X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=you-are-my-all-in-all.ly;h=bb7846b601c685b63443dd96e2da592ba3c00bb9;hb=bd3b595932c04f7eb329df944c474f89bce236af;hp=838ad2bf767e059e58704126cedff30198f509de;hpb=6f8ca2d1ddc26dc34f0be9b733d6ef860005c06d;p=music diff --git a/you-are-my-all-in-all.ly b/you-are-my-all-in-all.ly index 838ad2b..bb7846b 100644 --- a/you-are-my-all-in-all.ly +++ b/you-are-my-all-in-all.ly @@ -1,8 +1,8 @@ -\version "2.16.0" +\version "2.19.0" \include "pop-chords.ly" \include "english.ly" -% Good sizes are 16, 18, & 20 +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) staffSize = #18 #(set-default-paper-size "letter") #(set-global-staff-size staffSize) @@ -10,8 +10,6 @@ staffSize = #18 \header { -%Let's bump up the title size and switch to the chord font. :-) - title = \markup { \override #'(font-family . sans) \fontsize #3.5 "You Are My All In All" } % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" } @@ -20,79 +18,106 @@ staffSize = #18 % -% Lead vocal +% Song's structure % - -LeadVox = \relative c' +Global = { -% \set Voice.autoBeaming = ##f -% \set Staff.instrument = #"Lead vox" \clef G \key f \major - \override Staff.TimeSignature #'style = #'() + \numericTimeSignature \time 4/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f % Intro s1^\markup { \hspace #0.0 \raise #2.0 { 16th note ballad } } | % 1 s1 | % 2 \time 2/4 s2 \time 4/4 | % 3 - s1 \bar "||:" % 4 + s1 \bar ".|:-||" % 4 \repeat volta 3 { % A section -\mark \markup { \override #'(font-family . sans) { \box { A } } } - - r4 f16 g a8 g g f e | % 5 - f4 f16 g a8 c, c f e | % 6 - d4 d16 e f8 f4 e | % 7 - f4. ( g16 f e2 ) | % 8 - - r4 f16 g a8 g g f e | % 9 - f4 f16 g a8 c, c f e | % 10 - d4 d16 e f8 f4 e | % 11 - f2. r4 \bar "||" % 12 + \mark \markup { \override #'(font-family . sans) { \box { A } } } + s1*8 \bar "||" % 5-12 % B section -\once \override Score.RehearsalMark #'self-alignment-X = #left -\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } - - a2 g | % 13 - f4 c' a2 | % 14 - bf4 bf a g | % 15 - a4. ( bf16 a g2 ) | % 16 + \once \override Score.RehearsalMark #'self-alignment-X = #left + \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } - a2 g | % 17 - f4 c' a2 | % 18 - bf4 bf a g | % 19 + s1*7 | % 13-19 } \alternative { { - f2. r4 | % 20 + s1 | % 20 } { - f2. r4^\markup { \hspace #-2.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21 + s2. s4^\markup { \hspace #-2.0 \raise #1.0 \bold { D.S. } } \bar "||" % 21 } { - f2. r4 \bar "||" % 22 + s1 \bar "||" % 22 } } % Ending -\mark \markup { \override #'(font-family . sans) { \box { C } } } + \mark \markup { \override #'(font-family . sans) { \box { C } } } + s1*4 \bar "|." % 23-26 +} + + +% +% Lead vocal +% +LeadVox = \relative c' +{ + % Intro + + s1 | % 1 + s1 | % 2 + s2 | % 3 + s1 | % 4 + + % A section + + r4 f16 g a8 g g f e | % 5 + f4 f16 g a8 c, c f e | % 6 + d4 d16 e f8 f4 e | % 7 + f4. ( g16 f e2 ) | % 8 + + r4 f16 g a8 g g f e | % 9 + f4 f16 g a8 c, c f e | % 10 + d4 d16 e f8 f4 e | % 11 + f2. r4 | % 12 + + % B section + + a2 g | % 13 + f4 c' a2 | % 14 + bf4 bf a g | % 15 + a4. ( bf16 a g2 ) | % 16 + + a2 g | % 17 + f4 c' a2 | % 18 + bf4 bf a g | % 19 + + f2. r4 | % 20 + + f2. r4 | % 21 + + f2. r4 | % 22 + + % Ending a2 g | % 23 f4 c' a2 | % 24 bf4 bf a g | % 25 - f1^\fermata \bar "|." % 26 + f1^\fermata | % 26 } + LeadVoxText = \lyricmode { You are my strength when I am weak; @@ -129,19 +154,13 @@ LeadVoxTextB = \lyricmode Riffs = \relative c'' { - \clef G - \key f \major - \override Staff.TimeSignature #'style = #'() - \time 4/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f - % Intro \tiny r4 f16 g a8 g g16 f ~ f e8 f16 ~ | % 1 f4 f16 g a8 c, c16 f ~ f e8 d16 ~ | % 2 - \time 2/4 d4 d16 e f8 \time 4/4 | % 3 - f2 e \bar "||:" % 4 + d4 d16 e f8 | % 3 + f2 e | % 4 \normalsize } @@ -149,22 +168,16 @@ Riffs = \relative c'' % % Chord names % - Chords = \chordmode { -%Bah, can't we set this globally? -% \popChords - % Intro f2 c/e | % 1 d2:m f/a | % 2 - \time 2/4 bf2 \time 4/4 | % 3 + bf2 | % 3 f2/c c | % 4 - \repeat volta 3 - { - % A section + % A section f2 c/e | % 5 d2:m f/a | % 6 @@ -176,7 +189,7 @@ Chords = \chordmode g2:m7 f4/c c | % 11 bf2/f f | % 12 - % B section + % B section f2 c/e | % 13 d2:m f/a | % 14 @@ -187,19 +200,11 @@ Chords = \chordmode bf4/d c/e f2 | % 18 g2:m7 f4/c c | % 19 - } - \alternative - { - { - bf2/f f | % 20 - } - { - bf2/f f | % 21 - } - { - bf2/f f | % 22 - } - } + bf2/f f | % 20 + + bf2/f f | % 21 + + bf2/f f | % 22 % Ending @@ -213,28 +218,20 @@ Chords = \chordmode % % Chord rhythms % - -% Use a RhythmicStaff on the chords instead of this? -% It almost works, but not quite. Doesn't collapse chords above to single notes... - StaffC = \relative c { -% \set Voice.autoBeaming = ##f -% \set Staff.instrument = #"Rhythm" - \override Staff.TimeSignature #'style = #'() - \time 4/4 + \numericTimeSignature \override NoteHead #'style = #'slash + \teeny % Intro c4 c c c | % 1 c4 c c c | % 2 - \time 2/4 c4 c \time 4/4 | % 3 + c4 c | % 3 c4 c c c | % 4 - \repeat volta 3 - { - % A section + % A section c4 c c c | % 5 c4 c c c | % 6 @@ -246,7 +243,7 @@ StaffC = \relative c c4 c c c | % 11 c4 c c c | % 12 - % B section + % B section c4 c c c | % 13 c4 c c c | % 14 @@ -257,26 +254,19 @@ StaffC = \relative c c4 c c c | % 18 c4 c c c | % 19 - } - \alternative - { - { - c4 c c c | % 20 - } - { - c4 c c c | % 21 - } - { - c4 c c c \bar "||" % 22 - } - } + c4 c c c | % 20 + + c4 c c c | % 21 + + c4 c c c | % 22 % Ending c2 c | % 23 c4 c c2 | % 24 c2 c4 c | % 25 - c2 c^\fermata \bar "|." % 26 + c2 c^\fermata | % 26 + \normalsize } @@ -305,17 +295,20 @@ Dynamics = \score { << + \Global % The "roadmap" that everything else depends on + + \context Staff << -% \new Staff = leadStaff { \new Voice = "lead" \LeadVox } - \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> } + \new Voice = "lead" \LeadVox + \new Voice = "riffs" \Riffs \new Lyrics \lyricsto "lead" \LeadVoxText \new Lyrics \lyricsto "lead" \LeadVoxTextB >> - \new ChoirStaff = "Rhythm" + \new ChoirStaff << - \new ChordNames = "chords" \Chords - \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >> + \new ChordNames \Chords + \new RhythmicStaff << \StaffC \Dynamics >> >> \set Score.skipBars = ##t @@ -326,11 +319,11 @@ Dynamics = \paper { - #(define fonts (make-pango-font-tree - "Times New Roman" - "DomCasual BT" - "Luxi Mono" - (/ staffSize 20))) + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJAZZText" + "Luxi Mono" + (/ staffSize 20))) % Spread staves vertically across last page (default: t) % ragged-last-bottom = ##f @@ -341,6 +334,5 @@ Dynamics = % To find out what's eating the space at the top... % annotate-spacing = ##t -%let's try this: [It works! Huzzah!] - obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space) } +