From f95ce610505259e815bc81aa5dcf0c01ef66a128 Mon Sep 17 00:00:00 2001
From: =?utf8?q?J=C3=B6rn=20Nettingsmeier?=
- One of the uses of playlists is to apply multiple effects to the same
- audio stream. For example, let's say you would like to apply two
- different non-linear effects such as distortion or compression to the
- same audio source (for linear effects, you could just apply them one after
- the other in the same track).
- Create a new track, apply the original track's playlist, and
- then apply effects to both tracks independently.
-
- The same result could be achieved by feeding your track to multiple busses which - then contain the processing, but this increases the overall latency, - complicates routing and uses more space in the Mixer window. -
- -- Using Playlists for takes is a good solution if you are going - to need the ability to edit individual takes, and select between them, - but you won't be compositing multiple takes together. -
-- Each time you start a new take, create a new playlist with - p > New - Later, you can Select your way back to previous or later takes as - desired. -
-- If you want to record multiple takes and then "comp" between them, it - is probably better to simply record each successive take on top of the - others in "layers" and then edit them using the layer tools, explained - later. -
- -
- The same approach as for takes is useful when you are recording or
- editing content in multiple versions, such as dubbed movie dialog in
- several languages, and you want all versions on the same track, to
- get the same processing.
- Select the appropriate language before exporting the session.
-
+ One of the uses of playlists is to apply multiple effects to the same
+ audio stream. For example, let's say you would like to apply two
+ different non-linear effects such as distortion or compression to the
+ same audio source (for linear effects, you could just apply them one after
+ the other in the same track).
+ Create a new track, apply the original track's playlist, and
+ then apply effects to both tracks independently.
+
+ The same result could be achieved by feeding your track to multiple busses which + then contain the processing, but this increases the overall latency, + complicates routing and uses more space in the Mixer window. +
+ ++ Using Playlists for takes is a good solution if you are going + to need the ability to edit individual takes, and select between them. +
++ Each time you start a new take, create a new playlist with + p > New + Later, you can Select your way back to previous or later takes as + desired. +
+
+ If you want to create a composite edit from multiple takes, create a new
+ track to assemble the final version, and "cherry pick" from the playlists
+ in the original track by copying regions over as required.
+ Alternatively, record each successive take on top of the
+ others in "layers" and then edit them using the layer tools, explained
+ later.
+
+ The same approach as for takes is useful when you are recording or
+ editing content in multiple versions, such as dubbed movie dialog in
+ several languages, and you want all versions on the same track, to
+ get the same processing.
+ Select the appropriate language before exporting the session.
+