\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "God Is Great" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
+% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = "Engraved by JLH and Lilypond 2.8.2"
}
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- \partial 2 r2 | % 0
+ \partial 2 s2 | % 0
\repeat volta 2
{
- R1 | % 1
- R1 | % 2
- R1 | % 3
- R1 | % 4
+ s1*4 | % 1-4
}
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+
+ s1*16 \bar "||" % 5-20
+
+ s1*16 \bar "||" % 21-36
+
+ % Chorus
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*16 \bar "||" % 37-52
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { To Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+
+ % Midtro
+
+ s1*4 \bar "||" % 53-56
+
+ % Verse
+
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+
+ s1*16 \bar "||" % 57-72
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+ % Coda
+
+\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #73
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ \repeat volta 2
+ {
+ s1*4 | % 73-76
+ }
+
+ % Bridge
+
+ \repeat volta 2
+ {
+ s1*8 | % 77-84
+ }
+
+ s1*8 \bar "||" % 85-92
+
+ s1*8 \bar ".|:-||" % 93-100
+
+ % Chorus
+
+ \repeat volta 2
+ {
+ s1*8 \bar "||" % 101-108
+
+ s1*7 | % 109-115
+ }
+ \alternative
+ {
+ {
+ s1 | % 116
+ }
+ {
+ s1 | % 117
+ }
+ }
+
+ s1*4 | % 118-121
+
+ % Outro
+
+ \repeat volta 2
+ {
+ s1*4 | % 122-125
+ }
+
+ s1 \bar "|." % 126
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ \partial 2 r2 | % 0
+
+ R1*4 | % 1-4
+
+ % Verse
r2 cs8 e4 e8 ~ | % 5
e8 a,4 d8 ~ d cs4 b8 ~ | % 6
a4 r r2 | % 17
R1 | % 18
R1 | % 19
- R1 \bar "||" % 20
+ R1 | % 20
r2 cs8 e4 e8 ~ | % 21
e8 a,4 d8 ~ d cs4 b8 ~ | % 22
a4 r r2 | % 33
R1 | % 34
R1 | % 35
- r2 a4 cs \bar "||" % 36
+ r2 a4 cs | % 36
% Chorus
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-%\musicglyph #"scripts.segno" \italic { band in } }
-
cs4 r a cs | % 37
cs4 r d cs8 b ~ | % 38
b8 r r4 d cs8 b ( | % 39
cs4 a8 a ~ a cs4 cs8 ~ | % 49
cs8 a4 d8 ~ d cs ( b ) b ~ | % 50
b2. r8 e, | % 51
- cs'4 b8 b ~ b a4 a8 ~ \bar "||" % 52
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { To Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ cs'4 b8 b ~ b a4 a8 ~ | % 52
% Midtro
a1 | % 53
- R1 | % 54
- R1 | % 55
- R1 \bar "||" % 56
+ R1*3 | % 54-56
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
r2 cs8 e4 e8 ~ | % 57
e8 a,4 d8 ~ d cs4 b8 ~ | % 58
b4 r r2 | % 59
a1 | % 69
r2 r4 e8 d' ~ | % 70
d8 cs ( b ) b ~ b2 | % 71
- r2 a4 cs \bar "||" % 72
-
-\once \override Score.RehearsalMark #'self-alignment-X = #right
-\mark \markup { \italic { D.S. al Coda } }
+ r2 a4 cs | % 72
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
-\set Score.currentBarNumber = #73
-
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+ s1 % Spacer for coda
- \repeat volta 2
- {
- R1 | % 73
- R1 | % 74
- R1 | % 75
- R1 | % 76
- }
+ R1*4 | % 73-76
% Bridge
- \repeat volta 2
- {
- e2 e | % 77
- e a,4 ( b ) | % 78
- b1 | % 79
- r4 a8 d ~ d cs4 a8 ( | % 80
- fs1 ) | % 81
- r4 a8 d ~ d cs4 b8 ~ | % 82
- b1 | % 83
- R1 | % 84
- }
+ e2 e | % 77
+ e a,4 ( b ) | % 78
+ b1 | % 79
+ r4 a8 d ~ d cs4 a8 ( | % 80
+ fs1 ) | % 81
+ r4 a8 d ~ d cs4 b8 ~ | % 82
+ b1 | % 83
+ R1 | % 84
e2 e | % 85
e a,4 ( b ) | % 86
fs1 ) | % 89
r4 a8 d ~ d cs4 b8 ~ | % 90
b1 | % 91
- R1 \bar "||" % 92
+ R1 | % 92
e2 e | % 93
e a,4 ( b ) | % 94
fs1 ) | % 97
r4 a8 d ~ d cs4 b8 ~ | % 98
b1 | % 99
- r2 a4 cs \bar "||" % 100
+ r2 a4 cs | % 100
% Chorus
- \repeat volta 2
- {
- cs4 r a cs | % 101
- cs4 r d cs8 b ~ | % 102
- b8 r r4 d cs8 b ( | % 103
- a8 ) a4 r8 a4 cs | % 104
- cs4 r8 a ~ a cs4 cs8 ~ | % 105
- cs4 a8 d ~ d4 cs8 cs ( | % 106
- b2 ) r | % 107
- r2 a4 cs \bar "||" % 108
-
- cs4 r a cs | % 109
- cs4 r d cs8 b ~ | % 110
- b8 r r4 d cs8 b ( | % 111
- a8 ) a4 r8 a4 cs | % 112
- cs4 a8 a ~ a cs4 cs8 ~ | % 113
- cs8 a4 d8 ~ d cs ( b ) b ~ | % 114
- b2. r4 | % 115
-% cs'4 b8 b ~ b a4 a8 ~ | % 116
- }
- \alternative
- {
- {
- r2 a4 cs | % 116
- }
- {
- R1 | % 117
- }
- }
+ cs4 r a cs | % 101
+ cs4 r d cs8 b ~ | % 102
+ b8 r r4 d cs8 b ( | % 103
+ a8 ) a4 r8 a4 cs | % 104
+ cs4 r8 a ~ a cs4 cs8 ~ | % 105
+ cs4 a8 d ~ d4 cs8 cs ( | % 106
+ b2 ) r | % 107
+ r2 a4 cs \bar "||" % 108
+
+ cs4 r a cs | % 109
+ cs4 r d cs8 b ~ | % 110
+ b8 r r4 d cs8 b ( | % 111
+ a8 ) a4 r8 a4 cs | % 112
+ cs4 a8 a ~ a cs4 cs8 ~ | % 113
+ cs8 a4 d8 ~ d cs ( b ) b ~ | % 114
+ b2. r4 | % 115
+
+ r2 a4 cs | % 116
- R1 | % 118
- R1 | % 119
- R1 | % 120
- R1 | % 121
+ R1 | % 117
+
+ R1*4 | % 118-121
% Outro
- \repeat volta 2
- {
- R1 | % 122
- R1 | % 123
- R1 | % 124
- R1 | % 125
- }
+ R1*4 | % 122-125
r1^\fermata | % 126
}
+
LeadVoxText = \lyricmode
{
All cre- a- _ tion cries _ to you _
Riffs = \relative c''
{
\clef G
- \key a \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\partial 2 s2 | % 0
- \repeat volta 2
- {
- a1 | % 1
- d1:sus2 | % 2
- e1:11^7.9 | % 3
- d1:sus2 | % 4
- }
+ a1 | % 1
+ d1:sus2 | % 2
+ e1:11^7.9 | % 3
+ d1:sus2 | % 4
% Verse
% Coda
-%\stopStaff s1 \startStaff
-s1
+ s1 % Blank for coda
- \repeat volta 2
- {
- d1 | % 73
- fs1:m7 | % 74
- e1:sus4 | % 75
- e1 | % 76
- }
+ d1 | % 73
+ fs1:m7 | % 74
+ e1:sus4 | % 75
+ e1 | % 76
% Bridge
- \repeat volta 2
- {
- a2.. d8:sus2 | % 77
- s2.. e8:sus4 | % 78
- s2.. e8 | % 79
- s1 | % 80
- fs2..:m7 d8:sus2 | % 81
- s2.. e8:sus4 | % 82
- s2.. e8 | % 83
- s1 | % 84
- }
+ a2.. d8:sus2 | % 77
+ s2.. e8:sus4 | % 78
+ s2.. e8 | % 79
+ s1 | % 80
+ fs2..:m7 d8:sus2 | % 81
+ s2.. e8:sus4 | % 82
+ s2.. e8 | % 83
+ s1 | % 84
a1 | % 85
d1:sus2 | % 86
% Chorus
- \repeat volta 2
- {
- a1 | % 101
- d1:sus2 | % 102
- e1:sus4 | % 103
- d1:sus2 | % 104
- a1 | % 105
- fs1:m7 | % 106
- e1:sus4 | % 107
- e1 | % 108
-
- a1 | % 109
- d1:sus2 | % 110
- e1:sus4 | % 111
- d1:sus2 | % 112
- fs1:m7 | % 113
- d1:sus2 | % 114
- e1:sus4 | % 115
- }
- \alternative
- {
- {
- e1:sus4 | % 116
- }
- {
- e1:sus4 | % 117
- }
- }
+ a1 | % 101
+ d1:sus2 | % 102
+ e1:sus4 | % 103
+ d1:sus2 | % 104
+ a1 | % 105
+ fs1:m7 | % 106
+ e1:sus4 | % 107
+ e1 | % 108
+
+ a1 | % 109
+ d1:sus2 | % 110
+ e1:sus4 | % 111
+ d1:sus2 | % 112
+ fs1:m7 | % 113
+ d1:sus2 | % 114
+ e1:sus4 | % 115
+
+ e1:sus4 | % 116
+
+ e1:sus4 | % 117
fs1:m7 | % 118
d1:sus2 | % 119
% Outro
- \repeat volta 2
- {
- a1 | % 122
- d1:sus2 | % 123
- e1:11^7.9 | % 124
- d1:sus2 | % 125
- }
+ a1 | % 122
+ d1:sus2 | % 123
+ e1:11^7.9 | % 124
+ d1:sus2 | % 125
a1 | % 126
}
+
%
% Alternate chord changes (2nd verse)
%
%}
}
+
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
\partial 2 c4-> c-> | % 0
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 1
- c4. c8 ~ c4 c | % 2
- c4. c8 ~ c4 c | % 3
- c4. c8 ~ c4 c | % 4
- }
+ c4. c8 ~ c4 c | % 1
+ c4. c8 ~ c4 c | % 2
+ c4. c8 ~ c4 c | % 3
+ c4. c8 ~ c4 c | % 4
% Verse
c2. ~ c8 c ~ | % 17
c1 | % 18
c2. ~ c8 c ~ | % 19
- c2. ~ c8 c-> ~ \bar "||" % 20
+ c2. ~ c8 c-> ~ | % 20
c4 c-> c8 c c c ~ | % 21
c4 c-> c8 c c c ~ | % 22
c2. ~ c8 c ~ | % 33
c1 | % 34
c2. ~ c8 c ~ | % 35
- c1 \bar "||" % 36
+ c1 | % 36
% Chorus
c4 c c c | % 49
c4 c c c | % 50
c4 c c c | % 51
- c4 c c c \bar "||" % 52
+ c4 c c c | % 52
% Midtro
c4 c c c | % 69
c4 c c c8 c ~ | % 70
c4 c c c | % 71
- c4 c c c \bar "||" % 72
+ c4 c c c | % 72
% Coda
-%\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
-\stopStaff s1 \startStaff
+\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+%\stopStaff s1 \startStaff
\set Score.currentBarNumber = #73
- \repeat volta 2
- {
- c4 c c c | % 73
- c4 c c c | % 74
- c4 c c c | % 75
- c4 c c c | % 76
- }
+ c4 c c c | % 73
+ c4 c c c | % 74
+ c4 c c c | % 75
+ c4 c c c | % 76
% Bridge
- \repeat volta 2
- {
- c4 c-> c8 c c c ~ | % 77
- c4 c-> c8 c c c ~ | % 78
- c4 c-> c8 c c c ~ | % 79
- c4 c-> c8 c c c | % 80
- c4 c-> c8 c c c ~ | % 81
- c4 c-> c8 c c c ~ | % 82
- c4 c-> c8 c c c ~ | % 83
- c4 c-> c8 c c c | % 84
- }
+ c4 c-> c8 c c c ~ | % 77
+ c4 c-> c8 c c c ~ | % 78
+ c4 c-> c8 c c c ~ | % 79
+ c4 c-> c8 c c c | % 80
+ c4 c-> c8 c c c ~ | % 81
+ c4 c-> c8 c c c ~ | % 82
+ c4 c-> c8 c c c ~ | % 83
+ c4 c-> c8 c c c | % 84
c4 c c c | % 85
c4 c c c | % 86
c4 c c c | % 89
c4 c c c | % 90
c4 c c c | % 91
- c4 c c c \bar "||" % 92
+ c4 c c c | % 92
c4 c c c | % 93
c4 c c c | % 94
c4 c c c | % 97
c4 c c c | % 98
c4 c c c | % 99
- c4 c c c \bar "||" % 100
+ c4 c c c | % 100
% Chorus
- \repeat volta 2
- {
- c4 c2.-> ~ | % 101
- c4 c2.-> ~ | % 102
- c4 c2.-> ~ | % 103
- c4 c2.-> ~ | % 104
- c4 c2.-> ~ | % 105
- c4 c2.-> | % 106
- c8 c c c c c c c | % 107
- r8 c-> c4-> r8 c-> c-> c-> \bar "||" % 108
-
- c4 c c c | % 109
- c4 c c c | % 110
- c4 c c c | % 111
- c4 c c c | % 112
- c4 c c c | % 113
- c4 c c c | % 114
- c4 c c c | % 115
- }
- \alternative
- {
- {
- c4 c c c | % 116
- }
- {
- c4 c c c | % 117
- }
- }
+ c4 c2.-> ~ | % 101
+ c4 c2.-> ~ | % 102
+ c4 c2.-> ~ | % 103
+ c4 c2.-> ~ | % 104
+ c4 c2.-> ~ | % 105
+ c4 c2.-> | % 106
+ c8 c c c c c c c | % 107
+ r8 c-> c4-> r8 c-> c-> c-> | % 108
+
+ c4 c c c | % 109
+ c4 c c c | % 110
+ c4 c c c | % 111
+ c4 c c c | % 112
+ c4 c c c | % 113
+ c4 c c c | % 114
+ c4 c c c | % 115
+
+ c4 c c c | % 116
+
+ c4 c c c | % 117
c4 c c c | % 118
c4 c c c | % 119
% Outro
- \repeat volta 2
- {
- c4. c8 ~ c4 c | % 122
- c4. c8 ~ c4 c | % 123
- c4. c8 ~ c4 c | % 124
- c4. c8 ~ c4 c | % 125
- }
+ c4. c8 ~ c4 c | % 122
+ c4. c8 ~ c4 c | % 123
+ c4. c8 ~ c4 c | % 124
+ c4. c8 ~ c4 c | % 125
c1^\fermata | % 126
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new ChordNames = "chords2" \ChordsSup
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new ChordNames \ChordsSup
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
- ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "JazzText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff