-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18 % or 16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans)
{ \fontsize #3.5 "I Could Sing Of Your Love Forever" } }
-% composer = \markup { \override #'(font-family . sans) "" }
+ composer = \markup { \override #'(font-family . sans) "Martin Smith" }
arranger = \markup { \override #'(font-family . sans) "arr. Ed Smart" }
tagline = "Engraved by JLH and Lilypond 2.8.2"
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key f \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1*4 | % 1-4
}
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 5
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 6
- r8 c' c8 a16 a ~ a g8 g16 ~ g f8. | % 7
- g8 g g f16 a ~ a g8 g16 ~ g f f8 | % 8
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 9
- r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 10
- r8 c' c c c c c c | % 11
- d8 c c c a4 ( g8 f ) \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Chorus
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- r4 f8 f f g a c ~ | % 13
- c4 f,8 g ~ g a ~ a4 | % 14
- r4 f8 f f g a c ~ | % 15
- c4 a8 a ~ a g4 ( f8 ) | % 16
- r4 f8 f f g a c ~ | % 17
- c4 f,8 g ~ g a ~ a4 | % 18
- r4 f8 f f g a c ~ | % 19
- c4 a8 a ~ a g4 ( f8 ) | % 20
+ s1*8 | % 13-20
}
\alternative
{
{
- R1 | % 21
- R1 | % 22
- R1 | % 23
- R1 | % 24
+ s1*4 | % 21-24
}
{
- r2 bf16 a8 g16 ~ g f8. | % 25
+ s1 | % 25
}
}
% Bridge
- d8 f4. r2 | % 26
- r4 r8 f d'16 c8 c16 ~ c8 c | % 27
- a4 ( g ) r2 | % 28
- r4 r8 f bf16 a8 g16 ~ g f8. | % 29
- d4 f8 f r f f d' ~ | % 30
- d8 c4 c8 ~ c a c d ~ | % 31
- d8 c4 a8 ( ~ a g4 f8 ) \bar "||" % 32
+ s1*7 \bar "||" % 26-32
% Solo
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
\key g \major
- R1 | % 33
- R1 | % 34
- R1 | % 35
- R1 | % 36
- R1 | % 37
- R1 | % 38
- R1 | % 39
- R1 | % 40
+ s1*8 | % 33-40
% Chorus (redux)
\repeat volta 2
{
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-
- r4 f8 f f g a c ~ | % 41
- c4 f,8 g ~ g a ~ a4 | % 42
- r4 f8 f f g a c ~ | % 43
- c4 a8 a ~ a g4 ( f8 ) | % 44
- r4 f8 f f g a c ~ | % 45
- c4 f,8 g ~ g a ~ a4 | % 46
- r4 f8 f f g a c ~ | % 47
- c4 a8 a ~ a g4 ( f8 ) | % 48
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s1*8 | % 41-48
}
-\mark \markup { \override #'(font-family . sans) { \box { E } } }
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+
+ s1*9 \bar "|." % 49-57
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*4 | % 1-4
+
+ % Verse
+
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 5
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 6
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f8. | % 7
+ g8 g g f16 a ~ a g8 g16 ~ g f f8 | % 8
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 9
+ r8 c' c8 a16 a ~ a g8 g16 ~ g f f8 | % 10
+ r8 c' c c c c c c | % 11
+ d8 c c c a4 ( g8 f ) | % 12
+
+ % Chorus
+
+ r4 f8 f f g a c ~ | % 13
+ c4 f,8 g ~ g a ~ a4 | % 14
+ r4 f8 f f g a c ~ | % 15
+ c4 a8 a ~ a g4 ( f8 ) | % 16
+ r4 f8 f f g a c ~ | % 17
+ c4 f,8 g ~ g a ~ a4 | % 18
+ r4 f8 f f g a c ~ | % 19
+ c4 a8 a ~ a g4 ( f8 ) | % 20
+
+ R1 | % 21
+ R1 | % 22
+ R1 | % 23
+ R1 | % 24
+
+ r2 bf16 a8 g16 ~ g f8. | % 25
+
+ % Bridge
+
+ d8 f4. r2 | % 26
+ r4 r8 f d'16 c8 c16 ~ c8 c | % 27
+ a4 ( g ) r2 | % 28
+ r4 r8 f bf16 a8 g16 ~ g f8. | % 29
+ d4 f8 f r f f d' ~ | % 30
+ d8 c4 c8 ~ c a c d ~ | % 31
+ d8 c4 a8 ( ~ a g4 f8 ) | % 32
+
+ % Solo
+
+ R1*8 | % 33-40
+
+ % Chorus (redux)
+
+ r4 f8 f f g a c ~ | % 41
+ c4 f,8 g ~ g a ~ a4 | % 42
+ r4 f8 f f g a c ~ | % 43
+ c4 a8 a ~ a g4 ( f8 ) | % 44
+ r4 f8 f f g a c ~ | % 45
+ c4 f,8 g ~ g a ~ a4 | % 46
+ r4 f8 f f g a c ~ | % 47
+ c4 a8 a ~ a g4 ( f8 ) | % 48
r4 f8 f f g a c ~ | % 49
c4 f,8 g ~ g a ~ a4 | % 50
c4 f,8 g ~ g a ~ a4 | % 54
r4 f8 f f g a c ~ | % 55
c4 a8 a ~ a g4 ( f8 ) ~ | % 56
- f1^\fermata \bar "|." % 57
+ f1^\fermata | % 57
}
+
LeadVoxText = \lyricmode
{
O- ver the moun- _ tains and _ the sea
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- f2.. g8:m11 | % 1
- s1 | % 2
- bf1:9^7 | % 3
- bf2/c c | % 4
- }
+ f2.. g8:m11 | % 1
+ s1 | % 2
+ bf1:9^7 | % 3
+ bf2/c c | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- f1 | % 5
- g1:m11 | % 6
- bf1:9^7 | % 7
- bf4..:/c c16 s2 | % 8
- f1 | % 9
- g1:m11 | % 10
- bf1:9^7 | % 11
- bf2/c c | % 12
+ f1 | % 5
+ g1:m11 | % 6
+ bf1:9^7 | % 7
+ bf4..:/c c16 s2 | % 8
+ f1 | % 9
+ g1:m11 | % 10
+ bf1:9^7 | % 11
+ bf2/c c | % 12
- % Chorus
+ % Chorus
- f2.. g8:m11 | % 13
- s1 | % 14
- bf2..:9^7 bf8/c | % 15
- s2 c | % 16
- f2.. g8:m11 | % 17
- s1 | % 18
- bf2..:9^7 bf8/c | % 19
- s2 c | % 20
- }
- \alternative
- {
- {
- f2.. g8:m11 | % 21
- s1 | % 22
- bf2..:9^7 bf8/c | % 23
- s2 c | % 24
- }
- {
- g1:m11 | % 25
- }
- }
+ f2.. g8:m11 | % 13
+ s1 | % 14
+ bf2..:9^7 bf8/c | % 15
+ s2 c | % 16
+ f2.. g8:m11 | % 17
+ s1 | % 18
+ bf2..:9^7 bf8/c | % 19
+ s2 c | % 20
+
+ f2.. g8:m11 | % 21
+ s1 | % 22
+ bf2..:9^7 bf8/c | % 23
+ s2 c | % 24
+
+ g1:m11 | % 25
% Bridge
% Chorus (redux)
- \repeat volta 2
- {
- f2.. g8:m11 | % 41
- s1 | % 42
- bf2..:maj7 bf8/c | % 43
- s4.. c16 s2 | % 44
- f2.. g8:m11 | % 45
- s1 | % 46
- bf2..:maj7 bf8/c | % 47
- s2 c | % 48
- }
+ f2.. g8:m11 | % 41
+ s1 | % 42
+ bf2..:maj7 bf8/c | % 43
+ s4.. c16 s2 | % 44
+ f2.. g8:m11 | % 45
+ s1 | % 46
+ bf2..:maj7 bf8/c | % 47
+ s2 c | % 48
f2.. g8:m11 | % 49
s1 | % 50
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \tiny
% Intro
- \repeat volta 2
- {
- c4 c c c8 c ~ | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- }
+ c4 c c c8 c ~ | % 1
+ c4 c c c | % 2
+ c4 c c c | % 3
+ c4 c c c | % 4
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 ~ c8. c16 ~ c4 c | % 5
- c4 ~ c8. c16 ~ c4 c | % 6
- c4 ~ c8. c16 ~ c4 c | % 7
- c4 ~ c8. c16 ~ c4 c | % 8
- c4 ~ c8. c16 ~ c4 c | % 9
- c4 c8. c16 ~ c4 c | % 10
- c4 c c c | % 11
- c8-> c c c c c c c | % 12
+ c4 ~ c8. c16 ~ c4 c | % 5
+ c4 ~ c8. c16 ~ c4 c | % 6
+ c4 ~ c8. c16 ~ c4 c | % 7
+ c4 ~ c8. c16 ~ c4 c | % 8
+ c4 ~ c8. c16 ~ c4 c | % 9
+ c4 c8. c16 ~ c4 c | % 10
+ c4 c c c | % 11
+ c8-> c c c c c c c | % 12
- % Chorus
+ % Chorus
- c4 c c c8 c ~ | % 13
- c4 c c c | % 14
- c4 c c c8 c-> ~ | % 15
- c4 c c c | % 16
- c4 c c c8 c ~ | % 17
- c4 c c c | % 18
- c4 c c c8 c-> ~ | % 19
- c4 c c c | % 20
- }
- \alternative
- {
- {
- c4 c c c8 c ~ | % 21
- c4 c c c | % 22
- c4 c c c8 c ~ | % 23
- c4 c c c | % 24
- }
- {
- c4. c8 ~ c4 c | % 25
- }
- }
+ c4 c c c8 c ~ | % 13
+ c4 c c c | % 14
+ c4 c c c8 c-> ~ | % 15
+ c4 c c c | % 16
+ c4 c c c8 c ~ | % 17
+ c4 c c c | % 18
+ c4 c c c8 c-> ~ | % 19
+ c4 c c c | % 20
+
+ c4 c c c8 c ~ | % 21
+ c4 c c c | % 22
+ c4 c c c8 c ~ | % 23
+ c4 c c c | % 24
+
+ c4. c8 ~ c4 c | % 25
% Bridge
% Chorus (redux)
- \repeat volta 2
- {
- c4 c c c8 c-> ~ | % 41
- c4 c8. c16 ~ c4 c | % 42
- c4 c c c8 c-> ~ | % 43
- c4 c8. c16 ~ c4 c | % 44
- c4 c c c8 c-> ~ | % 45
- c4 c8. c16 ~ c4 c | % 46
- c4 c c c8 c-> ~ | % 47
- c4 c c c | % 48
- }
+ c4 c c c8 c-> ~ | % 41
+ c4 c8. c16 ~ c4 c | % 42
+ c4 c c c8 c-> ~ | % 43
+ c4 c8. c16 ~ c4 c | % 44
+ c4 c c c8 c-> ~ | % 45
+ c4 c8. c16 ~ c4 c | % 46
+ c4 c c c8 c-> ~ | % 47
+ c4 c c c | % 48
c4-> c c c8 c ~ | % 49
c4 c-> c c-> | % 50
c4 c c c | % 54
c4-> c c c | % 55
c2->_\markup { \italic { rit. } } c-> | % 56
- c1^\fermata \bar "|." % 57
+ c1^\fermata | % 57
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "JazzText"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+% ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff