\include "english.ly"
% Good sizes are 16, 18, & 20
-staffSize = #16
+staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Do You Know" }
% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Lead vox"
- \clef G
\key a \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- R1^\markup { \italic { Light ballad } } | % 1
- R1 | % 2
- R1 | % 3
- r2 r4. cs16 [ d ] | % 4
+ s1^\markup { \italic { Light ballad } } | % 1
+ s1*3 | % 2-4
\repeat volta 4
{
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \small \italic { Solo 3rd time } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { A } } \small \italic { Solo 3rd time } }
- e8 [ e e fs ] ~ fs4 fs | % 5
- e4 d cs r8 cs16 [ d ] | % 6
-%\break
- e8 [ e e fs ] ~ fs4 fs | % 7
- e4 b' a r8 a16 [ b ] | % 8
- cs2 b4 r8 b16 [ cs ] | % 9
- d4. cs8 cs4 r8 a16 [ gs ] | % 10
- fs8 [ gs a a ] ~ a4 b | % 11
- cs4 gs a2 \bar "||" % 12
+ s1*8 \bar "||" % 5-12
% Refrain
\time 2/4
+ \mark \markup { \musicglyph #"scripts.segno" }
-\mark \markup { \musicglyph #"scripts.segno" }
-
- r4^\markup { \hspace #0.0 \raise #1.0 \italic { end solo } } a8 [ b ] \bar "||" % 13
+ s4^\markup { \hspace #0.0 \raise #1.0 \italic { end solo } } s \bar "||" % 13
\time 4/4
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \small \italic { No groove on D.S. } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \small \italic { No groove on D.S. } }
- cs2 b4 b8 [ cs ] | % 14
- d2 cs4 r8 e, | % 15
- fs8 [ gs a cs ] ~ cs [ a ] a4 | % 16
- fs8 [ gs a cs ] ~ cs [ a ] a4 | % 17
-%\break
- fs8 [ gs a cs ] ~ cs [ a ] a4 | % 18
+ s1*5 | % 14-18
}
\alternative
{
{
\time 2/4
- b8 [ cs ] gs8. ([ a16 ]) | % 19
+ s2 | % 19
\time 4/4
- a2 r | % 20
- r2 r4. cs,16 [ d ] | % 21
+ s1*2 | % 20-21
}
{
- b'8 [ cs ] gs8. ([ a16 ]) a2^\markup { \hspace #1.8 \raise #0.6 { D.S. } } \bar "||" % 22
+ s2 s^\markup { \hspace #1.8 \raise #0.6 { D.S. } } \bar "||" % 22
}
{
- b8 [ cs ] gs8. ([ a16 ]) a2-\fermata \bar "|." | % 23
+ s1 \bar "|." % 23
}
}
}
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ R1*3 | % 1-3
+ r2 r4. cs16 [ d ] | % 4
+
+ % Verse
+
+ e8 [ e e fs ] ~ fs4 fs | % 5
+ e4 d cs r8 cs16 [ d ] | % 6
+%\break
+ e8 [ e e fs ] ~ fs4 fs | % 7
+ e4 b' a r8 a16 [ b ] | % 8
+ cs2 b4 r8 b16 [ cs ] | % 9
+ d4. cs8 cs4 r8 a16 [ gs ] | % 10
+ fs8 [ gs a a ] ~ a4 b | % 11
+ cs4 gs a2 | % 12
+
+ % Refrain
+
+ r4 a8 [ b ] | % 13
+
+ cs2 b4 b8 [ cs ] | % 14
+ d2 cs4 r8 e, | % 15
+ fs8 [ gs a cs ] ~ cs [ a ] a4 | % 16
+ fs8 [ gs a cs ] ~ cs [ a ] a4 | % 17
+%\break
+ fs8 [ gs a cs ] ~ cs [ a ] a4 | % 18
+
+ b8 [ cs ] gs8. ([ a16 ]) | % 19
+
+ a2 r | % 20
+ r2 r4. cs,16 [ d ] | % 21
+
+ b'8 [ cs ] gs8. ([ a16 ]) a2 | % 22
+
+ b8 [ cs ] gs8. ([ a16 ]) a2-\fermata | % 23
+}
+
LeadVoxText = \lyricmode
{
Do you know what the blood _ has done for me,
%
% Riff/rhythm figures
%
-
StaffRiffs = \relative c'
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
\key a \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
+ \time 4/4
% Intro
<e' b>8 [ a, <e' b> a, ] <e' b> [ a, <e' b> a, ] | % 4
\stopStaff
- s1*7 | % 5 - 12
- \time 2/4
+ s1*8 | % 5-12
+
s2 | % 13
- \time 4/4
- s1*6 | % 14 - 18
- \time 2/4
+
+ s1*5 | % 14-18
+
s2 | % 19
- \time 4/4
\startStaff
<e' b>8 [ a, <e' b> a, ] <e' b> [ a, <e' b> a, ] | % 20
%
% Chord names
%
-
Chords = \chordmode
{
-% Bah, can't we set this globally?
-% \popChords
-
% Intro
a1:sus2 | % 1
a1:sus2 | % 3
d2:6.9 e:sus4 | % 4
- \repeat volta 4
- {
- % Verse
+ % Verse
- a2 d | % 5
- a4/e e:7 a2 | % 6
- a2 d | % 7
- a4/e f:dim7 fs2:m7 | % 8
- a2/e e | % 9
- b2:m7 fs:m7 | % 10
- b2:m7 a/cs | % 11
- d4:maj7 e a2 \bar "||" % 12
+ a2 d | % 5
+ a4/e e:7 a2 | % 6
+ a2 d | % 7
+ a4/e f:dim7 fs2:m7 | % 8
+ a2/e e | % 9
+ b2:m7 fs:m7 | % 10
+ b2:m7 a/cs | % 11
+ d4:maj7 e a2 | % 12
- % Refrain
+ % Refrain
- \time 2/4
+ e2/gs | % 13
- e2/gs \bar "||" % 13
+ fs2:m7 e | % 14
+ b2:m7 fs:m7 | % 15
+ d4. a8/cs s2 | % 16
+ b4.:m7 fs8:m7 s2 | % 17
+ d4. a8/cs s2 | % 18
- \time 4/4
+ b4:m7 e | % 19
- fs2:m7 e | % 14
- b2:m7 fs:m7 | % 15
- d4. a8/cs s2 | % 16
- b4.:m7 fs8:m7 s2 | % 17
- d4. a8/cs s2 | % 18
- }
- \alternative
- {
- {
- \time 2/4
-
- b4:m7 e | % 19
+ a1:sus2 | % 20
+ d2:6.9 e:sus4 | % 21
- \time 4/4
+ b4:m7 e a2 | % 22
- a1:sus2 | % 20
- d2:6.9 e:sus4 | % 21
- }
- {
- b4:m7 e a2 \bar "||" % 22
- }
- {
- b4:m7 e a2 \bar "|." | % 23
- }
- }
+ b4:m7 e a2 | % 23
}
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c | % 3
c4 c c c | % 4
- \repeat volta 4
- {
- % Verse
-
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
+ % Verse
- % Refrain
+ c4 c c c | % 5
+ c4 c c c | % 6
+ c4 c c c | % 7
+ c4 c c c | % 8
+ c4 c c c | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c4 c c c | % 12
- \time 2/4
+ % Refrain
- c4 c \bar "||" % 13
+ c4 c | % 13
- \time 4/4
+ c4 c c c | % 14
+ c4 c c c | % 15
+ c4. c8 ~ c2 | % 16
+ c4. c8 ~ c2 | % 17
+ c4. c8 ~ c2 | % 18
- c4 c c c | % 14
- c4 c c c | % 15
- c4. c8 ~ c2 | % 16
- c4. c8 ~ c2 | % 17
- c4. c8 ~ c2 | % 18
- }
- \alternative
- {
- {
- \time 2/4
+ c4 c | % 19
- c4 c | % 19
+ c4 c c c | % 20
+ c4 c c c | % 21
- \time 4/4
+ c4 c c c | % 22
- c4 c c c | % 20
- c4 c c c | % 21
- }
- {
- c4 c c c \bar "||" % 22
- }
- {
- c4-\markup { \italic { rit. } } c c2-\fermata \bar "|." | % 23
- }
- }
+ c4-\markup { \italic { rit. } } c c2-\fermata | % 23
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
+ \new Voice = "lead" \LeadVox
\new Lyrics \lyricsto "lead" \LeadVoxText
>>
\new ChoirStaff = "Rhythm"
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff \StaffC
>>
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
-
- \context
- {
- \Score
- \remove "Timing_translator"
- \remove "Default_bar_line_engraver"
- \remove "Repeat_acknowledge_engraver"
- }
- \context
- {
-% \Staff
- \Staff \RemoveEmptyStaves
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Repeat_acknowledge_engraver"
- }
- \context
- {
- \RhythmicStaff
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Repeat_acknowledge_engraver"
- }
-%{
- \context
- {
- \ChordNames
- \consists "Timing_translator"
- \consists "Default_bar_line_engraver"
- \consists "Repeat_acknowledge_engraver"
- }
-%}
- }
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "JazzText"
"Luxi Mono"
(/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+
projects / music / blobdiff