From: Ed Ward Date: Fri, 27 Jan 2017 08:58:26 +0000 (+0100) Subject: Made midi more prominent by being in the root dir, linkchecking X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=commitdiff_plain;h=49110c129b04cda3249b468364b3924677ecb826;p=ardour-manual Made midi more prominent by being in the root dir, linkchecking --- diff --git a/_manual/05_ardours-interface/01_main-menu/04_Region-menu.html b/_manual/05_ardours-interface/01_main-menu/04_Region-menu.html index e8f3270..39e941b 100644 --- a/_manual/05_ardours-interface/01_main-menu/04_Region-menu.html +++ b/_manual/05_ardours-interface/01_main-menu/04_Region-menu.html @@ -32,12 +32,12 @@ title: The Region Menu
Lower
Makes the selected region(s) one layer lower
Lower to Bottom
Sends the selected region to the background
MIDI
-
Transpose...
On a MIDI region, shows the Transpose MIDI window, allowing to shift the pitch of the whole MIDI region by ± n semitones or octaves
+
Transpose...
On a MIDI region, shows the Transpose MIDI window, allowing to shift the pitch of the whole MIDI region by ± n semitones or octaves
Insert Patch Change...
Inserts a patch change at the Edit Point, allowing a change of patch, channel, program and/or bank
-
Quantize...
Shows the Quantize window, allowing to perfectly align the MIDI notes to the musical grid
+
Quantize...
Shows the Quantize window, allowing to perfectly align the MIDI notes to the musical grid
Legatize
Shortens or elongates the MIDI notes to make them perfectly sequentials, i.e. the end of a note is the start of the following one
Remove Overlap
FIXME Shortens or elongates the MIDI notes to make them perfectly sequentials, i.e. the end of a note is the start of the following one
-
Transform...
Transform window, that allows for mathematical operations on the midi notes
+
Transform...
Transform window, that allows for mathematical operations on the midi notes
Unlink from Other copies
Makes the selected MIDI region independant, e.g. editing this region won't affect any other one.
List Editor...
Shows the List Editor which sequentially lists all the MIDI events in the region, and allows for precise modifications
Gain
diff --git a/_manual/05_ardours-interface/03_the-transport-bar.html b/_manual/05_ardours-interface/03_the-transport-bar.html index 5c20abe..4e57da6 100644 --- a/_manual/05_ardours-interface/03_the-transport-bar.html +++ b/_manual/05_ardours-interface/03_the-transport-bar.html @@ -15,7 +15,7 @@ title: Transport Bar
Midi Panic
Immediately stops all midi output.
-
Enable/disable Audio Click
Toggles (on/off) a click track (metronome) along the tempo. Right clicking brings up the Click submenu from the Preferences.
+
Enable/disable Audio Click
Toggles (on/off) a click track (metronome) along the tempo. Right clicking brings up the Click submenu from the Preferences.
Go to Start of the Session
Jumps back at the beginning of the session, as defined by the start marker.
Go to End of the Session
Jumps forward to the end of the session, as defined by the end marker.
Play Loop Range
Repeats the defined loop as defined by the Loop range, until the "Stop playback" button is pressed. Clicking the "Play loop Range" button while already active switches to normal Play mode, which exits the loop without stopping and restarting playback.
diff --git a/_manual/05_ardours-interface/12_the-ruler.html b/_manual/05_ardours-interface/12_the-ruler.html index 0911ca0..a1b234c 100644 --- a/_manual/05_ardours-interface/12_the-ruler.html +++ b/_manual/05_ardours-interface/12_the-ruler.html @@ -23,4 +23,4 @@ title: Ruler
Location Markers
is meant to receive any kind of marker, user generated or from Ardour itself.
-

Most of the operations on the markers are described in Working with Markers, while the Meter, Tempo, Bars:Beats and Timecode use are described in Tempo and Meter.

+

Most of the operations on the markers are described in Working with Markers, while the Meter, Tempo, Bars:Beats and Timecode use are described in Tempo and Meter.

diff --git a/_manual/05_ardours-interface/14_editor-lists/03_snapshot-list.html b/_manual/05_ardours-interface/14_editor-lists/03_snapshot-list.html index 2d78584..a1f97ff 100644 --- a/_manual/05_ardours-interface/14_editor-lists/03_snapshot-list.html +++ b/_manual/05_ardours-interface/14_editor-lists/03_snapshot-list.html @@ -16,7 +16,7 @@ title: The Snapshot List

- See Working with Sessions for more + See Working with Sessions for more information on snapshots. diff --git a/_manual/05_ardours-interface/15_favorite-plugins-window.html b/_manual/05_ardours-interface/15_favorite-plugins-window.html index 5e1bcd5..78b6467 100644 --- a/_manual/05_ardours-interface/15_favorite-plugins-window.html +++ b/_manual/05_ardours-interface/15_favorite-plugins-window.html @@ -26,5 +26,5 @@ title: Favorite Plugins Window

- When favorites are added with the Plugin Manager, they are appended to the bottom of the list. + When favorites are added with the Plugin Manager, they are appended to the bottom of the list.

diff --git a/_manual/11_working-with-tracks/08_midi-track-controls.html b/_manual/11_working-with-tracks/08_midi-track-controls.html index ba399ff..6639e93 100644 --- a/_manual/11_working-with-tracks/08_midi-track-controls.html +++ b/_manual/11_working-with-tracks/08_midi-track-controls.html @@ -35,6 +35,6 @@ title: MIDI Track Controls clicking on the piano plays the corresponding MIDI note for reference.

- To edit the contents of a MIDI track see Edit + To edit the contents of a MIDI track see Edit MIDI.

diff --git a/_manual/16_editing-and-arranging/10_edit-midi.html b/_manual/12_working-with-midi.html similarity index 85% rename from _manual/16_editing-and-arranging/10_edit-midi.html rename to _manual/12_working-with-midi.html index 00b36df..0629a62 100644 --- a/_manual/16_editing-and-arranging/10_edit-midi.html +++ b/_manual/12_working-with-midi.html @@ -1,35 +1,35 @@ --- layout: default -title: Edit MIDI ---- +title: Working with MIDI +---

- Ardour's handling of MIDI editing differs from most other DAWs + Ardour's handling of MIDI editing differs from most other DAWs and MIDI sequencers.

Key features of Ardour MIDI handling

@@ -53,13 +53,13 @@ title: Edit MIDI time.
  • - By default, copying a MIDI region creates a deep link - — both regions share the same data source, and edits to the contents of - one will affect the other. To break this link, select - MIDI > Unlink from other copies from the region - context menu, after which the selected region(s) will have their own copies - of only the data that they visually display on screen. You will not - be able to trim the region back its original length after an Unlink operation, + By default, copying a MIDI region creates a deep link + — both regions share the same data source, and edits to the contents of + one will affect the other. To break this link, select + MIDI > Unlink from other copies from the region + context menu, after which the selected region(s) will have their own copies + of only the data that they visually display on screen. You will not + be able to trim the region back its original length after an Unlink operation, and the operation cannot be undone.
    • diff --git a/_manual/16_editing-and-arranging/10_edit-midi/01_fundamental-concepts.html b/_manual/12_working-with-midi/01_fundamental-concepts.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/01_fundamental-concepts.html rename to _manual/12_working-with-midi/01_fundamental-concepts.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/02_create-midi-tracks.html b/_manual/12_working-with-midi/02_create-midi-tracks.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/02_create-midi-tracks.html rename to _manual/12_working-with-midi/02_create-midi-tracks.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/03_create-midi-regions.html b/_manual/12_working-with-midi/03_create-midi-regions.html similarity index 86% rename from _manual/16_editing-and-arranging/10_edit-midi/03_create-midi-regions.html rename to _manual/12_working-with-midi/03_create-midi-regions.html index 1938587..7021501 100644 --- a/_manual/16_editing-and-arranging/10_edit-midi/03_create-midi-regions.html +++ b/_manual/12_working-with-midi/03_create-midi-regions.html @@ -15,6 +15,6 @@ title: Create MIDI Regions

    Once you have created a region, you will probably want to - Add some notes to it. + Add some notes to it.

    diff --git a/_manual/16_editing-and-arranging/10_edit-midi/04_add-new-notes.html b/_manual/12_working-with-midi/04_add-new-notes.html similarity index 95% rename from _manual/16_editing-and-arranging/10_edit-midi/04_add-new-notes.html rename to _manual/12_working-with-midi/04_add-new-notes.html index d23df00..b85ac63 100644 --- a/_manual/16_editing-and-arranging/10_edit-midi/04_add-new-notes.html +++ b/_manual/12_working-with-midi/04_add-new-notes.html @@ -42,7 +42,7 @@ title: Add New Notes

    Note that is also a - a step entry editor + a step entry editor allowing you to enter notes from a virtual keyboard and lots more besides.

    diff --git a/_manual/16_editing-and-arranging/10_edit-midi/05_change-note-properties.html b/_manual/12_working-with-midi/05_change-note-properties.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/05_change-note-properties.html rename to _manual/12_working-with-midi/05_change-note-properties.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/06_handle-overlapping-notes.html b/_manual/12_working-with-midi/06_handle-overlapping-notes.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/06_handle-overlapping-notes.html rename to _manual/12_working-with-midi/06_handle-overlapping-notes.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/07_note-cut-copy-and-paste-.html b/_manual/12_working-with-midi/07_note-cut-copy-and-paste-.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/07_note-cut-copy-and-paste-.html rename to _manual/12_working-with-midi/07_note-cut-copy-and-paste-.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/08_note-selection.html b/_manual/12_working-with-midi/08_note-selection.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/08_note-selection.html rename to _manual/12_working-with-midi/08_note-selection.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/09_quantize-midi.html b/_manual/12_working-with-midi/09_quantize-midi.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/09_quantize-midi.html rename to _manual/12_working-with-midi/09_quantize-midi.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/10_step-entry.html b/_manual/12_working-with-midi/10_step-entry.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/10_step-entry.html rename to _manual/12_working-with-midi/10_step-entry.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/11_patch-change.html b/_manual/12_working-with-midi/11_patch-change.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/11_patch-change.html rename to _manual/12_working-with-midi/11_patch-change.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/12_copy-midi-region.html b/_manual/12_working-with-midi/12_copy-midi-region.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/12_copy-midi-region.html rename to _manual/12_working-with-midi/12_copy-midi-region.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/13_transpose-midi.html b/_manual/12_working-with-midi/13_transpose-midi.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/13_transpose-midi.html rename to _manual/12_working-with-midi/13_transpose-midi.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/14_automation-midi.html b/_manual/12_working-with-midi/14_automation-midi.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/14_automation-midi.html rename to _manual/12_working-with-midi/14_automation-midi.html diff --git a/_manual/16_editing-and-arranging/10_edit-midi/15_transformation-midi.html b/_manual/12_working-with-midi/15_transformation-midi.html similarity index 100% rename from _manual/16_editing-and-arranging/10_edit-midi/15_transformation-midi.html rename to _manual/12_working-with-midi/15_transformation-midi.html diff --git a/_manual/12_working-with-plugins.html b/_manual/13_working-with-plugins.html similarity index 100% rename from _manual/12_working-with-plugins.html rename to _manual/13_working-with-plugins.html diff --git a/_manual/12_working-with-plugins/01_managing-plugin-presets.html b/_manual/13_working-with-plugins/01_managing-plugin-presets.html similarity index 100% rename from _manual/12_working-with-plugins/01_managing-plugin-presets.html rename to _manual/13_working-with-plugins/01_managing-plugin-presets.html diff --git a/_manual/12_working-with-plugins/02_plugin-manager.html b/_manual/13_working-with-plugins/02_plugin-manager.html similarity index 100% rename from _manual/12_working-with-plugins/02_plugin-manager.html rename to _manual/13_working-with-plugins/02_plugin-manager.html diff --git a/_manual/12_working-with-plugins/03_processor-box.html b/_manual/13_working-with-plugins/03_processor-box.html similarity index 100% rename from _manual/12_working-with-plugins/03_processor-box.html rename to _manual/13_working-with-plugins/03_processor-box.html diff --git a/_manual/12_working-with-plugins/04_plugin-sidebar.html b/_manual/13_working-with-plugins/04_plugin-sidebar.html similarity index 100% rename from _manual/12_working-with-plugins/04_plugin-sidebar.html rename to _manual/13_working-with-plugins/04_plugin-sidebar.html diff --git a/_manual/12_working-with-plugins/05_windows-vst-support.html b/_manual/13_working-with-plugins/05_windows-vst-support.html similarity index 100% rename from _manual/12_working-with-plugins/05_windows-vst-support.html rename to _manual/13_working-with-plugins/05_windows-vst-support.html diff --git a/_manual/12_working-with-plugins/06_working-with-ardour-built-plugin-editors.html b/_manual/13_working-with-plugins/06_working-with-ardour-built-plugin-editors.html similarity index 100% rename from _manual/12_working-with-plugins/06_working-with-ardour-built-plugin-editors.html rename to _manual/13_working-with-plugins/06_working-with-ardour-built-plugin-editors.html diff --git a/_manual/12_working-with-plugins/07_getting-plugins.html b/_manual/13_working-with-plugins/07_getting-plugins.html similarity index 100% rename from _manual/12_working-with-plugins/07_getting-plugins.html rename to _manual/13_working-with-plugins/07_getting-plugins.html diff --git a/_manual/26_tempo-meter/01_tempo-and-meter.html b/_manual/14_working-with-tempo-and-meter.html similarity index 99% rename from _manual/26_tempo-meter/01_tempo-and-meter.html rename to _manual/14_working-with-tempo-and-meter.html index f25b646..01031b0 100644 --- a/_manual/26_tempo-meter/01_tempo-and-meter.html +++ b/_manual/14_working-with-tempo-and-meter.html @@ -1,7 +1,7 @@ --- layout: default title: Working with Tempo and Meter -menu_title: Tempo and Meter +menu_title: Working with Tempo and Meter ---

    Tempo and meter belong together. without both, there is no way to know where a beat lies in time.

    diff --git a/_manual/13_adding-pre-existing-material.html b/_manual/15_adding-pre-existing-material.html similarity index 100% rename from _manual/13_adding-pre-existing-material.html rename to _manual/15_adding-pre-existing-material.html diff --git a/_manual/13_adding-pre-existing-material/01_import-dialog.html b/_manual/15_adding-pre-existing-material/01_import-dialog.html similarity index 100% rename from _manual/13_adding-pre-existing-material/01_import-dialog.html rename to _manual/15_adding-pre-existing-material/01_import-dialog.html diff --git a/_manual/13_adding-pre-existing-material/02_copying-versus-linking.html b/_manual/15_adding-pre-existing-material/02_copying-versus-linking.html similarity index 100% rename from _manual/13_adding-pre-existing-material/02_copying-versus-linking.html rename to _manual/15_adding-pre-existing-material/02_copying-versus-linking.html diff --git a/_manual/13_adding-pre-existing-material/03_searching-and-importing-from-freesound.html 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_manual/25_using-control-surfaces/01_controlling-ardour-with-osc/09_osc-control-in-ardour-4.7-and-prior.html diff --git a/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol.html b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol.html new file mode 100644 index 0000000..55fe0b6 --- /dev/null +++ b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol.html @@ -0,0 +1,67 @@ +--- +layout: default +title: Devices using Mackie/Logic Control Protocol +menu_title: Mackie/Logic Control Devices +--- + +

    + This will walk you through the process of configuring and using + a MIDI control surface with Ardour that uses the Mackie Control + protocol (MCP) or Logic Control protocol. Devices that + have been tested and are known to work include the SSL Nucleus, Mackie + Control Pro (plus extenders), Behringer devices in Mackie/Logic mode, + and Steinberg CMC devices. +

    + +

    Enabling Mackie Control in Ardour

    +

    + Navigate to Edit > Preferences > Control Surfaces. + Double-click on Mackie Control to see the setup dialog: +

    +Mackie Control Setup Dialog +

    + From the selector at the top, choose the type of device you are using. + ( + What to do if your device is not listed). +

    +

    + Once your setup is complete, click "OK" to close the dialog. Now click + on the enable checkbox for "Mackie Control". +

    + +

    Connecting control surface and Ardour MIDI ports

    +

    + If you are using a device that uses ipMIDI, such as the SSL Nucleus, no + MIDI port connections are required — Ardour and your control + surface will be able to talk to each other automatically. +

    +

    + If you are using a device that uses normal MIDI (via a standard MIDI or + USB cable), you need to connect Ardour's Mackie Control in and out ports + to the MIDI ports leading to and coming from the control surface. +

    +

    + When you have made these connections once, Ardour will recreate them + for you in the future, as long as you leave Mackie Control enabled. +

    + +

    Customizing your control surface

    +

    + Every possible Mackie Control button can be bound to any action present + in Ardour's GUI. Please check your control surface page for suggestions. +

    + +

    Preparing your device for use with Ardour

    +

    + Most interfaces will require some configuration to send and respond to + MCP. +

    + +

    + When setting up the control surface, do not use "Pro Tools" + mode. Pro Tools is the only DAW that still requires HUI. The rest of + world uses Mackie Control Protocol. Ardour does not support HUI. +

    + +{% children %} diff --git a/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/01_behringer-devices-in-mackielogic-control-mode.html b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/01_behringer-devices-in-mackielogic-control-mode.html new file mode 100644 index 0000000..39d0ce5 --- /dev/null +++ b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/01_behringer-devices-in-mackielogic-control-mode.html @@ -0,0 +1,262 @@ +--- +layout: default +title: Behringer devices in Mackie/Logic Control Mode +menu_title: Behringer devices +--- + +

    Behringer BCF-2000 Faders Controller

    +

    + Digramatic Image of the BCF2000 +

    +

    + The Behringer BCF-2000 Fader Controller is a control surface with 8 motorized + faders, 8 rotary encoders and 30 push buttons. The device is a class + compliant USB Midi Interface and also has standard Midi DIN IN/OUT/THRU ports. + The device has included a Mackie/Logic Control Emulation Mode since firmware v1.06. + If you're devices firmware is older than v1.06 it will require an update before + Mackie Control Emulation will work as described here. +

    +

    + Digramatic Image of the BCF2000 in Edit Global Mode +

    + +

    + In order to put the controller into Mackie/Logic control mode turn on the + unit while holding third button from the left in the top most row + of buttons (under the rotary encoder row). Hold the button down until EG + or edit global mode is displayed on the LCD screen of the unit. The global parameters + can then be edited using the 8 rotary encoders in the top row. +

    + +

    + To exit the EG mode press the Exit button. The device is now + ready to use with Ardour. +

    + +

    Modes of Operation

    +

    + Digramatic Image of the BCF2000 Control Modes +

    +

    + The four buttons arranged in a rectangle and located under the Behringer logo + are the mode selection buttons in Logic Control Emulation Mode, + currently Ardour has implemented support for two of these modes. +

    +

    +The surface can be broken into 8 groups of controls. +

    + +
      +
    1. The rotary encoders at the top of the device
      2. +
    2. The first row of buttons under the encoders
      3. +
    3. The second row of buttons under the encoders
      4. +
    4. The row of motorized faders
    5. +
    6. + The group of 4 buttons at the top right that will be + referred to here as the Shift Group +
      7. +
    7. + The group of 4 buttons under the Shift Group + referred to here as the Mode Group +
      8. +
    8. + The group of 2 buttons under the Mode Group + referred to here as the Select Group +
      9. +
    9. + The group of 4 buttons under the Select Group + referred to here as the Transport Group +
      10. +
    + +

    Mixer Pan Mode

    +

    + Digramatic Image of the BCF2000 Control Modes +

    +

    + This is the standard work mode that organizes the control surface to emulate + a standard mixer layout where controls for each track/bus are arranged vertically. + The order of the faders is either controlled by the order of the tracks in the + mixer or can be set manually by the user. +

    +
    +
    Encoders
    +
    Mixer Pans. The red LEDs show the amount of pan left or right
    +
    First Row of Buttons
    +
    Mixer Mutes. The button led lights if the track is currently muted
    +
    Second Row of Buttons
    +
    Select Active Track/Bus. Currently selected track/bus is indicated by the button led
    +
    Faders
    +
    Mixer Gains
    +
    Shift Group
    +
    + The top and bottom left buttons are the simply shifts to change the function of other buttons +
    +
    + The top right is the Fine Control button that allows the increment values sent by + by rotary encoders and faders to be a small value for more precise editing. This button + can also act as a shift button. +
    +
    + The bottom right is the Global Shift button that allows you to change back to the + standard Mixer Pan view from other views and modes. This button can also act as a shift button. +
    +
    Mode Group
    +
    The top two buttons functions are not currently implemented in Ardour.
    +
    The bottom left button sets the device to Pan mode and should currently be lit
    +
    + The bottom right button sets the device to Send mode but will only allow the switch + if the currently selected track/bus has a send or sends to control. +
    +
    Select Group
    +
    + In this mode they function as bank select left and right. If your session has more than 8 tracks + the next set of 8 tracks is selected with the right button and the faders will move to match the + current gain settings of that bank of 8 tracks/busses. If the last bank contains less than 8 + tracks/busses the unused faders will move to the bottom and the pan lights will all turn + off. An unlimited amount of tracks can be controlled with the device. +
    +
    Transport Group
    +
    The upper left button controls Rewind. +
    The upper right button controls Fast Foreword +
    The lower left button controls stop
    +
    The lower right button controls play
    +
    +

    Send Mode

    +

    + Digramatic Image of the Send Mode +

    +

    + Send mode allows for the top row of encoders to control the sends for a selected channel. + One interesting option is to flip the controls from the encoders to the faders by pressing + the shift 1 button and the global view button at the same time. +

    +
    +
    Encoders
    +
    + In send mode, the encoders control sends from left to right instead of mixer pans. + If there are less than 8 sends the behavior of the encoder will be to continue controlling + the mixer pan. Visually it's indicated by the change in the LED from originating at the 12 + o'clock position to originating at the 7 o'clock position. If FLIP is pressed + the encoder will control the mixer gain for the selected track/bus. +
    +
    First row of buttons
    +
    No Change
    +
    Second row of buttons
    +
    No Change.
    +
    Faders
    +
    + No change unless FLIPis pressed then it controls the send for the selected track/bus. +
    +
    Shift Group
    +
    No Change
    +
    Select Group
    +
    No Change
    +
    Transport Group
    +
    No Change
    +
    +

    Mixer Pan While Holding Shift 1

    +

    + Digramatic Image of the Mixer Mode while holding down shift 1 +

    +

    + The operations of various buttons change while holding down the Shift 1 button +

    +
    +
    Encoders
    +
    No Change
    +
    First row of buttons
    +
    These now control the Soloing of each track/bus in the current bank
    +
    Second row of buttons
    +
    These now control the Enable Record for each track
    +
    Faders
    +
    No Change
    +
    Shift Group
    +
    No change
    +
    Mode Group
    +
    No Change
    +
    Select Group
    +
    + These now change the current bank of tracks being controlled over by + one. So if you where controlling tracks 1-8 a push the right + button the surface would now control tracks 2-9 pressing the left + would then shift back to controlling tracks 1-8. +
    +
    Transport Group
    +
    The upper left now controls turning on and off Loop mode.
    +
    + The upper right now toggles + Click. +
    +
    The lower left toggles Replace.
    +
    + The lower right toggles + Global Record. +
    +
    +

    Mixer Pan While Holding Shift 2

    +

    + Digramatic Image of the Mixer Mode while holding down shift 2 +

    +

    + The operations of various buttons change while holding down the Shift 2 button +

    +
    +
    Encoders
    +
    No Change
    +
    First row of buttons
    +
    FIX ME
    +
    Second row of buttons
    +
    These now control setting up different Views. See bellow for more info
    +
    Faders
    +
    No Change
    +
    Shift Group
    +
    No change
    +
    Mode Group
    +
    No Change
    +
    Select Group
    +
    Left button controls Undo(NEEDS VERIFIED)
    +
    Transport Group
    +
    FIX ME
    +
    FIX ME
    +
    FIX ME
    +
    FIX ME
    +
    +

    Views

    +

    + Digramatic Image of the LED display for different Views +

    +

    + FIX ME +

    \ No newline at end of file diff --git a/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/02_ssl-nucleus.html b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/02_ssl-nucleus.html new file mode 100644 index 0000000..83c98e2 --- /dev/null +++ b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/02_ssl-nucleus.html @@ -0,0 +1,219 @@ +--- +layout: default +title: SSL Nucleus +--- + +

    + The Nucleus, from Solid State Logic, is a 16 fader Mackie Control + device that includes many buttons, separate meters, two LCD displays + and other features. The device is not cheap (around US$5000 at the + time of writing), and has some design features + (or lack thereof) which some Ardour developers find + questionable. Nevertheless, it is a very flexible device, and makes + a nice 16 fader surface without the need to somehow attach an + extender to your main surface. +

    + +

    Pre-configuring the Nucleus

    + +

    + Your Nucleus comes complete with a number of "profiles" for a few + well-known DAWs. At the time of writing it does not include one for + Ardour (or related products such as Harrison Mixbus). +

    +

    + We have prepared a profile in which as many buttons as possible send + Mackie Control messages, which makes the device maximally useful + with Ardour (and Mixbus). You can + download the + profile + and load it to your Nucleus using the Edit Profiles + button in SSL's Nucleus Remote application. Be sure to select it for + the active DAW layer in order to make Ardour work as well as + possible. Note: unfortunately, the Nucleus Remote application + only runs on OS X or Windows, so Linux users will need access to + another system to load the profile. We will provide notes on the + profile settings at a future time. +

    + +

    Connecting the Nucleus

    + +

    + Unlike most Mackie Control devices, the Nucleus uses an ethernet + connection to send and receive the MIDI messages that make up the + Mackie Control protocol. Specifically, it uses a technology called + "ipMIDI" which essentially "broadcasts" MIDI messages on a local + area network, so that any connected devices (computers, control + surfaces, tablets etc.) can participate. +

    +

    + All other DAWs so far that support the Nucleus have chosen to do so + by using a 3rd party MIDI driver called "ipMIDI", which creates a + number of "virtual" MIDI ports on your computer. You, the user, + tells the DAW which ports to connect to, and ipMIDI takes care of + the rest. +

    +

    + Ardour has builtin ipMIDI support, with no need of any 3rd party + packages, and no need to identify the "ports" to connect to in order + to communicate with the Nucleus. This makes setting it up a bit + easier than most other systems. +

    +

    + Unless ... you already installed the ipMIDI driver in order to use + some other DAW with your Nucleus. If ipMIDI is configured to create + any "ports", it is not possible for Ardour's own ipMIDI support to + function. We decided to offer both methods of communicating with + your Nucleus. If you regularly use other DAWs, and appreciate having + ipMIDI permanently set up to communication with the Nucleus - that's + OK, you can tell Ardour to use the ipMIDI driver you already + have. But if you're not using other DAWs with the Nucleus (and thus + have not installed the ipMIDI driver), then you can ignore the + ipMIDI driver entirely, and let Ardour connect directly with no + configuration. +

    + +

    Connecting via Ardour's own ipMIDI support

    + +

    + This is usable only on computers with no 3rd party ipMIDI + driver software installed and configured. If you have the OS X or + Windows ipMIDI driver from nerds.de, it MUST be + configured to offer ZERO ports before using this + method. +

    + +

    + Open Preferences > Control Surfaces. Ensure that the + Mackie protocol is enabled, then double-click on it to open the + Mackie Control setup dialog. +

    +

    + Ensure that the device selected is "SSL Nucleus". The dialog should + show a single numerical selector control below it, defining the + ipMIDI port number to use (it should almost always be left at the + default value of 21928). +

    +

    + Communication is automatically established with the Nucleus and you + need do nothing more. +

    +

    + If this does not work, then make sure your network cables are + properly connected, and that you are not running + other ipMIDI software on the computer. +

    + +

    Connecting via 3rd party ipMIDI support

    + +

    + This is usable only on computers with 3rd party ipMIDI + driver software installed and configured for (at least) 2 ports. +

    + +

    + Open Preferences > Control Surfaces. Ensure that the + Mackie protocol is enabled, then double-click on it to open the + Mackie Control setup dialog. +

    +

    + Ensure that the device selected is "SSL Nucleus (via platform MIDI)". The dialog should + show four combo/dropdown selectors, labelled (respectively): +

    + +

    + You should choose "ipMIDI port 1", "ipMIDI port 1", "ipMIDI port 2" + and "ipMIDI port 2" for each of the 4 combo/dropdown selectors. +

    +

    + Communication should be automatically established with the Nucleus. +

    +

    + If this does not work, then make sure your network cables are + properly connected, and that you are running the approprate ipMIDI + driver and have configured it for 2 (or more) ports. +

    + +

    Nucleus Design Discussion

    + +

    + You might be reading this part of the manual seeking some guidance + on whether the Nucleus would make a suitable control surface for + your workflows. We don't want to try to answer that question + definitively, since the real answer depends on the very specific + details of your workflow and situation, but we would like to point + out a number of design features of the Nucleus that might change + your opinion. +

    + +

    Cons

    +
    +
    No Master Faster
    +
    It is not possible to control the level of the Master bus or + Monitor section. Really don't know what SSL was thinking here.
    +
    No dedicated rec-enable buttons
    +
    You have to press the "Rec" button and convert the per-strip + "Select" buttons into rec-enables
    +
    No dedicated automation buttons
    +
    You have to press the "Auto" button and convert the first 4 + vpots into 4 automation-related buttons, losing your current view + of the session.
    +
    No buttons with Mackie-defined "Marker" functionality
    +
    Mackie's design intentions for the interoperation of the + Marker, rewind and ffwd buttons requires profile editing in order + to function properly. +
    +
    No "Dyn" button
    +
    This is hard to assign in an edited profile. To be fair, other + Mackie Control devices also lack this button. +
    +
    + +

    Pros

    +
    +
    Single cable connectivity
    +
    No need for multiple MIDI cables to get 16 faders
    +
    Broadcast connectivity
    +
    Connecting to multiple computers does not require recabling
    +
    16 faders from a single box
    +
    No need to figure out how to keep extenders together
    +
    Meters separated from displays
    +
    Contrast with the Mackie Control Universal Pro, where meters + interfere with the display +
    +
    DAW profiles
    +
    Easy to flip profiles for use by different DAWs.
    +
    + + +

    Ambiguous

    +
    +
    Ability to make buttons generate USB keyboard events
    +
    The extent to which this is useful reflects the target DAWs + inability to manage all of its functionality via Mackie Control +
    +
    Sophisticated "profile" editing
    +
    It is nice to be able to reassign the functionality of most + buttons, but this is only necessary because of the relatively few + global buttons on the surface. +
    +
    Builtin analog signal path
    +
    SSL clearly expects users to route audio back from their + computer via the Nucleus' own 2 channel output path, and maybe even + use the input path as well. They take up a significant amount of + surface space with the controls for this signal path, space that + could have been used for a master fader or more Mackie Control + buttons. The USB audio device requires a proprietary driver, so + Linux users can't use this, and OS X/Windows users will have to + install a device driver (very odd for a USB audio device these + days). The analog path also no doubt adds notable cost to the + Nucleus. There's nothing wrong with this feature for users that + don't already have a working analog/digital signal path for their + computers. But who is going to spend $5000 on a Nucleus that + doesn't have this already?
    +
    diff --git a/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/03_mackie-control-setup-on-linux.html b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/03_mackie-control-setup-on-linux.html new file mode 100644 index 0000000..e155e5a --- /dev/null +++ b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/03_mackie-control-setup-on-linux.html @@ -0,0 +1,20 @@ +--- +layout: default +title: Mackie Control Setup on Linux +--- + +

    Devices using ipMIDI

    +

    + If you are using a device like the SSL Nucleus that uses ipMIDI, + no set up is required other than to ensure that your control surface + and computer are both connected to the same network. +

    + +

    Devices using conventional MIDI

    +

    + Before attempting to use a Mackie Control device that communicates via + a standard MIDI cable or a USB cable, you should ensure that + your Linux + MIDI environment is setup. +

    + diff --git a/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/04_devices-not-listed.html b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/04_devices-not-listed.html new file mode 100644 index 0000000..579ca6e --- /dev/null +++ b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/04_devices-not-listed.html @@ -0,0 +1,18 @@ +--- +layout: default +title: What to do if your Device is not Listed +menu_title: Unlisted devices +--- + +

    + All Mackie Control devices are based on the original Logic Control and the + documentation in the user manual that came with it. The Mackie Control and + the Mackie Control Pro and so on, all use this same protocol. Any units + from other manufactures will also use the same encoding as best the + hardware will allow. If the unit in use has more than one Mackie Control + option, it is best to choose Logic Control or LC. Any Templates for the + buttons should be chosen the same way as the Function key Editor uses these + button names. The "Mackie Control" option should be considered default and + should be tried with any unlisted device before attemping to create a + custom definition file. +

    diff --git a/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/05_working-with-extenders.html b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/05_working-with-extenders.html new file mode 100644 index 0000000..661d67d --- /dev/null +++ b/_manual/25_using-control-surfaces/02_devices-using-mackielogic-control-protocol/05_working-with-extenders.html @@ -0,0 +1,49 @@ +--- +layout: default +title: Working With Extenders +menu_title: Working With Extenders +--- + +

    + Extenders will require a custom file as there are no combinations listed + at this time. The best way is to start with the mc.device file and copy it + to a new name such as xt+mc.device and then edit that file. It is best to + name the file with the order the devices are expected to be used in as + the position of the master device is specified in this file. +

    +

    + The two lines of interest are: +

    +

    + <Extenders value="0"/>
+ <MasterPosition value="0"/>
+
    +

    + Add these two lines if they are not present. The Extenders + value is the number of extenders used and should not include the master in + that number. +

    +

    + When an Extenders value of greater than 0 is used, extra midi + ports will appear for the extenders to be connected to. The MIDI ports + for the controllers will be named mackie control #1, + mackie control #2 and up. The numbers will go from left to + right. That is, from lowest number channel to highest. +

    +

    + The MasterPosition value is the port number the master unit + (with the master fader) is connected to. So if there are three surfaces, + <MasterPosition value="1"/> will expect the master on + the left, <MasterPosition value="2"/> would be master + in the middle and <MasterPosition value="3"/> would be + master on the right. So the position matches the port name. +

    +

    + The default value of <MasterPosition value="0"/> has + the same effect as <MasterPosition value="1"/>. +

    +

    + If the MasterPosition value does not properly match the + physcal position and MIDI port, the master fader and global controls will + not work. The master unit will act like an extender. +

    diff --git a/_manual/23_using-control-surfaces/03_generic-midi.html b/_manual/25_using-control-surfaces/03_generic-midi.html similarity index 100% rename from _manual/23_using-control-surfaces/03_generic-midi.html rename to _manual/25_using-control-surfaces/03_generic-midi.html diff --git a/_manual/23_using-control-surfaces/03_generic-midi/01_midi-binding-maps.html b/_manual/25_using-control-surfaces/03_generic-midi/01_midi-binding-maps.html similarity index 100% rename from _manual/23_using-control-surfaces/03_generic-midi/01_midi-binding-maps.html rename to _manual/25_using-control-surfaces/03_generic-midi/01_midi-binding-maps.html diff --git a/_manual/23_using-control-surfaces/03_generic-midi/02_midi-learn.html b/_manual/25_using-control-surfaces/03_generic-midi/02_midi-learn.html similarity index 100% rename from _manual/23_using-control-surfaces/03_generic-midi/02_midi-learn.html rename to _manual/25_using-control-surfaces/03_generic-midi/02_midi-learn.html diff --git a/_manual/23_using-control-surfaces/03_generic-midi/03_working-with-encoders.html b/_manual/25_using-control-surfaces/03_generic-midi/03_working-with-encoders.html similarity index 100% rename from _manual/23_using-control-surfaces/03_generic-midi/03_working-with-encoders.html rename to _manual/25_using-control-surfaces/03_generic-midi/03_working-with-encoders.html diff --git a/_manual/23_using-control-surfaces/04_Presonus_FaderPort.html b/_manual/25_using-control-surfaces/04_Presonus_FaderPort.html similarity index 100% rename from _manual/23_using-control-surfaces/04_Presonus_FaderPort.html rename to _manual/25_using-control-surfaces/04_Presonus_FaderPort.html diff --git a/_manual/23_using-control-surfaces/05_Ableton_Push2.html b/_manual/25_using-control-surfaces/05_Ableton_Push2.html similarity index 100% rename from _manual/23_using-control-surfaces/05_Ableton_Push2.html rename to _manual/25_using-control-surfaces/05_Ableton_Push2.html diff --git a/_manual/26_tempo-meter.html b/_manual/26_tempo-meter.html deleted file mode 100644 index fc2839a..0000000 --- a/_manual/26_tempo-meter.html +++ /dev/null @@ -1,6 +0,0 @@ ---- -layout: default -title: Working with Tempo and Meter ---- - -{% children %} diff --git a/_manual/24_video-timeline.html b/_manual/26_video-timeline.html similarity index 100% rename from _manual/24_video-timeline.html rename to _manual/26_video-timeline.html diff --git a/_manual/24_video-timeline/01_setup.html b/_manual/26_video-timeline/01_setup.html similarity index 100% rename from _manual/24_video-timeline/01_setup.html rename to _manual/26_video-timeline/01_setup.html diff --git a/_manual/24_video-timeline/02_transcoding_formats_codecs.html b/_manual/26_video-timeline/02_transcoding_formats_codecs.html similarity index 100% rename from _manual/24_video-timeline/02_transcoding_formats_codecs.html rename to _manual/26_video-timeline/02_transcoding_formats_codecs.html diff --git a/_manual/24_video-timeline/03_operations.html b/_manual/26_video-timeline/03_operations.html similarity index 100% rename from _manual/24_video-timeline/03_operations.html rename to _manual/26_video-timeline/03_operations.html diff --git a/_manual/25_lua-scripting.html b/_manual/27_lua-scripting.html similarity index 100% rename from _manual/25_lua-scripting.html rename to _manual/27_lua-scripting.html diff --git a/_manual/25_lua-scripting/01_brain_dump.html b/_manual/27_lua-scripting/01_brain_dump.html similarity index 100% rename from _manual/25_lua-scripting/01_brain_dump.html rename to _manual/27_lua-scripting/01_brain_dump.html diff --git a/_manual/25_lua-scripting/02_class_reference.html b/_manual/27_lua-scripting/02_class_reference.html similarity index 100% rename from _manual/25_lua-scripting/02_class_reference.html rename to _manual/27_lua-scripting/02_class_reference.html