%
-% Lead vocal
+% Song's structure
%
-
-LeadXvoxA = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
- \set Staff.instrumentName = #"Lead vox"
\clef G
\key a \major
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
-% \set Score.markFormatter = #format-mark-box-letters
\repeat volta 2
{
- R1^"Moderately, not too slow" | % 1
- R1 | % 2
+ s1^"Moderately, not too slow" | % 1
+ s1 | % 2
}
\alternative
{
{
- R1 | % 3
- R1 | % 4
+ s1*2 | % 3-4
}
{
- R1 | % 5
- R1 \bar "||" % 6
+ s1*2 \bar "||" % 5-6
}
}
% Chorus
-%\mark \markup { \override #'(font-family . sans) { \box { A } } }
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*12 | % 7-18
+
+ s2... \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" } s16 | % 19
+
+ s1 \bar "||" % 20
+
+ % Interlude
+
+ s1*4 \bar"||" % 21-24
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*15 | % 25-39
+ R1
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark "D.S. al Coda"
+ \bar "||" % 40
+% \break
+
+ % Coda (chorus again)
+
+\stopStaff s1 \startStaff
+% s1
+\set Score.currentBarNumber = #41
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ s1 \bar "||" % 43
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*14 | % 42-55
+
+ % Ending
+
+ \repeat volta 2
+ {
+ s1*2 | % 56-57
+ }
+ \alternative
+ {
+ {
+ s1*2 | % 58-59
+ }
+ {
+ s1 | % 60
+ }
+ }
+
+ s1 \bar "|." % 61
+}
+
+
+%
+% Lead vocal
+%
+LeadXvoxA = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*6 | % 1-6
+
+ % Chorus
\stemUp a'4. gs8 ~ gs4 r8 e | % 7
fs [ gs ] a [ b ~ ] b gs4 e8 ~ | % 8
d [ cs ] \stemUp b [ a ] \stemDown cs [ b ~ ] b4 | % 17
r2 r8 b cs [ d ~ ] | % 18
d [ cs ] \stemUp b [ a ~ ] a [ b ] \stemDown cs [ d ~ ] | % 19
-%\mark \markup { \musicglyph #"scripts.coda" } | % 19
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
-
d [ cs ] \stemUp b [ a ] a [ b ] gs [ a ~ ] \bar "||" % 20
% Interlude
a2 r | % 21
R1 | % 22
R1 | % 23
- r2. r8 cs,16 [ d ] \bar"||" % 24
+ r2. r8 cs,16 [ d ] | % 24
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
e8 [ e ] e [ e ~ ] e [ d ] cs4 | % 25
e8 [ fs ] gs [ a ~ ] a [ gs ] e [ d ~ ] | % 26
d4 r r8 e fs [ b, ] ~ | % 27
gs8 [ gs ] gs [ gs ~ ] gs fs4 e8 | % 37
\times 2/3 { gs4 gs gs } \times 2/3 { gs a \stemDown b } | % 38
\stemUp a1 | % 39
- R1
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark "D.S. al Coda"
- \bar "||" % 40
-% \break
+ R1 | % 40
% Coda (chorus again)
-%\stopStaff s1 \startStaff
-s1
-\set Score.currentBarNumber = #41
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
-
- d8 \repeatTie [ cs ] \stemUp b [ a ] a [ b ] gs4 \bar "||" \mark \default % 43
-
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1 % Blank bar for coda
+ d8 \repeatTie [ cs ] \stemUp b [ a ] a [ b ] gs4 | % 41
\stemUp a4. gs8 ~ gs4 r8 e | % 42
fs [ gs ] a [ b ~ ] b gs4 e8 ~ | % 43
e2 r | % 44
d [ cs ] \stemUp b [ a ] \stemDown cs [ b ~ ] b4 | % 52
r2 r8 b cs [ d ~ ] | % 53
d [ cs ] \stemUp b [ a ~ ] a [ b ] \stemDown cs [ d ~ ] | % 54
-% d [ cs ] \stemUp b [ a ] a [ b ] gs [ a ~ ] \bar "|:" % 55
d [ cs ] \stemUp b [ a ] a [ b ] gs4 | % 55
% Ending
- \repeat volta 2
- {
- a2 r | % 56
- R1 | % 57
- }
- \alternative
- {
- {
- R1 | % 58
- R1 | % 59
- }
- {
- R1 | % 60
- }
- }
+ a2 r | % 56
+ R1 | % 57
+
+ R1 | % 58
+ R1 | % 59
- r1^\fermata \bar "|." % 61
+ R1 | % 60
+
+ r1^\fermata | % 61
}
+
LeadXvoxATextA = \lyricmode
{
- He who _ be- gan a good work _ in you _
- He who _ be- gan a good work _ in you _
- _ Will be fai- _ thful to com- plete it _
- Will be fai- _ thful to com- plete it _
- He who start- _ ed the work _ will be fai-
- _ thful to com- plete it in you _
-
- If the trou- ble you're fac- _ ing is
- slow- ly re- pla- _ cing your hope _ with des- pair _
- And the pro- cess is long _ and you're
- lo- sing your songs _ in the night _
- You can be sure _ that the Lord has his hand _ on you
- Safe and se- cure _ He will ne- ver a- band- _ on you
- You are his trea- _ sure And
- He finds His plea- sure in you
-
- _ thful to com- plete it in
-
- He who _ be- gan a good work _ in you _
- He who _ be- gan a good work _ in you _
- _ Will be fai- _ thful to com- plete it _
- Will be fai- _ thful to com- plete it _
- He who start- _ ed the work _ will be fai-
- _ thful to com- plete it in you _
+ He who _ be- gan a good work _ in you _
+ He who _ be- gan a good work _ in you _
+ _ Will be fai- _ thful to com- plete it _
+ Will be fai- _ thful to com- plete it _
+ He who start- _ ed the work _ will be fai-
+ _ thful to com- plete it in you _
+
+ If the trou- ble you're fac- _ ing is
+ slow- ly re- pla- _ cing your hope _ with des- pair _
+ And the pro- cess is long _ and you're
+ lo- sing your songs _ in the night _
+ You can be sure _ that the Lord has his hand _ on you
+ Safe and se- cure _ He will ne- ver a- band- _ on you
+ You are his trea- _ sure And
+ He finds His plea- sure in you
+
+ _ thful to com- plete it in
+
+ He who _ be- gan a good work _ in you _
+ He who _ be- gan a good work _ in you _
+ _ Will be fai- _ thful to com- plete it _
+ Will be fai- _ thful to com- plete it _
+ He who start- _ ed the work _ will be fai-
+ _ thful to com- plete it in you _
}
%
% Background vocals
%
-
BgXvoxA = \relative c'
{
-% \set Voice.autoBeaming = ##f
- \set Staff.instrumentName = #"BG vox"
\clef G
- \key a \major
- \time 4/4
+ \numericTimeSignature
- \repeat volta 2
- {
- R1 | % 1
- R1 | % 2
- }
- \alternative
- {
- {
- R1 | % 3
- R1 | % 4
- }
- {
- R1 | % 5
- R1 | % 6
- }
- }
- \bar "||"
+ % Intro
+
+ R1 | % 1
+ R1 | % 2
+
+ R1 | % 3
+ R1 | % 4
+
+ R1 | % 5
+ R1 | % 6
% Chorus
% Coda (chorus again)
\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #41
- R1 \bar "||" % 41
+ R1 | % 41
R1 | % 42
R1 | % 43
% Ending
- \repeat volta 2
- {
- R1 | % 56
- R1 | % 57
- }
- \alternative
- {
- {
- R1 | % 58
- R1 | % 59
- }
- {
- R1 | % 60
- }
- }
+ R1 | % 56
+ R1 | % 57
- r1^\fermata \bar "|." % 61
+ R1 | % 58
+ R1 | % 59
+
+ R1 | % 60
+
+ r1^\fermata | % 61
}
+
BgXvoxATextA = \lyricmode
{
%\set associatedVoice = foo
%
% Instrumental lines
%
-
RhythmB = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
\clef G
- \key a \major
- \time 4/4
-
- \repeat volta 2
- {
- \stemDown a'8 [ b cs b ~ ] b [ e ~ ] e4 |
- d8 [ e cs b ~ ] b2 | % 4
- }
- \alternative
- {
- {
- a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 |
- }
- {
- \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 |
- }
- }
- \bar "||"
+ \tiny
+
+ % Intro
+
+ \stemDown a'8 [ b cs b ~ ] b [ e ~ ] e4 | % 1
+ d8 [ e cs b ~ ] b2 | % 2
+
+ a8 [ b cs b ~ ] b [ e cs a ~ ] | % 3
+ \stemUp a1 | % 4
+
+ \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] | % 5
+ \stemUp a1 | % 6
% Chorus
- R1 | % 9
- R1 |
- R1 | % 11
- R1 |
- R1 | % 13
- R1 |
- R1 | % 15
- R1 |
- R1 | % 17
- R1 |
- R1 | % 19
- R1 |
- R1 | % 21
- R1 |
+ s1*14 | % 7-20
% Interlude
- \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 |
- d8 [ e cs b ~ ] b2 | % 24
- a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 | % 26
+ \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 | % 21
+ d8 [ e cs b ~ ] b2 | % 22
+ a8 [ b cs b ~ ] b [ e cs a ~ ] | % 23
+ \stemUp a1 | % 24
% Verse
- R1 |
- R1 |
- R1 | % 29
- R1 |
- R1 | % 31
- R1 |
- R1 | % 33
- R1 |
- R1 | % 35
- R1 |
- R1 | % 37
- R1 |
- R1 | % 39
- R1 |
- R1 | % 41
- R1 |
+ s1*16 | % 25-40
% Coda (chorus again)
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #41
+ s1 % Blank bar for coda
- R1 \bar "||" % 43
- R1 |
- R1 | % 45
- R1 |
- R1 | % 47
- R1 |
- R1 | % 49
- R1 |
- R1 | % 51
- R1 |
- R1 | % 53
- R1 |
- R1 | % 55
- R1 |
- R1 | % 57
+ s1*15 | % 41-55
% Ending
- \repeat volta 2
- {
- \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 |
- d8 [ e cs b ~ ] b2 | % 4
- }
- \alternative
- {
- {
- a8 [ b cs b ~ ] b [ e cs a ~ ] |
- \stemUp a1 |
- }
- {
- \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] |
- }
- }
+ \stemDown a8 [ b cs b ~ ] b [ e ~ ] e4 | % 56
+ d8 [ e cs b ~ ] b2 | % 57
+
+ a8 [ b cs b ~ ] b [ e cs a ~ ] | % 58
+ \stemUp a1 | % 59
- \stemUp a1^\fermata \bar "|."
+ \stemDown a8 [ b cs b ~ ] b [ e cs a ~ ] | % 60
+
+ \stemUp a1^\fermata | % 61
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-%\set chordNameExceptions = #popChords
-%\set chordRootNamer = #chord-name->pop-markup
+ % Intro
-% \popChords
+ a4. cs4.:m7 s4 | % 1
+ d4. e4.:sus4 e4 | % 2
- \repeat volta 2
- {
- a4. cs4.:m7 s4 |
- d4. e4.:sus4 e4 | % 4
- }
- \alternative
- {
- {
- a4. cs2:m7 d8 |
- s2 d/e |
- }
- {
- fs4.:m7 e2 d8 |
- s2 d/e |
- }
- }
+ a4. cs2:m7 d8 | % 3
+ s2 d/e | % 4
+
+ fs4.:m7 e2 d8 | % 5
+ s2 d/e | % 6
% Chorus
- a4. e4./gs s4 |
- d4./fs e4./gs s8 cs8:m7 | % 10
- s1 |
- b2:m7 d/e | % 12
- a4. e/gs s4 |
- d4./fs e2/gs cs8:sus4.7 | % 14
- s2. s8 cs:7 |
- s1 | % 16
- b1:m7 |
- e4.:sus4 e s4 | % 18
- b1:m7 |
- e4.:sus4 e s8 d8 | % 20
- s4. a2/cs b8:m7 |
- s2 d4/e e | % 22
+ a4. e4./gs s4 | % 7
+ d4./fs e4./gs s8 cs8:m7 | % 8
+ s1 | % 9
+ b2:m7 d/e | % 10
+ a4. e/gs s4 | % 11
+ d4./fs e2/gs cs8:sus4.7 | % 12
+ s2. s8 cs:7 | % 13
+ s1 | % 14
+ b1:m7 | % 15
+ e4.:sus4 e s4 | % 16
+ b1:m7 | % 17
+ e4.:sus4 e s8 d8 | % 18
+ s4. a2/cs b8:m7 | % 19
+ s2 d4/e e | % 20
% Interlude
- a4. cs4.:m7 s4 |
- d4. e4.:sus4 e4 | % 24
- fs4.:m7 e2 d8 |
- s2 d/e | % 26
+ a4. cs4.:m7 s4 | % 21
+ d4. e4.:sus4 e4 | % 22
+ fs4.:m7 e2 d8 | % 23
+ s2 d/e | % 24
% Verse
% Coda (chorus again)
-s1 |
+s1 % Blank bar for coda
+
b2:m7 d4/e e | % 43
a4. e4./gs s4 |
d4./fs e4./gs s8 cs8:m7 | % 45
% Ending
- \repeat volta 2
- {
- a4. cs4.:m7 s4 |
- d4. e4.:sus4 e4 | % 59
- }
- \alternative
- {
- {
- a4. cs2:m7 d8 |
- s2 d/e |
- }
- {
- fs4.:m7 e2 d8 |
- }
- }
+
+ a4. cs4.:m7 s4 |
+ d4. e4.:sus4 e4 | % 59
+
+ a4. cs2:m7 d8 |
+ s2 d/e |
+
+ fs4.:m7 e2 d8 |
s1 |
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \time 4/4
-
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
- \repeat volta 2
- {
- \stemDown c'4. c8 ~ c4 c | %1
- c4. c8 ~ c4 c | % 2
- }
- \alternative
- {
- {
- c4. c8 ~ c4. c8 ~ | % 3
- c4 c c c | % 4
- }
- {
- c4. c8 ~ c4. c8 ~ | % 5
- c4 c c c | % 6
- }
- }
- \bar "||"
+ % Intro
+
+ \stemDown c'4. c8 ~ c4 c | %1
+ c4. c8 ~ c4 c | % 2
+
+ c4. c8 ~ c4. c8 ~ | % 3
+ c4 c c c | % 4
+
+ c4. c8 ~ c4. c8 ~ | % 5
+ c4 c c c | % 6
% Chorus
% Coda (chorus again)
\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #41
- c4 c c c \bar "||" % 41
+ c4 c c c | % 41
c4. c8 ~ c4 c | % 42
c4. c8-> c4 r8 c8 ~ | % 43
c4 c c c | % 44
% Ending
- \repeat volta 2
- {
- \stemDown c4. c8 ~ c4 c | % 56
- c4. c8 ~ c4 c | % 57
- }
- \alternative
- {
- {
- c4. c8 ~ c4. c8 ~ | % 58
- c4 c c c | % 59
- }
- {
- c4._\markup { \italic { rit. } } c8 ~ c4. c8 ~ | % 60
- }
- }
- c1 ^\fermata \bar "|." % 61
+ \stemDown c4. c8 ~ c4 c | % 56
+ c4. c8 ~ c4 c | % 57
+
+ c4. c8 ~ c4. c8 ~ | % 58
+ c4 c c c | % 59
+
+ c4._\markup { \italic { rit. } } c8 ~ c4. c8 ~ | % 60
+
+ c1 ^\fermata | % 61
}
\score
{
<<
- \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = LeadVox { \new Voice = "lead" \LeadXvoxA }
+ \new Voice = "lead" \LeadXvoxA
\new Lyrics \lyricsto "lead" \LeadXvoxATextA
- \new Staff = BgVox { \new Voice = "bg" \BgXvoxA }
+ \new Voice \RhythmB
+ >>
+
+ \new Staff
+ <<
+ \new Voice = "bg" \BgXvoxA
\new Lyrics \lyricsto "bg" \BgXvoxATextA
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new Staff = "riff" \RhythmB
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout {
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff