From 88082afd4f732d0d5a52230bb393a1e703fb2d6a Mon Sep 17 00:00:00 2001
From: Ed Ward
The Editor window includes the editor track canvas @@ -18,7 +18,7 @@ alt="Ardour's editor window" /> from left to right — the window really represents time in a fairly literal way.
-The Mixer window on the other hand represents signal flow and diff --git a/_manual/04_ardours-interface/05_using-ardour-clock-displays.html b/_manual/04_ardours-interface/05_using-ardour-clock-displays.html index 55fbbd4..1db4dc3 100644 --- a/_manual/04_ardours-interface/05_using-ardour-clock-displays.html +++ b/_manual/04_ardours-interface/05_using-ardour-clock-displays.html @@ -19,7 +19,7 @@ title: Using Ardour Clock Displays transport clock and the right one is the secondary transport clock. They look like this:
- +Editing the time in the transport clocks will reposition the playhead in the same way that various other editing operations will. @@ -36,7 +36,7 @@ title: Using Ardour Clock Displays large big clock window filling a good part of the display, and on the right, the same clock during active recording.
-Â Â@@ -134,7 +134,7 @@ title: Using Ardour Clock Displays appear in a different color, from right to left, overwriting the existing value. Mid-edit, after typing 3 2 2 2 the clock might look like this:
- +To finish the edit, press ↵ or Tab. To exit an edit without changing the clock press ESC. If you mis-type an entry diff --git a/_manual/04_ardours-interface/06_meters.html b/_manual/04_ardours-interface/06_meters.html index 3d5fa99..985f5d9 100644 --- a/_manual/04_ardours-interface/06_meters.html +++ b/_manual/04_ardours-interface/06_meters.html @@ -121,7 +121,7 @@ title: Metering in Ardour
Meters are available in various places in ardour:
@@ -145,7 +145,7 @@ title: Metering in Ardour Strip settings, the metering point is also accessible via a button in each Mixer strip. - +Regardless of meter type and standard the meter display will highlight red if the signal on the given channel exceeds the configured peak threshold. @@ -164,9 +164,9 @@ title: Metering in Ardour -18 dBFS 1 kHz sine wave.
- -diff --git a/_manual/07_working-with-sessions/05_interchange-with-other-daws/03_using-aatranslator.html b/_manual/07_working-with-sessions/05_interchange-with-other-daws/03_using-aatranslator.html index 696ea80..1350be5 100644 --- a/_manual/07_working-with-sessions/05_interchange-with-other-daws/03_using-aatranslator.html +++ b/_manual/07_working-with-sessions/05_interchange-with-other-daws/03_using-aatranslator.html @@ -20,6 +20,6 @@ title: Using AATranslator has full details on supported formats and DAWs. The list includes ProTools, Live, Reaper, OMF, AAF and many more.
- + diff --git a/_manual/07_working-with-sessions/09_metadata.html b/_manual/07_working-with-sessions/09_metadata.html index 702175e..cdb0f53 100644 --- a/_manual/07_working-with-sessions/09_metadata.html +++ b/_manual/07_working-with-sessions/09_metadata.html @@ -10,4 +10,4 @@ Sessions can have various items of metadata attached to them, viaThe screenshot on the right shows the subtle difference between an overdub diff --git a/_manual/10_working-with-tracks/02_adding-tracks-and-busses.html b/_manual/10_working-with-tracks/02_adding-tracks-and-busses.html index 4565b77..ebdeab4 100644 --- a/_manual/10_working-with-tracks/02_adding-tracks-and-busses.html +++ b/_manual/10_working-with-tracks/02_adding-tracks-and-busses.html @@ -3,7 +3,7 @@ layout: default title: Adding Tracks and Busses --- - +
A track or bus can be added to a session in various ways:
To change this display, right click on the track header, and you'll see the menu displayed above. There are two choices for layers. overlaid is currently selected. Click on stacked and the track display changes to this:
- +You can still move regions around as usual, and in fact you can even drag them so that they overlay each again, but when you diff --git a/_manual/10_working-with-tracks/06_bus-controls.html b/_manual/10_working-with-tracks/06_bus-controls.html index 05477aa..ed03c5c 100644 --- a/_manual/10_working-with-tracks/06_bus-controls.html +++ b/_manual/10_working-with-tracks/06_bus-controls.html @@ -4,7 +4,7 @@ title: Bus Controls ---
A typical control area or bus header is shown below:
- +At the top-left of the controls is the name of the bus, which can be diff --git a/_manual/10_working-with-tracks/07_audio-track-controls.html b/_manual/10_working-with-tracks/07_audio-track-controls.html index 5669e8a..ed0e6f5 100644 --- a/_manual/10_working-with-tracks/07_audio-track-controls.html +++ b/_manual/10_working-with-tracks/07_audio-track-controls.html @@ -7,7 +7,7 @@ title: Audio Track Controls A typical control area or track header for an audio track is shown below:
-An audio track has the same diff --git a/_manual/10_working-with-tracks/08_midi-track-controls.html b/_manual/10_working-with-tracks/08_midi-track-controls.html index f154ffe..8d53b09 100644 --- a/_manual/10_working-with-tracks/08_midi-track-controls.html +++ b/_manual/10_working-with-tracks/08_midi-track-controls.html @@ -4,7 +4,7 @@ title: MIDI Track Controls ---
A typical MIDI track header looks like this:
-diff --git a/_manual/10_working-with-tracks/10_track-and-bus-groups.html b/_manual/10_working-with-tracks/10_track-and-bus-groups.html index f9afc5d..03f14a8 100644 --- a/_manual/10_working-with-tracks/10_track-and-bus-groups.html +++ b/_manual/10_working-with-tracks/10_track-and-bus-groups.html @@ -14,7 +14,7 @@ title: Track and Bus Groups You can group tracks and busses in various ways. In the editor window, a track's controls might look like these:
- +The green tab to the left of the track header indicates that this track is in a group called Fred. You can drag these tabs to add @@ -78,7 +78,7 @@ title: Track and Bus Groups which is also used when creating new groups:
- +diff --git a/_manual/11_working-with-plugins/02_plugin-manager.html b/_manual/11_working-with-plugins/02_plugin-manager.html index ce58207..da92570 100644 --- a/_manual/11_working-with-plugins/02_plugin-manager.html +++ b/_manual/11_working-with-plugins/02_plugin-manager.html @@ -19,7 +19,7 @@ title: Plugin Manager connections. The plugins can be sorted by clicking on a column header.
- +diff --git a/_manual/12_adding-pre-existing-material/01_import-dialog.html b/_manual/12_adding-pre-existing-material/01_import-dialog.html index cc4a83f..69d7c3e 100644 --- a/_manual/12_adding-pre-existing-material/01_import-dialog.html +++ b/_manual/12_adding-pre-existing-material/01_import-dialog.html @@ -14,7 +14,7 @@ title: Import Dialog You can import audio and MIDI data into your session with the Add Existing Media dialog.
- +diff --git a/_manual/12_adding-pre-existing-material/02_copying-versus-linking.html b/_manual/12_adding-pre-existing-material/02_copying-versus-linking.html index 359c9b2..cd30fd7 100644 --- a/_manual/12_adding-pre-existing-material/02_copying-versus-linking.html +++ b/_manual/12_adding-pre-existing-material/02_copying-versus-linking.html @@ -41,11 +41,11 @@ title: Copying versus Linking dialog window.
- + ← This file will be imported in the audio/MIDI folder of your session.
- + ← This file won't be copied.
diff --git a/_manual/13_recording/01_monitoring/02_monitor-signal-flow.html b/_manual/13_recording/01_monitoring/02_monitor-signal-flow.html index bddda13..a350250 100644 --- a/_manual/13_recording/01_monitoring/02_monitor-signal-flow.html +++ b/_manual/13_recording/01_monitoring/02_monitor-signal-flow.html @@ -8,7 +8,7 @@ menu_title: Signal Flow
When using external monitoring, Ardour plays no role in monitoring at all. Perhaps the recording set-up has an external mixer which can be used to set up monitor mixes, or perhaps the sound-card being used @@ -17,7 +17,7 @@ src="/ardour/manual/html/diagrams/external-monitoring.png" /> settings are less flexible and not saved with the session.
Some sound cards have the ability to mix signals from their inputs to their outputs with very low or even zero latency, a feature called hardware monitoring. @@ -29,7 +29,7 @@ src="/ardour/manual/html/diagrams/external-monitoring.png" />
With the software monitoring approach, all monitoring is performed by Ardour — it makes track inputs available at track outputs, governed by various controls. This approach will almost always have @@ -38,4 +38,4 @@ src="/ardour/manual/html/diagrams/external-monitoring.png" /> depends for the most part on the JACK buffer size that is being used.
-{% children %} \ No newline at end of file +{% children %} diff --git a/_manual/14_signal-routing/02_comparing-aux-sends-and-subgroups.html b/_manual/14_signal-routing/02_comparing-aux-sends-and-subgroups.html index 53dd9a5..f0dbb45 100644 --- a/_manual/14_signal-routing/02_comparing-aux-sends-and-subgroups.html +++ b/_manual/14_signal-routing/02_comparing-aux-sends-and-subgroups.html @@ -14,11 +14,11 @@ menu_title: Auxes vs. Groups and are typically used to create a separate mix to send to (for example) monitors or headphones (for performer monitor mixes): - +Subgroups usually remove the original signal routing to the main mix and replace it with a new one that delivers the output of the subgroup bus to the main mix instead.
- + diff --git a/_manual/14_signal-routing/07_Patchbay.html b/_manual/14_signal-routing/07_Patchbay.html index f35e435..24c3f1c 100644 --- a/_manual/14_signal-routing/07_Patchbay.html +++ b/_manual/14_signal-routing/07_Patchbay.html @@ -12,7 +12,7 @@ title: Patchbay you are using one): these cannot be controlled from a patchbay, and are basically not under manual control at all. - +The patchbay presents two groups of ports; one set of sources (which produce data), and one of destinations (which consume diff --git a/_manual/15_editing-and-arranging/06_change-region-lengths/01_pushpull-trimming.html b/_manual/15_editing-and-arranging/06_change-region-lengths/01_pushpull-trimming.html index 1f4263c..3531a3c 100644 --- a/_manual/15_editing-and-arranging/06_change-region-lengths/01_pushpull-trimming.html +++ b/_manual/15_editing-and-arranging/06_change-region-lengths/01_pushpull-trimming.html @@ -17,12 +17,12 @@ title: Push/Pull Trimming difference in the results of a normal trim and push/pull trim. First, the initial situation:
- +Here is what happens after we trim the right hand (selected) region by dragging its starting position earlier:
- +You can see that it now overlaps the earlier region and a crossfade has been created between them. @@ -31,7 +31,7 @@ title: Push/Pull Trimming Lets look now at what happens if we do the same trim, but Left-dragging to turn it into a push-pull trim instead:
- +There is no overlap, and the end of the earlier region has been moved along with the start of the later region, so that they still directly diff --git a/_manual/15_editing-and-arranging/10_separation/01_separate-under.html b/_manual/15_editing-and-arranging/10_separation/01_separate-under.html index 4bc3128..9d5292b 100644 --- a/_manual/15_editing-and-arranging/10_separation/01_separate-under.html +++ b/_manual/15_editing-and-arranging/10_separation/01_separate-under.html @@ -13,12 +13,12 @@ title: Separate Under Here is an example where we start with a short region placed so that it overlaps a longer region:
- +When we perform the Separate Under edit, the lower region splits in two, with boundaries exactly positioned at the edges of the upper region:
- +If the upper region covers only one end of the lower region, then this operation is equivalent to diff --git a/_manual/15_editing-and-arranging/11_strip-silence-from-audio-regions.html b/_manual/15_editing-and-arranging/11_strip-silence-from-audio-regions.html index ae4462b..8062c32 100644 --- a/_manual/15_editing-and-arranging/11_strip-silence-from-audio-regions.html +++ b/_manual/15_editing-and-arranging/11_strip-silence-from-audio-regions.html @@ -13,7 +13,7 @@ menu_title: Stripping Silence useful when editing very percussive material and just needing to automatically trim the ends of a region. The dialog looks like this:
- +The edit applies to all selected regions, allowing batch processing. You can also see in the screenshot how the main editor window is used diff --git a/_manual/15_editing-and-arranging/12_edit-midi/09_quantize-midi.html b/_manual/15_editing-and-arranging/12_edit-midi/09_quantize-midi.html index c7eb2ce..f2ccc99 100644 --- a/_manual/15_editing-and-arranging/12_edit-midi/09_quantize-midi.html +++ b/_manual/15_editing-and-arranging/12_edit-midi/09_quantize-midi.html @@ -4,7 +4,7 @@ title: Quantize MIDI --- -
+Accessed via q, the dialog includes:
The dialog (quite closely modelled on Logic's) contains:
The solo-mute arrangement with a monitor bus is shown below:
- +Here we have a number of tracks or busses (in orange). Each one has an output which feeds the master bus. In addition, each has PFL and AFL diff --git a/_manual/18_exporting/01_export-dialog.html b/_manual/18_exporting/01_export-dialog.html index e0b852c..8f6dfc4 100644 --- a/_manual/18_exporting/01_export-dialog.html +++ b/_manual/18_exporting/01_export-dialog.html @@ -15,7 +15,7 @@ You can also export the outputs of multiple tracks & busses all at once via
This tab contains controls for the format of the exported audio file. You can enable more than one format here, in which case each will be exported in turn. @@ -60,7 +60,7 @@ When 'Upload to Soundcloud' is ticked on in any format's tab, a pane containing to enter in Soundcloud account details (email and password), and what should happen to the uploaded files will become visible.
- +
This tab allows you to select the range (or ranges) of the timeline to export. By default, "session" is enabled - this will export the whole session from the start marker to the end marker. @@ -82,13 +82,13 @@ enabled - this will export the whole session from the start marker to the end ma
Here you can choose which outputs (tracks or busses) should be sent to the exported file.
If you chose 'Stem Export', the 'Channels' tab appears slightly differently: in this case each chosen channel (track or bus) is exported to its own file, diff --git a/_manual/18_exporting/02_edit-export-format-profile.html b/_manual/18_exporting/02_edit-export-format-profile.html index b158bdf..342c41c 100644 --- a/_manual/18_exporting/02_edit-export-format-profile.html +++ b/_manual/18_exporting/02_edit-export-format-profile.html @@ -14,7 +14,7 @@ audio files, and also other audio file export options. Export Format Profiles are edited via the 'Edit Export Format Profile' dialog.
- +
diff --git a/_manual/19_synchronization/02_latency-and-latency-compensation.html b/_manual/19_synchronization/02_latency-and-latency-compensation.html index 6b11a6b..28494a6 100644 --- a/_manual/19_synchronization/02_latency-and-latency-compensation.html +++ b/_manual/19_synchronization/02_latency-and-latency-compensation.html @@ -48,7 +48,7 @@ menu_title: Latency
Figure: Latency chain. The numbers are an example for a typical PC. With professional gear and an @@ -171,7 +171,7 @@ menu_title: Latency In order to compensate for latency, JACK or JACK applications need to know exactly how long a certain signal needs to be read-ahead or delayed:
- +Figure: Jack Latency Compensation.
diff --git a/_manual/19_synchronization/03_timecode-generators-and-slaves.html b/_manual/19_synchronization/03_timecode-generators-and-slaves.html index dfc3041..75cb4dd 100644 --- a/_manual/19_synchronization/03_timecode-generators-and-slaves.html +++ b/_manual/19_synchronization/03_timecode-generators-and-slaves.html @@ -233,7 +233,7 @@ title: Timecode Generators and Slaves the video Frame boundaries. - +Figure: LTC frame alignment for the 525/60 TV standard
diff --git a/_manual/21_preferences-and-session-properties/01_preferences-dialog.html b/_manual/21_preferences-and-session-properties/01_preferences-dialog.html index 32529c8..60dc4ee 100644 --- a/_manual/21_preferences-and-session-properties/01_preferences-dialog.html +++ b/_manual/21_preferences-and-session-properties/01_preferences-dialog.html @@ -8,7 +8,7 @@ menu_title: Global Preferences These preferences apply to all Ardour sessions.
- {% children %} diff --git a/_manual/21_preferences-and-session-properties/01_preferences-dialog/01_misc.html b/_manual/21_preferences-and-session-properties/01_preferences-dialog/01_misc.html index 0089089..4817b3a 100644 --- a/_manual/21_preferences-and-session-properties/01_preferences-dialog/01_misc.html +++ b/_manual/21_preferences-and-session-properties/01_preferences-dialog/01_misc.html @@ -8,7 +8,7 @@ menu_title: Misc Tab This tab contains settings that do not belong on the other tabs. -diff --git a/_manual/21_preferences-and-session-properties/01_preferences-dialog/09_video.html b/_manual/21_preferences-and-session-properties/01_preferences-dialog/09_video.html index edb50bb..74248b4 100644 --- a/_manual/21_preferences-and-session-properties/01_preferences-dialog/09_video.html +++ b/_manual/21_preferences-and-session-properties/01_preferences-dialog/09_video.html @@ -8,7 +8,7 @@ menu_title: Video Tab This tab contains settings related to handling of Video.
-This dialog allows you to change settings for the current session. These settings diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/01_timecode.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/01_timecode.html index c40f97c..f5b369a 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/01_timecode.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/01_timecode.html @@ -4,7 +4,7 @@ title: Timecode Tab menu_title: Timecode Tab --- - +
This tab is used to change how Ardour interprets and manipulates timecode. diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/02_sync.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/02_sync.html index 4a291cb..d79932e 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/02_sync.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/02_sync.html @@ -4,7 +4,7 @@ title: Sync Tab menu_title: Sync Tab --- - +
This tab is used to modify the timecode settings when working with video to diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/03_fades.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/03_fades.html index 3cb7796..e07a211 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/03_fades.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/03_fades.html @@ -4,7 +4,7 @@ title: Fades Tab menu_title: Fades Tab --- - +
Change how Ardour works with region crossfades. diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/04_media.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/04_media.html index 1667b7d..ab8092d 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/04_media.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/04_media.html @@ -4,7 +4,7 @@ title: Media Tab menu_title: Media Tab --- - +
Change how sound is stored on disk. These options do not change how sound is handled diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/05_locations.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/05_locations.html index 8d57298..e752b52 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/05_locations.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/05_locations.html @@ -4,7 +4,7 @@ title: Locations Tab menu_title: Locations Tab --- - +
These options add file locations that will be searched to find the audio and diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/06_filenames.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/06_filenames.html index 4dad1da..2454c87 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/06_filenames.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/06_filenames.html @@ -4,7 +4,7 @@ title: Filenames Tab menu_title: Filenames Tab --- - +
This tab is used to change how Ardour names recorded regions. diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/07_monitoring.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/07_monitoring.html index 46cb501..d4f3094 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/07_monitoring.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/07_monitoring.html @@ -8,7 +8,7 @@ menu_title: Monitoring Tab Provides options affecting monitoring.
- +The Track Input Monitoring automatically follows transport state @@ -16,7 +16,7 @@ menu_title: Monitoring Tab Monitor Setup in Ardour.
- +The 'Use monitor section' displays an extra section in the Mixer diff --git a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/08_meterbridge.html b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/08_meterbridge.html index f48950b..3490a9b 100644 --- a/_manual/21_preferences-and-session-properties/02_session-properties-dialog/08_meterbridge.html +++ b/_manual/21_preferences-and-session-properties/02_session-properties-dialog/08_meterbridge.html @@ -9,7 +9,7 @@ menu_title: Meterbridge Tab This tab changes what additional controls are also displayed.
- +The second step analyzes the video file in more detail and offers import options:
@@ -51,7 +51,7 @@ title: Workflow & OperationsBy default the video is imported using the original width/height. @@ -70,7 +70,7 @@ title: Workflow & Operations
Well now,..
- +@@ -107,7 +107,7 @@ title: Workflow & Operations presets.
- +
Ardour video export is not recommended for mastering! While ffmpeg
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