From: Ed Ward
Subgroups usually remove the original signal routing to the main mix and replace it with a new one that delivers the output of the subgroup bus to the main mix instead.
- + ++ | Copy file to session | This file will be imported in the audio/MIDI folder of the session. |
+ | Copy file to session | This file won't be copied. |
diff --git a/include/fades-tab.html b/include/fades-tab.html
index 789aabe..cc8ba3f 100644
--- a/include/fades-tab.html
+++ b/include/fades-tab.html
@@ -1,5 +1,10 @@
-
+
Change how Ardour works with region crossfades.
diff --git a/include/filenames-tab.html b/include/filenames-tab.html
index a3a1907..cb728de 100644
--- a/include/filenames-tab.html
+++ b/include/filenames-tab.html
@@ -1,5 +1,10 @@
-
+
This tab is used to change how Ardour names recorded regions.
diff --git a/include/grid-controls.html b/include/grid-controls.html
index 95a1c9f..4d06442 100644
--- a/include/grid-controls.html
+++ b/include/grid-controls.html
@@ -1,5 +1,10 @@
-
+
Ardour's editor utilizes a grid to assist in the placement of regions
diff --git a/include/import-dialog.html b/include/import-dialog.html
index 888515c..9ecf155 100644
--- a/include/import-dialog.html
+++ b/include/import-dialog.html
@@ -1,5 +1,10 @@
-
+
Many sessions will require the use of existing material,
diff --git a/include/locations-tab.html b/include/locations-tab.html
index 35f0413..c324762 100644
--- a/include/locations-tab.html
+++ b/include/locations-tab.html
@@ -1,5 +1,10 @@
-
+
These options add file locations that will be searched to find the audio and
diff --git a/include/master-bus-strip.html b/include/master-bus-strip.html
index e1876fd..5f0e5f2 100644
--- a/include/master-bus-strip.html
+++ b/include/master-bus-strip.html
@@ -1,5 +1,8 @@
diff --git a/include/media-tab.html b/include/media-tab.html
index d26943d..880f4ec 100644
--- a/include/media-tab.html
+++ b/include/media-tab.html
@@ -1,5 +1,10 @@
-
+
Change how sound is stored on disk. These options do not change how sound is handled diff --git a/include/metadata.html b/include/metadata.html index 5d6fa1f..4823674 100644 --- a/include/metadata.html +++ b/include/metadata.html @@ -5,7 +5,12 @@
Add content
diff --git a/include/meterbridge-tab.html b/include/meterbridge-tab.html index ef7f339..4348ca8 100644 --- a/include/meterbridge-tab.html +++ b/include/meterbridge-tab.html @@ -4,7 +4,12 @@ This tab changes what additional controls are also displayed. - +The Monitor section is an optional feature that provides Control Room/Monitor Speaker outputs. It can be activated for the current session in the diff --git a/include/monitor-signal-flow.html b/include/monitor-signal-flow.html index 4354c24..84b4eef 100644 --- a/include/monitor-signal-flow.html +++ b/include/monitor-signal-flow.html @@ -2,8 +2,14 @@
There are three basic ways to approach monitoring:
When using external monitoring, Ardour plays no role in monitoring at all. Perhaps the recording set-up has an external mixer which can be used to set up monitor mixes, or perhaps the sound-card being used @@ -11,19 +17,33 @@ src="/images/external-monitoring.png" /> latency. On the other hand it requires external hardware, and the monitoring settings are less flexible and not saved with the session.
-Some sound cards have the ability to mix signals from their inputs to their outputs with very low or even zero latency, a feature called hardware monitoring. - Furthermore, on some cards this function can be controlled by JACK. This is a nice arrangement, + Furthermore, on some cards this function can be controlled by JACK. This is a nice arrangement, if the sound card supports it, as it combines the convenience of having the monitoring controlled by Ardour with the low latency operation of doing it externally.
-With the software monitoring approach, all monitoring is
performed by Ardour—it makes track inputs available at track
outputs, governed by various controls. This approach will almost always have
diff --git a/include/nudge-controls.html b/include/nudge-controls.html
index 9720ae8..96e735a 100644
--- a/include/nudge-controls.html
+++ b/include/nudge-controls.html
@@ -1,5 +1,10 @@
-
+
The nudge controls will move the selected region(s) by a fixed amount of time. The left and right buttons move either backward or forward in time, and the small clock to the left of these buttons sets the amount of time to nudge by. As with all other clocks, you can right-click on the clock to choose the time representation you want to use. diff --git a/include/osc58-using-the-setup-dialog.html b/include/osc58-using-the-setup-dialog.html index 5c440d2..121a765 100644 --- a/include/osc58-using-the-setup-dialog.html +++ b/include/osc58-using-the-setup-dialog.html @@ -24,10 +24,14 @@
- -
+ +This field is informational only. It shows where Ardour will receive @@ -37,10 +41,14 @@ port up and will keep trying up to 10 ports up.
- -
+ +This drop down allows the choice of Auto or Manual outbound port setting. The Auto port mode, will send OSC messages back to @@ -82,10 +90,14 @@ controllable.
- -
+ +Sets the faders (and sends faders) feedback math to position where a value between 0 and 1 represents the fader position of the same fader @@ -95,19 +107,27 @@ fader is being adjusted and then return the name text.
- -
+ +For debugging purposes this allows logging either all OSC messages Ardour receives or invalid messages received or none.
- -
+ +Ardour now allows the use of preset settings. The default settings used are the settings from the last session or the factory defaults @@ -134,10 +154,14 @@ so having correct defaults allows one "Connect" button rather than 4.
- -
+ +This allows selecting which of Ardour's mixer strips will be available for control. The Factory default is all strips except master, monitor @@ -150,10 +174,14 @@ controlled by a VCA are hidden, but one of those tracks needs a tweak.
- -
+ +This allows setting up which controls provide feedback. The Factory default is none. If the controller is unable to receive feedback, this diff --git a/include/other-toolbar-items.html b/include/other-toolbar-items.html index 66cef71..e019995 100644 --- a/include/other-toolbar-items.html +++ b/include/other-toolbar-items.html @@ -1,6 +1,11 @@
These buttons allow switching the monitoring mode globally, for all the tracks at once. @@ -23,7 +28,12 @@
Those 2 buttons control the behaviour of the playhead: @@ -35,7 +45,12 @@
The Status buttons show the current session state: @@ -49,7 +64,12 @@
The Mode Selector allows switching between the Editor and Mixer windows.
diff --git a/include/processor-box.html b/include/processor-box.html
index 7c931fa..11e30c9 100644
--- a/include/processor-box.html
+++ b/include/processor-box.html
@@ -1,7 +1,9 @@
-
diff --git a/include/pushpull-trimming.html b/include/pushpull-trimming.html
index d4e3faf..b18a7e5 100644
--- a/include/pushpull-trimming.html
+++ b/include/pushpull-trimming.html
@@ -15,9 +15,9 @@
The current selection range, as set with the Range Mode tool,
diff --git a/include/session-misc-tab.html b/include/session-misc-tab.html
index 22b3e17..6b0af80 100644
--- a/include/session-misc-tab.html
+++ b/include/session-misc-tab.html
@@ -3,7 +3,12 @@
This tab has several things that don't fit on the other tabs.
The status bar is an informative bar at the top of the window, showing:
The Summary is a global overview of the session, allowing for a good "bird's eye" view of where in time and tracks the work happens.
diff --git a/include/sync-tab.html b/include/sync-tab.html
index a361060..686fa80 100644
--- a/include/sync-tab.html
+++ b/include/sync-tab.html
@@ -1,5 +1,10 @@
-
+
This tab is used to modify the timecode settings when working with video to
diff --git a/include/timecode-generators-and-slaves.html b/include/timecode-generators-and-slaves.html
index 1efff00..955f26f 100644
--- a/include/timecode-generators-and-slaves.html
+++ b/include/timecode-generators-and-slaves.html
@@ -230,7 +230,7 @@
This tab is used to change how Ardour interprets and manipulates timecode.
diff --git a/include/toolbox.html b/include/toolbox.html
index 3bfa4e5..60a561f 100644
--- a/include/toolbox.html
+++ b/include/toolbox.html
@@ -1,5 +1,10 @@
-
+
The screenshot on the right shows the subtle difference between an overdub
in normal mode (upper track) and one in non-layered mode
diff --git a/include/transport-bar.html b/include/transport-bar.html
index 65c14f8..444d189 100644
--- a/include/transport-bar.html
+++ b/include/transport-bar.html
@@ -5,7 +5,12 @@
playback and recording.
This bar is made of (from left to right):
diff --git a/include/transport-clocks.html b/include/transport-clocks.html
index 35b8717..57f607c 100644
--- a/include/transport-clocks.html
+++ b/include/transport-clocks.html
@@ -1,5 +1,10 @@
-
+
Clocks in Ardour are used to display time values precisely.
@@ -77,6 +82,11 @@
the same clock during active recording.
The Selection Clocks
-
+
Global Edit mode
diff --git a/include/track-types.html b/include/track-types.html
index eb2a0ed..1a3894c 100644
--- a/include/track-types.html
+++ b/include/track-types.html
@@ -75,8 +75,14 @@
suggested for normal
use.
-
+
+
- Thus, in an ideal world, a single device with a single clock and all the inputs, outputs and other features needed should be used. Of course, there are those who like to point out that this is not an ideal world, and believe that software should make up for this. + Thus, in an ideal world, a single device with a single clock and all the inputs, + outputs and other features needed should be used. Of course, there are those + who like to point out that this is not an ideal world, and believe that software + should make up for this.
- -
+Since version 5.4, Ardour has had extensive support for the Ableton Push2. This is an expensive but beautifully engineered control @@ -44,11 +48,15 @@ aftertouch or polyphonic pressure messages. You can alter this setting via the Push 2 GUI, accessed by double-clicking on the "Push 2" entry in the control surfaces list. -
-
+With the Push 2 support in Ardour 5.4, you can do the following @@ -99,10 +107,14 @@ them, the video display and the 8 buttons below that are combined to provide a global view of the session mix.
-- -
+ +The upper buttons are labelled by text in the video display just below them. Pressing one of the buttons changes the function of the @@ -231,10 +243,14 @@ Press the Scale button to enter Scale mode. The display will look like this:
-- -
+ +In the center, 37 scales are presented. Scroll through them by either using the cursor/arrow keys to the lower right of the diff --git a/include/using-the-presonus-faderport.html b/include/using-the-presonus-faderport.html index 7d8bbfe..53d405d 100644 --- a/include/using-the-presonus-faderport.html +++ b/include/using-the-presonus-faderport.html @@ -39,9 +39,14 @@ ports where your Faderport is connected.
- -
+ +Once you select the input and output port, Ardour will initialize the Faderport and it will be ready to use. You only need do this diff --git a/include/using-the-presonus-faderport8.html b/include/using-the-presonus-faderport8.html index 286f899..a4ea5ed 100644 --- a/include/using-the-presonus-faderport8.html +++ b/include/using-the-presonus-faderport8.html @@ -49,8 +49,10 @@ future sessions.
The two Shift buttons are identical, they're copied to provide @@ -197,8 +205,10 @@ (Note: with the 1.01 firmware these buttons always act on press.)
For tracks with 10 outputs, Ardour will currently assume a 3-dimensional speaker layout corresponding to Auro-3D 10.1, which is a horizontal 5.1 diff --git a/include/working-with-extenders.html b/include/working-with-extenders.html index eb0ea66..8ae1a8c 100644 --- a/include/working-with-extenders.html +++ b/include/working-with-extenders.html @@ -49,8 +49,14 @@ and the bottom is the rightmost. The GUI shows explicitly the position of the main or master surface within the group of surfaces.
- + +
The MasterPosition
value is the position the master unit
(with the master fader) is located at within the group of surfaces.
diff --git a/include/zoom-controls.html b/include/zoom-controls.html
index 86dd756..87b3a85 100644
--- a/include/zoom-controls.html
+++ b/include/zoom-controls.html
@@ -1,5 +1,10 @@
-
+
The zoom controls allow to navigate the session along both the time and track axes.
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