From f95ce610505259e815bc81aa5dcf0c01ef66a128 Mon Sep 17 00:00:00 2001 From: =?utf8?q?J=C3=B6rn=20Nettingsmeier?= Date: Wed, 5 Feb 2014 18:30:45 +0100 Subject: [PATCH] more copy-editing of chapter 9. --- .../02_playlist-operations.html | 44 ---------------- .../03_playlist_usecases.html | 50 +++++++++++++++++++ 2 files changed, 50 insertions(+), 44 deletions(-) create mode 100644 _manual/09_working-with-playlists/03_playlist_usecases.html diff --git a/_manual/09_working-with-playlists/02_playlist-operations.html b/_manual/09_working-with-playlists/02_playlist-operations.html index 73e9824..34f8fa0 100644 --- a/_manual/09_working-with-playlists/02_playlist-operations.html +++ b/_manual/09_working-with-playlists/02_playlist-operations.html @@ -69,47 +69,3 @@ title: Playlist Operations that track. You can then edit this playlist without affecting the original.

-

Using Playlists for Parallel Processing

-

- One of the uses of playlists is to apply multiple effects to the same - audio stream. For example, let's say you would like to apply two - different non-linear effects such as distortion or compression to the - same audio source (for linear effects, you could just apply them one after - the other in the same track).
- Create a new track, apply the original track's playlist, and - then apply effects to both tracks independently. -

-

- The same result could be achieved by feeding your track to multiple busses which - then contain the processing, but this increases the overall latency, - complicates routing and uses more space in the Mixer window. -

- -

Using Playlists for "Takes"

-

- Using Playlists for takes is a good solution if you are going - to need the ability to edit individual takes, and select between them, - but you won't be compositing multiple takes together. -

-

- Each time you start a new take, create a new playlist with - p > New - Later, you can Select your way back to previous or later takes as - desired. -

-

- If you want to record multiple takes and then "comp" between them, it - is probably better to simply record each successive take on top of the - others in "layers" and then edit them using the layer tools, explained - later. -

- -

Using Playlists for Multi-Language Productions

-

- The same approach as for takes is useful when you are recording or - editing content in multiple versions, such as dubbed movie dialog in - several languages, and you want all versions on the same track, to - get the same processing.
- Select the appropriate language before exporting the session. -

- diff --git a/_manual/09_working-with-playlists/03_playlist_usecases.html b/_manual/09_working-with-playlists/03_playlist_usecases.html new file mode 100644 index 0000000..f14915f --- /dev/null +++ b/_manual/09_working-with-playlists/03_playlist_usecases.html @@ -0,0 +1,50 @@ +--- +layout: default +title: Playlist Usecases +--- + +

Using Playlists for Parallel Processing

+

+ One of the uses of playlists is to apply multiple effects to the same + audio stream. For example, let's say you would like to apply two + different non-linear effects such as distortion or compression to the + same audio source (for linear effects, you could just apply them one after + the other in the same track).
+ Create a new track, apply the original track's playlist, and + then apply effects to both tracks independently. +

+

+ The same result could be achieved by feeding your track to multiple busses which + then contain the processing, but this increases the overall latency, + complicates routing and uses more space in the Mixer window. +

+ +

Using Playlists for "Takes"

+

+ Using Playlists for takes is a good solution if you are going + to need the ability to edit individual takes, and select between them. +

+

+ Each time you start a new take, create a new playlist with + p > New + Later, you can Select your way back to previous or later takes as + desired. +

+

+ If you want to create a composite edit from multiple takes, create a new + track to assemble the final version, and "cherry pick" from the playlists + in the original track by copying regions over as required.
+ Alternatively, record each successive take on top of the + others in "layers" and then edit them using the layer tools, explained + later. +

+ +

Using Playlists for Multi-Language Productions

+

+ The same approach as for takes is useful when you are recording or + editing content in multiple versions, such as dubbed movie dialog in + several languages, and you want all versions on the same track, to + get the same processing.
+ Select the appropriate language before exporting the session. +

+ -- 2.37.2