From 77144d0d7b4d30e550d2466291dcf9603595ab01 Mon Sep 17 00:00:00 2001 From: PipeManMusic Date: Fri, 12 Apr 2013 17:08:09 +0000 Subject: [PATCH] Added info about regionfade/crossfade as well as some cleanup --- _manual/06_working-with-markers.html | 2 +- .../02_creating-range-markers.html | 4 +++- .../03_getting-to-know-the-rangesmarks-list.html | 10 +++++----- .../09_creating-regionfades-and-crossfades.html | 11 +++++++++++ .../{09_separation.html => 10_separation.html} | 0 .../01_separate-range.html | 0 .../02_separate-under.html | 0 ...l => 11_stripping-silence-from-audio-regions.html} | 0 .../{11_editing-midi.html => 12_editing-midi.html} | 0 .../01_fundamental-concepts-for-midi-editing.html | 0 .../02_creating-midi-tracks.html | 0 .../03_creating-midi-regions.html | 0 .../04_adding-new-notes.html | 0 .../05_changing-note-properties.html | 0 .../06_handling-overlapping-notes.html | 0 .../07_note-cut-copy-and-paste-.html | 0 .../08_note-selection.html | 0 .../09_quantizing-midi.html | 0 .../10_step-entry.html | 0 .../11_using-patch-changes.html | 0 .../12_midi_region_cloning.html | 0 21 files changed, 20 insertions(+), 7 deletions(-) create mode 100644 _manual/15_editing-and-arranging/09_creating-regionfades-and-crossfades.html rename _manual/15_editing-and-arranging/{09_separation.html => 10_separation.html} (100%) rename _manual/15_editing-and-arranging/{09_separation => 10_separation}/01_separate-range.html (100%) rename _manual/15_editing-and-arranging/{09_separation => 10_separation}/02_separate-under.html (100%) rename _manual/15_editing-and-arranging/{10_stripping-siience-from-audio-regions.html => 11_stripping-silence-from-audio-regions.html} (100%) rename _manual/15_editing-and-arranging/{11_editing-midi.html => 12_editing-midi.html} (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/01_fundamental-concepts-for-midi-editing.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/02_creating-midi-tracks.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/03_creating-midi-regions.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/04_adding-new-notes.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/05_changing-note-properties.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/06_handling-overlapping-notes.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/07_note-cut-copy-and-paste-.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/08_note-selection.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/09_quantizing-midi.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/10_step-entry.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/11_using-patch-changes.html (100%) rename _manual/15_editing-and-arranging/{11_editing-midi => 12_editing-midi}/12_midi_region_cloning.html (100%) diff --git a/_manual/06_working-with-markers.html b/_manual/06_working-with-markers.html index c6e51b5..47a792e 100644 --- a/_manual/06_working-with-markers.html +++ b/_manual/06_working-with-markers.html @@ -7,7 +7,7 @@ title: Working With Markers

It is very useful to be able to tag different locations in a session for use when editing and mixing. Ardour supports both locations, which define specific single positions in time and ranges which define a start and end position in time.

-

There are also 3 special kinds of markers:

+

In addition to the standard location markers there are also 3 kinds of special markers:

CD markers
locations that are restricted to legal CD track boundaries, and be used to add track marks/info to compact disc (CD) images.
diff --git a/_manual/06_working-with-markers/02_creating-range-markers.html b/_manual/06_working-with-markers/02_creating-range-markers.html index ce797c5..6054969 100644 --- a/_manual/06_working-with-markers/02_creating-range-markers.html +++ b/_manual/06_working-with-markers/02_creating-range-markers.html @@ -5,7 +5,9 @@ title: Creating Range Markers - +

Rages are essentially two Location Markers the are grouped together to mark the beginning and end of a section in the timeline.

Creating a Range on the timeline

+

To create a Range on the timeline, right click on the Range Markers Ruler at the top of the Timeline then select New Range. Two markes will then be created along the ruler with the same name. Both marks can be moved along the timeline by clicking and dragging them to the desired location. +

Creating a Range in the Locations+Marks List

diff --git a/_manual/06_working-with-markers/03_getting-to-know-the-rangesmarks-list.html b/_manual/06_working-with-markers/03_getting-to-know-the-rangesmarks-list.html index 41cfaa1..7660583 100644 --- a/_manual/06_working-with-markers/03_getting-to-know-the-rangesmarks-list.html +++ b/_manual/06_working-with-markers/03_getting-to-know-the-rangesmarks-list.html @@ -6,9 +6,9 @@ title: Getting To Know the Ranges & Marks List -

The Ranges & Marks List is visible on a tab in the Editor Lists area. If the list area isn't visible it can be enabled by checking the box in the main pull down menus View > Show Editor List. The Ranges & Marks list can be used as a single point of control for all range and location markers (including the punch and loop ranges), or as a supplement to other methods of working with them.

-

The first section Loop/Punch Ranges shows the current loop and punch range settings; there are three clocks, the first is the start of the range, the second is the end of the range and the last is the length of the range. The start and end points have a ‘Use PH’ button beside them, which you can click to set the corresponding position clock to the current position of the playhead in the editor timeline. Last in the row are 3 checkboxes. The first checkbox is Hide This hides the marker in the editor, you can still locate to the marker. The next checkbox is Lock, this will lock the marker in the editor so it can't be moved until it is unlocked. The last checkbox is Glue, this fixes the marker position relative to the current tempo and respects changes in tempo.

-

The Next section is Markers (Including CD Index) which is a list of the session's markers. For each marker there is a name dialog, that can be edited by click on it, a clock that represents the location of the marker, a Use PH button that moves the marker to the current playhead location, and four checkboxes. The first checkbox is CD, this will set the marker for Redbook TOC exporting. The Hide, Lock, and Glue buttons all function the same as in the above section.

-

The Next section is the Ranges (Including CD Track Ranges). Just like the Loop/Punch Ranges section there are three clocks that sever the same purpose. The checkboxes are the same arrangement and function as the Markers (Including CD Index) however without the Glue checkbox

+

The Ranges & Marks List is visible on a tab in the Editor Lists area. If the editor list area isn't visible it can be enabled by checking the box in the main pull down menus View > Show Editor List. The Ranges & Marks list can be used as a single point of control for all range and location markers (including the punch and loop ranges), or as a supplement to other methods of working with them.

+

The first section Loop/Punch Ranges shows the current loop and punch range settings; there are three clocks, the first is the start of the range, the second is the end of the range and the last is the length of the range. The start and end points have a ‘Use PH’ button beside them, which can be clicked to set the corresponding position clock to the current position of the playhead in the editor timeline. Last in the row are 3 checkboxes. The first checkbox is Hide This hides the marker in the editor. Even though it is now hidden it is possible to still locate to the marker. The next checkbox is Lock, this will lock the marker in the editor so it can't be moved until it is unlocked. The last checkbox is Glue, this fixes the marker position relative to the current tempo and respects changes in tempo.

+

The Next section is Markers (Including CD Index) which is a list of the session's markers. For each marker there is a name dialog, that can be edited by clicking on it, a clock that represents the location of the marker, a Use PH button that moves the marker to the current playhead location, and four checkboxes. The first checkbox is CD, this will set the marker for Redbook TOC exporting. The Hide, Lock, and Glue buttons all function the same as in the above section.

+

The Next section is the Ranges (Including CD Track Ranges). Just like the Loop/Punch Ranges section there are three clocks that serve the same purpose. The checkboxes are the same arrangement and function as the Markers (Including CD Index) however without the Glue checkbox

At the bottom of the list are buttons to add new markers or ranges.

-

The - button beside each item in the list allows that particular marker to be removed. A middle click over any of the clocks will locate the playhead at that location in the editor. Right clicking on any of the clocks brings up a context menu that allows you to change the display between, Timecode, Bars:Beats, Minutes:Seconds and samples. In addition to the clock displays there is an option in the context menu to select Set From Playhead, that sets the markers location to the current location of the playhead in the editor window, and Locate to This Time, that moves the playhead to the location of the position listed in the clock.

+

The - button beside each item in the list allows that particular marker to be removed. A middle click over any of the clocks will locate the playhead at that location in the editor. Right clicking on any of the clocks brings up a context menu that allows changing of the display between, Timecode, Bars:Beatsand, Minutes:Seconds and samples. In addition to the clock displays there is an option in the context menu to select Set From Playhead, that sets the markers location to the current location of the playhead in the editor window, and Locate to This Time, that moves the playhead to the location of the position listed in the clock.

diff --git a/_manual/15_editing-and-arranging/09_creating-regionfades-and-crossfades.html b/_manual/15_editing-and-arranging/09_creating-regionfades-and-crossfades.html new file mode 100644 index 0000000..7dfcaa8 --- /dev/null +++ b/_manual/15_editing-and-arranging/09_creating-regionfades-and-crossfades.html @@ -0,0 +1,11 @@ +--- +layout: default +title: Creating Regionfades and Crossfades +--- + +

How Regionfades/Crossfades Work in Ardour

+

Region Fades

+

Regionfades are possible at the beginning and end of all audio regions. When in Object Mode or with Smart Mode on a grip will be displayed at the top left and top right of an audio region when the cursor is hovering over it. Placing the cursor over the top of the grip will display the regionfade cursor tip, clicking and dragging the grip left to right in the timeline will adjust the length of the fade.

+

To activate/deactivate or change the "style" of the Regionfade, hover the cursor over the regionfade grip till the cursor tip indicates regionfade editing and right click to bring up a context menu. In the context menu there is a list of options for the regionfade. Activate\De-activate enables and disables the regionfade. The different types of fades are, Liner, Slow, Fast, Symmetric and Constant Power

+

Crossfades

+

Crossfades refer to the behavior of a regionfade when regions overlaps another region. Crossfades are regionfades. When one region overlaps another and there is a regionfade on the top region the fade-out will be mirrored as a fade-in on the underlying region. The grip for the top region will allow changing the length and type of the crossfade.

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