+ c4. c8 ~ c4. c8 ~ | % 25
+ c4. c8 ~ c2 | % 26
+
+ c4. c8 ~ c4. c8 ~ | % 27
+ c4. c8 ~ c4. c8 ~ | % 28
+ c4. c8 ~ c4. c8 ~ | % 29
+
+ c4 c r2 | % 30
% Tag
c4 c c r8 c ~ | % 35
c4 c c c | % 36
c4. c8 ~ c4. c8 ~ | % 37
- c4. c8 ~ c2 \bar ":|" % 38
+ c4. c8 ~ c2 | % 38
% Ending
c4. c8 ~ c4. c8 ~ | % 40
c4. c8 ~ c4. c8 ~ | % 41
c4. c8 ~ c4. c8 ~ | % 42
- c4._\markup { \italic rit. } c8 ~ c4. c8 ~ | % 43
-% c4. c8 ~ c4. c8 ~ | % 44
-% c4. c8 ~ c4. c8 ~ | % 45
- c4. c8 ~ c2 | % 46
- c1^\fermata \bar "|." % 47
+ c4. c8 ~ c4. c8 ~ | % 43
+ c4. c8 ~ c2 | % 44
+ c1^\fermata | % 45
+}
+
+
+Dynamics =
+{
+ s1_\markup { \small \italic { Ac. guitar } } | % 1
+ s1 | % 2
+ s1_\markup { \small \italic { Guitar II in } } | % 3
+ s1 | % 4
+ s1_\markup { \small \italic { Bass in } } | % 5
+ s1 | % 6
+ s1_\markup { \small \italic { Drums in } } | % 7
+ s1 | % 8
+
+ s1*21 | % 9-29
+ s4_\markup { \small \italic { Women 8vb throughout } } s2. | % 30
+
+ s1*8 | % 31-38
+% s1 | % 38
+
+ % Ending
+
+ s4_\markup { \small \italic { On cue } } s2. | % 39
+ s1*3 | % 40-42
+ s4_\markup { \small \italic { rit. } } s2. | % 43
}
\score
{
+%{
<<
% \new ChoirStaff = "Vox"
<<
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
+%}
+ <<
+ \set Score.skipBars = ##t
+ \set Score.melismaBusyProperties = #'()
+
+% \new Staff
+ <<
+ \new ChordNames \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
+
+ \new Staff
+ <<
+ \Global
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "lead" \LeadVoxTextB
+ \new Lyrics \lyricsto "lead" \LeadVoxTextC
+ >>
+ >>
}
projects / music / blobdiff