%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \tiny
- r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 1
- r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 2
- r4 g, fs e | % 3
- d1 | % 4
- \normalsize
+ s1*4 \bar ".|:-||" % 1-4
% Verse
\repeat volta 3
{
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- fs2^\markup { \italic { 3rd time instr. solo to B } } e | % 5
- d2 r4. a'8 | % 6
- b2 ~ b8 [ a g a ] | % 7
- a2 r | % 8
- fs2 e | % 9
- d2. ~ d8 [ fs ] | % 10
- g4. g8 g8. [ fs16 ] ~ fs8 [ d ] | % 11
- e2. r8 a, \bar"||" % 12
-
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- fs'2 e | d2. ~ d8 [ a' ] | % 14
- b2 ~ b8 [ a g a ] | % 15
- a1 | % 16
- r4 <b d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 17
- r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 18
- r4 g, fs e | % 19
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+
+ s2^\markup { \italic { 3rd time instr. solo to B } } s | % 5
+ s1*7 \bar"||" % 6-12
+
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+
+ s1*7 | % 14-19
}
\alternative
{
{
- d1 | % 20
+ s1 | % 20
}
{
- d2 r | % 21
+ s1 | % 21
}
}
% Outro
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*4 | % 22-25
+
+ \repeat volta 3
+ {
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+
+ s4^\markup { \italic { 3x } } s2. | % 26
+ s1 | % 27
+ }
+
+ % Ending
+
+ s1*2 \bar "|." % 28-29
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+%{ \tiny
+ r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 1
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 2
+ r4 g, fs e | % 3
+ d1 | % 4
+ \normalsize%}
+ s1*4 | % 1-4
+
+ % Verse
+
+ fs2 e | % 5
+ d2 r4. a'8 | % 6
+ b2 ~ b8 [ a g a ] | % 7
+ a2 r | % 8
+ fs2 e | % 9
+ d2. ~ d8 [ fs ] | % 10
+ g4. g8 g8. [ fs16 ] ~ fs8 [ d ] | % 11
+ e2. r8 a, | % 12
+
+ fs'2 e | d2. ~ d8 [ a' ] | % 14
+ b2 ~ b8 [ a g a ] | % 15
+ a1 | % 16
+ r4 <b d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 17
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 18
+ r4 g, fs e | % 19
+
+ d1 | % 20
+
+ d2 r | % 21
+
+ % Outro
+
r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 22
r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 23
r4 g, fs e | % 24
d1 | % 25
- \repeat volta 3
- {
-\mark \markup { \override #'(font-family . sans) { \box { D } } }
-% \mark \default
- r4^\markup { \italic { 3x } } <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 26
- r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 27
- }
+ r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 26
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 27
% Ending
r4 g, fs e | % 28
- d1^\fermata \bar "|." % 29
+ d1^\fermata | % 29
}
+
LeadVoxText = \lyricmode
{
- _ _ _ _ _ _ _ _
- _ _ _ _ _ _ _ _
-
- God is my re- dee- __ _ _ _ _ mer
- He heals me _ with re- a- ssu- __ _ _ ring love
- And I love my _ re- dee- __ _ _ _ _ mer
- O- ver- whel- __ _ _ ming
- o- ver- co- __ _ _ ming
- re- dee- ming love
+ God is my re -- dee -- _ _ _ _ mer
+ He heals me _ with re -- as -- su -- _ _ ring love
+ And I love my _ re -- dee -- _ _ _ _ mer
+ O -- ver -- whel -- _ _ ming
+ o -- ver -- co -- _ _ ming
+ re -- dee -- ming love
love
- O- ver- whel- __ _ _ ming
- o- ver- co- __ _ _ ming
- re- dee- ming love
+ O -- ver -- whel -- _ _ ming
+ o -- ver -- co -- _ _ ming
+ re -- dee -- ming love
- O- ver- whel- __ _ _ ming
- o- ver- co- __ _ _ ming
+ O -- ver -- whel -- _ _ ming
+ o -- ver -- co -- _ _ ming
- re- dee- ming love
+ re -- dee -- ming love
}
%
-% Chord names
+% Riffs/instrumental figures
%
+Riffs = \relative c'
+{
+ \clef G
+ % Intro
+
+ \tiny
+ r4 <b' d,>8 [ <b d,>16 <b d,>16 ] ~ <b d,>8 [ <cs e,> ] <d g,>4 | % 1
+ r4 <a d,>8 [ <a d,>16 <a d,>16 ] ~ <a d,>8 [ <cs e,> ] <d fs,>4 | % 2
+ r4 g, fs e | % 3
+ d1 | % 4
+ \normalsize
+}
+
+
+%
+% Chord names
+%
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
g1 | % 1
% Verse
- \repeat volta 3
- {
- d2 a | % 5
- b2:m7 b:m7/a | % 6
- g1 | % 7
- d1 | % 8
- d2 a/cs | % 9
- b2:m7 b:m7/a | % 10
- e1:m7 | % 11
- a2:sus4 a | % 12
-
- d2 a/cs | % 13
- b2:m7 b:m7/a | % 14
- g1 | % 15
- d2 e4:m11 d/fs | % 16
- g1 | % 17
- d2./fs b4:m7 | % 18
- e2:m7 d4/a a | % 19
- }
- \alternative
- {
- {
- d2 g/a | % 20
- }
- {
- d2 e4:m11 d/fs | % 21
- }
- }
+ d2 a | % 5
+ b2:m7 b:m7/a | % 6
+ g1 | % 7
+ d1 | % 8
+ d2 a/cs | % 9
+ b2:m7 b:m7/a | % 10
+ e1:m7 | % 11
+ a2:sus4 a | % 12
+
+ d2 a/cs | % 13
+ b2:m7 b:m7/a | % 14
+ g1 | % 15
+ d2 e4:m11 d/fs | % 16
+ g1 | % 17
+ d2./fs b4:m7 | % 18
+ e2:m7 d4/a a | % 19
+
+ d2 g/a | % 20
+
+ d2 e4:m11 d/fs | % 21
% Outro
e2:m7 d4/a a | % 24
d2 e4:m11 d/fs | % 25
- \repeat volta 3
- {
- g1 | % 26
- d2./fs b4:m7 | % 27
- }
+ g1 | % 26
+ d2./fs b4:m7 | % 27
% Ending
e2:m7 d4/a a | % 28
- d1 \bar "|." % 29
+ d1 | % 29
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
% Verse
- \repeat volta 3
- {
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- }
- \alternative
- {
- {
- c4 c c c | % 20
- }
- {
- c4 c \< c c \! | % 21
- }
- }
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
+
+ c4 c c c | % 13
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4 c c c | % 16
+ c4 c c c | % 17
+ c4 c c c | % 18
+ c4 c c c | % 19
+
+ c4 c c c | % 20
+
+ c4 c \< c c \! | % 21
% Outro
c4 c c c | % 24
c4 c \< c c \! | % 25
- \repeat volta 3
- {
- c4 c c c | % 26
- c4 c c c | % 27
- }
+ c4 c c c | % 26
+ c4 c c c | % 27
% Ending
c2_\markup { \italic { rit. } } c4 c | % 28
- c1^\fermata \bar "|." % 29
+ c1^\fermata | % 29
}
\score
{
<<
-% \new ChoirStaff = "Vox"
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
- \layout
- {
-% linewidth = 170.000 \mm
-% textheight = 250.000 \mm
-% papersize = "letter"
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff