From: Jörn Nettingsmeier Date: Tue, 18 Feb 2014 22:12:27 +0000 (+0100) Subject: minor fixes to chapter 16-18. X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=commitdiff_plain;h=2127ca7c271d5e86bc5cbaf0c7ec57d87b006298;p=ardour-manual-diverged minor fixes to chapter 16-18. --- diff --git a/_manual/16_automation.html b/_manual/16_automation.html index a25f271..cf4674a 100644 --- a/_manual/16_automation.html +++ b/_manual/16_automation.html @@ -3,8 +3,5 @@ layout: default title: Automation --- -

Automation

-

This chapter covers the following:

- {% children %} diff --git a/_manual/17_mixing/01_muting-and-soloing.html b/_manual/17_mixing/01_muting-and-soloing.html index 46519f5..d59c6a2 100644 --- a/_manual/17_mixing/01_muting-and-soloing.html +++ b/_manual/17_mixing/01_muting-and-soloing.html @@ -3,43 +3,132 @@ layout: default title: Muting and Soloing --- +

+ Each track and bus has two buttons which have important implications + for signal flow: mute and solo. The behaviour + of these buttons is configurable in Ardour, to suit different studio + set-ups. +

- -

Each track and bus has two buttons which have important implications for signal flow: mute and solo. The behaviour of these buttons is configurable in Ardour, so that they can behave in one of a few different ways to suit different studio set-ups.

Without a monitor bus

-

If you are using Ardour without a monitor bus, there is only one way in which mute and solo will work. Without a monitor bus:

+

+ If you are using Ardour without a monitor bus, there is only one way + in which mute and solo will work:

+

With a monitor bus

-

For setups with a monitor bus, you have more options, mostly governed by the setting of the ‘Solo controls are Listen controls’ option in the Solo / mute tab of ‘Ardour Preferences’.

-

With ‘Solo controls are Listen controls’ unticked, behaviour is almost exactly the same as the situation without a monitor bus. Mute and solo behave the same, and the monitor bus is fed from the master bus, so it sees the same thing.

-

With ‘Solo controls are Listen controls’ ticked, things change; the master and monitor busses behave differently. In this mode, solo controls are more properly called ‘listen’ controls, and Ardour's solo buttons will change their legend from ‘S’ to either ‘A’ or ‘P’ (we'll come to that shortly) to reflect this.

-

Now, without any mute or listen, the monitor bus remains fed by the master bus. Also:

+

+ For setups with a monitor bus, you have more options, mostly + governed by the setting of the + Solo controls are Listen controls option + in Edit > Preferences > Solo / mute. +

+

+ With Solo controls are Listen controls + unticked, behaviour is almost exactly the same as the situation + without a monitor bus. Mute and solo behave the same, and the monitor + bus is fed from the master bus, so it sees the same thing. +

+

+ With Solo controls are Listen controls + ticked, the master and monitor busses behave differently. In this + mode, solo controls are more properly called listen + controls, and Ardour's solo buttons will change their legend from + S to either A or P to + reflect this. +

+

+ Now, without any mute or listen, the monitor bus remains fed by + the master bus. Also: +

-

There are further options with when solo controls are listen controls: the part of the track or bus from which the listen signal is obtained can be configured. Underneath the ‘Solo controls are Listen controls’ option in ‘Ardour Preferences’ is an option for ‘listen position’, which can be either After-Fade Listen (AFL) or Pre-Fade Listen (PFL). AFL, as its name suggests, obtains its signal from some point after the track or bus’ fader, and PFL from before it. The precise point to get the signal from can further be configured using the ‘PFL signals come from’ and ‘AFL signals come from’ options.

-

The solo-mute arrangement with a monitor bus is shown below:

-

mute/solo signal flow

-

Here we have a number of tracks or busses (in orange). Each one has an output which feeds the master bus. In addition, each has PFL and AFL outputs; we have a choice of which to use. PFL/AFL from each track or bus are mixed. Then, whenever anything is set to AFL/PFL, the monitor out becomes just those AFL/PFL feeds; the rest of the time, the monitor out is fed from the master bus.

-

In this scheme Solo has no effect other than to mute other non-soloed tracks; with solo (rather then listen), the monitor out is fed from the master bus.

+

+ When solo controls are listen controls, the listening point can be set + to either After-Fade Listen (AFL) or Pre-Fade Listen (PFL). The precise + point to get the signal from can further be configured using the + PFL signals come from and + AFL signals come from options. +

+

+ The solo-mute arrangement with a monitor bus is shown below: +

+mute/solo signal flow +

+ Here we have a number of tracks or busses (in orange). Each one has an + output which feeds the master bus. In addition, each has PFL and AFL + outputs; we have a choice of which to use. PFL/AFL from each track or + bus are mixed. Then, whenever anything is set to AFL/PFL, the monitor out + becomes just those AFL/PFL feeds; the rest of the time, the monitor out is + fed from the master bus. +

+

+ In this scheme Solo has no effect other than to mute other non-soloed tracks; + with solo (rather then listen), the monitor out is fed from the master bus. +

+

Other solo options

-

There are a few other configuration options related to the behaviour of solo. They can be found in the Solo / Mute tab of Ardour Preferences dialogue.

+

+ Edit > Preferences > Solo / Mute has some + more solo options: +

+

Solo-in-place mute cut

-

When using ‘solo-in-place’ (SiP), in other words when soloed tracks are being listened to on the master bus, this fader specifies the gain that will be applied to other tracks in order to mute them. Setting this level to -∞dB will mean that other tracks will not be heard at all; setting to some higher value less than 0dB means that other non-soloed tracks will be heard, just reduced in volume compared to the soloed tracks. Using a value larger than -∞dB is sometimes called "Solo-In-Front" by other DAWs, because the listener has the sense that soloed material is "in front" of other material. In Ardour, this is not a distinct mode, but instead the mute cut control offers any level of "in-front-ness" that you might want to use.

+

+ When using solo-in-place (SiP), in other words when soloed tracks are being + listened to on the master bus, this fader specifies the gain that will be + applied to other tracks in order to mute them. Setting this level to + -∞&nbdp;dB will mean that other tracks will not be heard at all; setting to + some higher value less than 0dB means that other non-soloed tracks will be h + eard, just reduced in volume compared to the soloed tracks. Using a value + larger than -∞dB is sometimes called "Solo-In-Front" by other DAWs, because + the listener has the sense that soloed material is "in front" of other + material. In Ardour, this is not a distinct mode, but instead the mute cut + control offers any level of "in-front-ness" that you might want to use. +

Exclusive solo

-

If this is enabled, only one track or bus will ever be soloed at once; soloing track B while track A is currently soloed will un-solo track A before soloing track B.

+

+ If this is enabled, only one track or bus will ever be soloed at once; soloing + track B while track A is currently soloed will un-solo track A before soloing + track B. +

Show solo muting

-

If this is enabled, the mute button of tracks and busses will be drawn outlined to indicate that the track or bus is muted because something else is soloed. This is enabled by default, and we recommend that you leave it that way unless you are extremely comfortable with Ardour's mute/solo behaviour

+

+ If this is enabled, the mute button of tracks and busses will be drawn + outlined to indicate that the track or bus is muted because something else + is soloed. This is enabled by default, and we recommend that you leave it + that way unless you are extremely comfortable with Ardour's mute/solo + behaviour. +

Soloing overrides muting

-

If this is enabled, a track or bus that is both soloed and muted will behave as if it is soloed.

+

+ If this is enabled, a track or bus that is both soloed and muted will behave + as if it is soloed. +

Mute affects…

-

These options dictate whether muting the track will affect various routes out of the track; through the sends, through the control outputs (to the monitor bus) and to the main outputs.

+

+ These options dictate whether muting the track will affect various routes out + of the track; through the sends, through the control outputs (to the monitor + bus) and to the main outputs. +

diff --git a/_manual/17_mixing/02_panning.html b/_manual/17_mixing/02_panning.html index 5af2467..e26a297 100644 --- a/_manual/17_mixing/02_panning.html +++ b/_manual/17_mixing/02_panning.html @@ -4,10 +4,10 @@ title: Panning ---

-Panning is the process of distributing 1 or more signals - across a series of outputs so that the listener will have the - experience of them coming from a particular point or area of the - overall listening field. + Panning is the process of distributing one or more signals + across a series of outputs so that the listener will have the + experience of them coming from a particular point or area of the + overall listening field.

It is used to create a sense of space and/or a sense of motion in an @@ -16,7 +16,6 @@ title: Panning

Types of Panners

-

The way a panner works depends a great deal on how many signals it is going to process and how many outputs it will send them to. The diff --git a/_manual/18_exporting.html b/_manual/18_exporting.html index bf3bfa2..02fd29b 100644 --- a/_manual/18_exporting.html +++ b/_manual/18_exporting.html @@ -2,9 +2,6 @@ layout: default title: Exporting --- - - - -

This chapter covers the following:

+{% children %}