X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=the-first-noel.ly;h=68d222610b0214d29832b4f44649ba00df90be71;hb=HEAD;hp=cd7ae19ebd0b97be2c4c4e9847664cec3d10ce18;hpb=cdf57606f385bc4493fed4e3860bce0ce657dc40;p=music diff --git a/the-first-noel.ly b/the-first-noel.ly index cd7ae19..68d2226 100644 --- a/the-first-noel.ly +++ b/the-first-noel.ly @@ -1,8 +1,8 @@ -\version "2.16.0" +\version "2.19.0" \include "pop-chords.ly" \include "english.ly" -% Good sizes are 16, 18, & 20 +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) staffSize = #18 #(set-default-paper-size "letter") #(set-global-staff-size staffSize) @@ -10,105 +10,123 @@ staffSize = #18 \header { -%Let's bump up the title size and switch to the chord font. :-) - title = \markup { \override #'(font-family . sans) \fontsize #3.5 "The First Noel" } composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "English Carol" } arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" } - tagline = "Engraved by JLH and Lilypond 2.8.6" + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) } % -% Lead vocal +% Song's structure % - -LeadVox = \relative c' +Global = { -% \set Voice.autoBeaming = ##f -% \set Staff.instrumentName = #"Lead vox" \clef G \key d \major - \override Staff.TimeSignature #'style = #'() + \numericTimeSignature \time 3/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f % Intro \partial 4*1 s4 \bar "||" % 0 - s2. | % 1 - s2. | % 2 - s2. | % 3 - s2. | % 4 + s2.*4 | % 1-4 \repeat volta 3 { - s2. | % 5 - s2. | % 6 - s2. | % 7 -\break % Bleah - s2 fs8 e \bar "||" % 8 + s2.*4 \bar "||" % 5-8 % Verse -\mark \markup { \override #'(font-family . sans) { \box { A } } } - - d4. ( e8 ) fs ( g ) | % 9 - a2 b8 ( cs ) | % 10 - d4 cs b | % 11 - a2 b8 cs | % 12 - d4 ( cs ) b | % 13 - a4 ( b ) cs | % 14 - d4 ( a ) g | % 15 - fs2 fs8 ( e ) | % 16 - -\mark \markup { \override #'(font-family . sans) { \box { A9 } } } - - d4. ( e8 ) fs ( g ) | % 17 - a2 b8 ( cs ) | % 18 - d4 ( cs ) b | % 19 - a2 b8 ( cs ) | % 20 - d4 cs b | % 21 - a4 ( b ) cs | % 22 - d4 ( a ) g | % 23 - fs2 fs8 ( e ) \bar "||" % 24 -\break % bah, only valid for size 18 + \mark \markup { \override #'(font-family . sans) { \box { A } } } + s2.*8 | % 9-16 + + \mark \markup { \override #'(font-family . sans) { \box { A9 } } } + s2.*8 \bar "||" % 17-24 +%\break % bah, only valid for size 18 % Chorus -%\mark \markup { \override #'(font-family . sans) { \box { B } } } -\once \override Score.RehearsalMark #'self-alignment-X = #left -\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } + \once \override Score.RehearsalMark #'self-alignment-X = #left + \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } - d4. ( e8 ) fs ( g ) | % 25 - a2 d8 ( cs ) | % 26 - b2 b4 | % 27 - a2. | % 28 - d4 cs b | % 29 - a4 ( b ) cs | % 30 + s2.*6 | % 25-30 } \alternative { { - d4 ( a ) g | % 31 - d2. | % 32 + s2.*2 | % 31-32 } { - d'4 ( a ) g | % 33 - fs2^\markup { \hspace #3.0 \raise #1.0 { D.S. } } fs8 ( e ) \bar "||" % 34 + s2. | % 33 + s2^\markup { \hspace #3.0 \raise #1.0 { D.S. } } s4 \bar "||" % 34 } { - d'4 ( a ) g | % 35 - d2. | % 36 + s2.*2 | % 35-36 } } - s2. | % 37 - s2. | % 38 - s2. | % 39 - s2. \bar "|." % 40 + s2.*4 \bar "|." % 37-40 } + +% +% Lead vocal +% +LeadVox = \relative c' +{ + % Intro + + s4 | % 0 + s2.*4 | % 1-4 + + s2. | % 5 + s2. | % 6 + s2. | % 7 + s2 fs8 e | % 8 + + % Verse + + d4. ( e8 ) fs ( g ) | % 9 + a2 b8 ( cs ) | % 10 + d4 cs b | % 11 + a2 b8 cs | % 12 + d4 ( cs ) b | % 13 + a4 ( b ) cs | % 14 + d4 ( a ) g | % 15 + fs2 fs8 ( e ) | % 16 + + d4. ( e8 ) fs ( g ) | % 17 + a2 b8 ( cs ) | % 18 + d4 ( cs ) b | % 19 + a2 b8 ( cs ) | % 20 + d4 cs b | % 21 + a4 ( b ) cs | % 22 + d4 ( a ) g | % 23 + fs2 fs8 ( e ) | % 24 + + % Chorus + + d4. ( e8 ) fs ( g ) | % 25 + a2 d8 ( cs ) | % 26 + b2 b4 | % 27 + a2. | % 28 + d4 cs b | % 29 + a4 ( b ) cs | % 30 + + d4 ( a ) g | % 31 + d2. | % 32 + + d'4 ( a ) g | % 33 + fs2 fs8 ( e ) | % 34 + + d'4 ( a ) g | % 35 + d2. | % 36 + + s2.*4 \bar "|." % 37-40 +} + + LeadVoxText = \lyricmode { The _ first _ no -- _ el the _ an -- gel did say @@ -136,16 +154,10 @@ LeadVoxTextB = \lyricmode Riffs = \relative c' { - \clef G - \key d \major - \override Staff.TimeSignature #'style = #'() - \time 3/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f - % Intro \tiny - \partial 4*1 fs8 e | % 0 + fs8 e | % 0 d4. e8 fs g | % 1 a2 d8 cs | % 2 b2 b4 | % 3 @@ -156,12 +168,12 @@ Riffs = \relative c' d4 a g | % 7 fs2 s4 | % 8 - s2.*28 + s2.*28 | % 9-36 - d'4 cs b | % - a4 b cs | % - d4 a g | % - fs2.^\fermata | % + d'4 cs b | % 37 + a4 b cs | % 38 + d4 a g | % 39 + fs2.^\fermata | % 40 \normalsize } @@ -169,71 +181,58 @@ Riffs = \relative c' % % Chord names % - Chords = \chordmode { -%Bah, can't we set this globally? -% \popChords - % Intro - \partial 4*1 d4/a | % 0 + d4/a | % 0 d2.:9^7 | % 1 a2.:9^7 | % 2 g2.:9^7 | % 3 d2 a4:9^7/cs | % 4 - \repeat volta 3 - { - % Verse - - g4:6/b a:11^9.7 g | % 5 - d4:sus2 g fs:m | % 6 - e2:m7 a4:sus4.7 | % 7 - d2 d4/a | % 8 - - d2.:9^7 | % 9 - fs2.:m7 | % 10 - g2.:maj7 | % 11 - d2.:9^7/fs | % 12 - g2.:maj9 | % 13 - d2./fs | % 14 - e2.:m7 | % 15 - a4:13 b:m a/cs | % 16 - - d2.:9^7 | % 17 - a2.:sus2/cs | % 18 - g2./b | % 19 - d2./a | % 20 - g2.:maj9 | % 21 - d2.:9^7/fs | % 22 - e2:m7 a4:sus4.7 | % 23 - d4 a:13 a:7 | % 24 - - % Chorus - - d2.:9^7 | % 25 - a2:9^7 d4:9^7/fs | % 26 - g2. | % 27 - d2 a4:sus2/cs | % 28 - g4:6/b a:11^9.7 g | % 29 - d4:sus2/fs g fs:m | % 30 - } - \alternative - { - { - e2:m7 a4:sus4.7 | % 31 - d2 d4/cs | % 32 - } - { - e2:m7 a4:sus4.7 | % 33 - d2 d4/a | % 34 - } - { - e2:m7 a4:sus4.7 | % 35 - d2 d4/cs | % 36 - } - } + % Verse + + g4:6/b a:11^9.7 g | % 5 + d4:sus2 g fs:m | % 6 + e2:m7 a4:sus4.7 | % 7 + d2 d4/a | % 8 + + d2.:9^7 | % 9 + fs2.:m7 | % 10 + g2.:maj7 | % 11 + d2.:9^7/fs | % 12 + g2.:maj9 | % 13 + d2./fs | % 14 + e2.:m7 | % 15 + a4:13 b:m a/cs | % 16 + + d2.:9^7 | % 17 + a2.:sus2/cs | % 18 + g2./b | % 19 + d2./a | % 20 + g2.:maj9 | % 21 + d2.:9^7/fs | % 22 + e2:m7 a4:sus4.7 | % 23 + d4 a:13 a:7 | % 24 + + % Chorus + + d2.:9^7 | % 25 + a2:9^7 d4:9^7/fs | % 26 + g2. | % 27 + d2 a4:sus2/cs | % 28 + g4:6/b a:11^9.7 g | % 29 + d4:sus2/fs g fs:m | % 30 + + e2:m7 a4:sus4.7 | % 31 + d2 d4/cs | % 32 + + e2:m7 a4:sus4.7 | % 33 + d2 d4/a | % 34 + + e2:m7 a4:sus4.7 | % 35 + d2 d4/cs | % 36 g4:6/b a:11^9.7 g | % 37 d4:sus2/fs g fs:m | % 38 @@ -245,82 +244,67 @@ Chords = \chordmode % % Chord rhythms % - -% Use a RhythmicStaff on the chords instead of this? -% It almost works, but not quite. Doesn't collapse chords above to single notes... - StaffC = \relative c { -% \set Voice.autoBeaming = ##f -% \set Staff.instrumentName = #"Rhythm" - \override Staff.TimeSignature #'style = #'() - \time 3/4 + \numericTimeSignature \override NoteHead #'style = #'slash + \teeny % Intro - \partial 4*1 c4 \bar "||" % 0 + c4 | % 0 c4 c c | % 1 c4 c c | % 2 c4 c c | % 3 c4 c c | % 4 - \repeat volta 3 - { - % Verse - - c4 c c | % 5 - c4 c c | % 6 - c4 c c | % 7 - c4 c c \bar "||" % 8 - - c4 c c | % 9 - c4 c c | % 10 - c4 c c | % 11 - c4 c c | % 12 - c4 c c | % 13 - c4 c c | % 14 - c4 c c | % 15 - c4 c c | % 16 - - c4 c c | % 17 - c4 c c | % 18 - c4 c c | % 19 - c4 c c | % 20 - c4 c c | % 21 - c4 c c | % 22 - c4 c c | % 23 - c4 c c \bar "||" % 24 - - % Chorus - - c4 c c | % 25 - c4 c c | % 26 - c4 c c | % 27 - c4 c c | % 28 - c4 c c | % 29 - c4 c c | % 30 - } - \alternative - { - { - c4 c c | % 31 - c4 c c | % 32 - } - { - c4 c c | % 33 - c4 c c | % 34 - } - { - c4 c c | % 35 - c4 c c | % 36 - } - } + % Verse + + c4 c c | % 5 + c4 c c | % 6 + c4 c c | % 7 + c4 c c | % 8 + + c4 c c | % 9 + c4 c c | % 10 + c4 c c | % 11 + c4 c c | % 12 + c4 c c | % 13 + c4 c c | % 14 + c4 c c | % 15 + c4 c c | % 16 + + c4 c c | % 17 + c4 c c | % 18 + c4 c c | % 19 + c4 c c | % 20 + c4 c c | % 21 + c4 c c | % 22 + c4 c c | % 23 + c4 c c | % 24 + + % Chorus + + c4 c c | % 25 + c4 c c | % 26 + c4 c c | % 27 + c4 c c | % 28 + c4 c c | % 29 + c4 c c | % 30 + + c4 c c | % 31 + c4 c c | % 32 + + c4 c c | % 33 + c4 c c | % 34 + + c4 c c | % 35 + c4 c c | % 36 c4 c c | % 37 c4 c c | % 38 c4 c c | % 39 - c2.^\fermata \bar "|." % 40 + c2.^\fermata | % 40 } @@ -345,39 +329,44 @@ Dynamics = \score { << + \Global % The "roadmap" that everything else depends on + + \context Staff << -% \new Staff = leadStaff { \new Voice = "lead" \LeadVox } - \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> } + \new Voice = "lead" \LeadVox + \new Voice = "riffs" \Riffs \new Lyrics \lyricsto "lead" \LeadVoxText \new Lyrics \lyricsto "lead" \LeadVoxTextB >> - \new ChoirStaff = "Rhythm" + \new ChoirStaff << - \new ChordNames = "chords" \Chords - \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >> + \new ChordNames \Chords + \new RhythmicStaff << \StaffC \Dynamics >> >> \set Score.skipBars = ##t \set Score.melismaBusyProperties = #'() >> - - \layout - { -% \context { \Staff \RemoveEmptyStaves } - ragged-last-bottom = ##t - ragged-last = ##t - } } \paper { - #(define fonts (make-pango-font-tree - "Times New Roman" - "DomCasual BT" - "Luxi Mono" - (/ staffSize 20))) - -% top-margin = -0.25 \in + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJAZZText" + "Luxi Mono" + (/ staffSize 20))) + +% Don't spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) + ragged-bottom = ##t +% Allow partial line for last stave (default: f) + ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t } +