X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=we-will-worship-the-lamb-of-glory.ly;h=7373c18f1886ff2de1a4d8ac3700ec727ed97242;hb=HEAD;hp=34c609a50b72cceed88cd9268e0a69ce1dab1746;hpb=7add1480813db617ee22ba3276c5b61649445f50;p=music diff --git a/we-will-worship-the-lamb-of-glory.ly b/we-will-worship-the-lamb-of-glory.ly old mode 100755 new mode 100644 index 34c609a..7373c18 --- a/we-will-worship-the-lamb-of-glory.ly +++ b/we-will-worship-the-lamb-of-glory.ly @@ -1,16 +1,15 @@ -\version "2.16.0" +\version "2.19.0" \include "pop-chords.ly" \include "english.ly" -staffSize = #18 % or 16 +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #16 #(set-default-paper-size "letter") #(set-global-staff-size staffSize) #(ly:set-option (quote no-point-and-click)) \header { -%Let's bump up the title size and switch to the chord font. :-) - title = \markup { \override #'(font-family . sans) { \fontsize #3.5 "We Will Worship The Lamb Of Glory" } } % composer = \markup { \override #'(font-family . sans) "" } @@ -20,50 +19,36 @@ staffSize = #18 % or 16 % -% Lead vocal +% Song's structure % - -LeadVox = \relative c'' +Global = { -% \set Voice.autoBeaming = ##f -% \set Staff.instrumentName = #"Lead vox" \clef G \key f \major - \override Staff.TimeSignature #'style = #'() + \numericTimeSignature \time 4/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f % Intro - R1^\markup { 8th note ballad } | % 1 - R1 | % 2 - R1 | % 3 - R1 | % 4 + s1^\markup { 8th note ballad } | % 1 + s1*3 \bar ".|:-||" % 2-4 % Verse \repeat volta 2 { -%\mark \markup { \override #'(font-family . sans) { \box { A } } } -\once \override Score.RehearsalMark #'self-alignment-X = #left -\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } - - r4 a8 a a g f g ~ | % 5 - g4 f8 a ~ a g4. | % 6 - r4 a8 a a g f g ~ | % 7 - g4 a8 g ~ g4 r | % 8 - r4 a8 a a g f g ~ | % 9 - g4 a8 g ( ~ g f ) d4 | % 10 + \once \override Score.RehearsalMark #'self-alignment-X = #left + \mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } + + s1*6 | % 5-10 } \alternative { { - r4 f8 f g a g f ~ | % 11 - f2 r | % 12 + s1*2 | % 11-12 } { - r4 f8 f g a g f | % 13 - r8 c' c c c bf a c ~ | % 14 + s1*2 | % 13-14 } } @@ -71,46 +56,88 @@ LeadVox = \relative c'' \repeat volta 3 { -\mark \markup { \override #'(font-family . sans) { \box { B } } } - - c8 c c bf ~ bf c d c | % 15 - r8 c c c c bf a c ~ | % 16 - c8 c c c bf c d c | % 17 - r8 c c c c bf a d ~ | % 18 - d8 c bf c ~ c bf a bf ~ | % 19 - bf8 a g f ~ f g a bf ~ | % 20 - bf8 a g f f g e f ~ | % 21 + \mark \markup { \override #'(font-family . sans) { \box { B } } } + s1*7 | % 15-21 } \alternative { { - f2 r | % 22 - << R1 \\ { s2. s4^\markup { \bold \italic { D.S. } } } >> \bar "||" % 23 + s1 | % 22 + s2. s4^\markup { \hspace #-1.8 \raise #0.2 \bold "D.S." } \bar "||" % 23 % R1^\markup { \bold \italic { D.S. } } \bar "||" % 23 %\once \override Score.RehearsalMark #'self-alignment-X = #right %\mark \markup { \italic { D.S. } } } { - r8 c' c c c bf a c ~ | % 24 + s1 | % 24 } { - f,2 \repeatTie r8 g a bf ~ | % 25 + s1 | % 25 } } % Outro + s1*3 \bar "||" % 26-28 + s1*5 \bar "|." % 29-33 +} + + +% +% Lead vocal +% +LeadVox = \relative c'' +{ + % Intro + + R1*4 | % 1-4 + + % Verse + + r4 a8 a a g f g ~ | % 5 + g4 f8 a ~ a g4. | % 6 + r4 a8 a a g f g ~ | % 7 + g4 a8 g ~ g4 r | % 8 + r4 a8 a a g f g ~ | % 9 + g4 a8 g ( ~ g f ) d4 | % 10 + + r4 f8 f g a g f ~ | % 11 + f2 r | % 12 + + r4 f8 f g a g f | % 13 + r8 c' c c c bf a c ~ | % 14 + + % Chorus + + c8 c c bf ~ bf c d c | % 15 + r8 c c c c bf a c ~ | % 16 + c8 c c c bf c d c | % 17 + r8 c c c c bf a d ~ | % 18 + d8 c bf c ~ c bf a bf ~ | % 19 + bf8 a g f ~ f g a bf ~ | % 20 + bf8 a g f f g e f ~ | % 21 + + f2 r | % 22 + R1 | % 23 + + r8 c' c c c bf a c \laissezVibrer | % 24 + + f,2 \repeatTie r8 g a bf ~ | % 25 + + % Outro + bf8 a g f f g e f ~ | % 26 f2 r8 g a bf ~ | % 27 - bf8 a g f f g e4 \bar "||" % 28 + bf8 a g f f g e4 | % 28 f4 r r2 | % 29 R1 | % 30 R1 | % 31 R1 | % 32 - r1^\fermata \bar "|." % 33 + r1^\fermata | % 33 } + LeadVoxText = \lyricmode { We will wor- ship the lamb _ of glo- _ ry @@ -148,12 +175,8 @@ LeadVoxTextB = \lyricmode % % Chord names % - Chords = \chordmode { -%Bah, can't we set this globally? -% \popChords - % Intro f2.. c8/f | % 1 @@ -210,73 +233,50 @@ Chords = \chordmode % % Chord rhythms % - -% Use a RhythmicStaff on the chords instead of this? -% It almost works, but not quite. Doesn't collapse chords above to single notes... - StaffC = \relative c { -% \set Voice.autoBeaming = ##f -% \set Staff.instrumentName = #"Rhythm" - \override Staff.TimeSignature #'style = #'() - \time 4/4 + \numericTimeSignature \override NoteHead #'style = #'slash + \teeny % Intro c4-\markup { \small \italic { sidestick } } c c c8 c ~ | % 1 c4 c c c | % 2 c4 c c c | % 3 - c4 c c c \bar "||:" % 4 + c4 c c c | % 4 % Verse - \repeat volta 2 - { - c4_\mf c c c8 c ~ | % 5 - c4 c c c | % 6 - c4 c c c8 c ~ | % 7 - c4 c c c | % 8 - c4 c c c8 c ~ | % 9 - c4 c c c | % 10 - } - \alternative - { - { - c4 c c c8 c ~ | % 11 - c4 c8 c ~ c4 c | % 12 - } - { - c4 c c c8 c ~ | % 13 - c8 c c c c c c c ~ | % 14 - } - } + c4_\mf c c c8 c ~ | % 5 + c4 c c c | % 6 + c4 c c c8 c ~ | % 7 + c4 c c c | % 8 + c4 c c c8 c ~ | % 9 + c4 c c c | % 10 + + c4 c c c8 c ~ | % 11 + c4 c8 c ~ c4 c | % 12 + + c4 c c c8 c ~ | % 13 + c8 c c c c c c c ~ | % 14 % Chorus - \repeat volta 3 - { - c4_\markup { \italic { snare } } c8 c ~ c4 c8 c ~ | % 15 - c8 c c c c c c c ~ | % 16 - c4 c8 c ~ c4 c8 c ~ | % 17 - c8 c c c c c c c ~ | % 18 - c4 c8 c ~ c4 c8 c ~ | % 19 - c4 c8 c ~ c4 c8 c ~ | % 20 - c4 c8 c ~ c4 c | % 21 - } - \alternative - { - { - c4 c c c8 c ~ | % 22 - c4 c c c | % 23 - } - { - c8 c c c c c c c | % 24 (repeat tie on the last c - } - { - c4. c8 ~ c4 c8 c ~ | % 25 - } - } + c4_\markup { \italic { snare } } c8 c ~ c4 c8 c ~ | % 15 + c8 c c c c c c c ~ | % 16 + c4 c8 c ~ c4 c8 c ~ | % 17 + c8 c c c c c c c ~ | % 18 + c4 c8 c ~ c4 c8 c ~ | % 19 + c4 c8 c ~ c4 c8 c ~ | % 20 + c4 c8 c ~ c4 c | % 21 + + c4 c c c8 c ~ | % 22 + c4 c c c | % 23 + + c8 c c c c c c c | % 24 (repeat tie on the last c + + c4. c8 ~ c4 c8 c ~ | % 25 % Outro @@ -288,43 +288,50 @@ StaffC = \relative c c4 c c c | % 30 c4 c c c | % 31 c4 c c c | % 32 - c1^\fermata \bar "|." % 33 + c1^\fermata | % 33 } \score { << + \Global % The "roadmap" that everything else depends on + + \context Staff << - \new Staff = leadStaff { \new Voice = "lead" \LeadVox } + \new Voice = "lead" \LeadVox \new Lyrics \lyricsto "lead" \LeadVoxText \new Lyrics \lyricsto "lead" \LeadVoxTextB >> - \new ChoirStaff = "Rhythm" + \new ChoirStaff << - \new ChordNames = "chords" \Chords - \new RhythmicStaff = "chordRhythm" \StaffC + \new ChordNames \Chords + \new RhythmicStaff \StaffC >> \set Score.skipBars = ##t \set Score.melismaBusyProperties = #'() >> - - \layout - { -% \context { \Staff \RemoveEmptyStaves } -% ragged-last-bottom = ##t - ragged-last = ##t - } } \paper { - #(define fonts (make-pango-font-tree - "Times New Roman" - "DomCasual BT" - "Luxi Mono" - (/ staffSize 20))) + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJAZZText" + "Luxi Mono" + (/ staffSize 20))) + +% Don't spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) + ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t } +