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diff --git a/include/vbap-panner.html b/include/vbap-panner.html
index f3e8bb3..6967d74 100644
--- a/include/vbap-panner.html
+++ b/include/vbap-panner.html
@@ -5,7 +5,7 @@
   rely on it for important production work while the dust settles.
 </p>
 <p>
-  <dfn><abbr title="Vector-base Amplitude Panning">VBAP</abbr></dfn> 
+  <dfn><abbr title="Vector-base Amplitude Panning">VBAP</abbr></dfn>
   is a versatile and straightforward method to pan a source around over an
   arbitrary number of speakers on a horizontal polygon or a 3D surface,
   even if the speaker layout is highly irregular.
@@ -15,7 +15,7 @@
 <p>
   VBAP was developed by Ville Pulkki at Aalto University, Helsinki, in 2001.
   It works by distributing the signal to the speakers nearest to the desired
-  direction with appropriate weightings, aiming to create a maximally sharp 
+  direction with appropriate weightings, aiming to create a maximally sharp
   phantom source by using as few speakers as possible:
 </p>
 <ul>
@@ -29,20 +29,20 @@
   Thus, if you move the panner onto a speaker, you can be sure that only
   this speaker will get any signal. This is handy when you need precise
   1:1 routing.<br>
-  The drawback of VBAP is that a moving source will constantly change its 
-  apparent sharpness, as it transitions between the three states mentioned 
+  The drawback of VBAP is that a moving source will constantly change its
+  apparent sharpness, as it transitions between the three states mentioned
   above.
 </p>
 <p>
   A <dfn>horizontal</dfn> VBAP panner has one parameter, the <dfn>azimuth
-  angle</dfn>. A <dfn>full-sphere</dfn> panner offers an additional 
+  angle</dfn>. A <dfn>full-sphere</dfn> panner offers an additional
   <dfn>elevation angle</dfn> control.
 </p>
 <p class="note">
   More elaborate implementations of VBAP also include a
-  <dfn>spread</dfn> parameter, which  will distribute the signal over a 
-  greater number of speakers in order to maintain constant (but no longer 
-  maximal) sharpness, regardless of position. Ardour's VBAP panner does not 
+  <dfn>spread</dfn> parameter, which  will distribute the signal over a
+  greater number of speakers in order to maintain constant (but no longer
+  maximal) sharpness, regardless of position. Ardour's VBAP panner does not
   currently include this feature.
 </p>
 
@@ -54,8 +54,7 @@
   implementation must therefore include the possibility to define this
   layout.
 </p>
-<img src="/images/VBAP-panner-5.png" class="small right" alt="The VBAP
-panner with 5 outputs"/>
+<a href="/images/VBAP-panner-5.png"><img src="/images/VBAP-panner-5.png" class="right" style="width:150px;" alt="The VBAP panner with 5 outputs"></a>
 <p>
   Ardour currently uses a simplified approach: if a track or bus has more
   than two output channels (which implies stereo), it assumes that you
@@ -65,8 +64,7 @@ panner with 5 outputs"/>
   any desired spatialisation.
 </p>
 <h3>Experimental 3D VBAP</h3>
-<img src="/images/VBAP-panner-10.png" class="small right" alt="The VBAP
-panner with 10 outputs, in experimental 3D mode"/>
+<a href="/images/VBAP-panner-10.png"><img src="/images/VBAP-panner-10.png" class="right" style="width:150px;" alt="The VBAP panner with 10 outputs, in experimental 3D mode"></a>
 <p>
   For tracks with 10 outputs, Ardour will currently assume a 3-dimensional
   speaker layout corresponding to Auro-3D 10.1, which is a horizontal 5.1
@@ -75,12 +73,10 @@ panner with 10 outputs, in experimental 3D mode"/>
 </p>
 
 <h2>N:M panning</h2>
-<img src="/images/VBAP-panner-4in5.png" class="small right" alt="The VBAP
-panner in 4 in, 5 out mode"/>
+<a href="/images/VBAP-panner-4in5.png"><img src="/images/VBAP-panner-4in5.png" class="right" style="width:150px;" alt="The VBAP panner in 4 in, 5 out mode"></a>
 <p>
   For tracks and busses with more than one input, Ardour will (for now) assume that
   you wish to distribute the inputs symmetrically along the latitude around
   the panner direction. The width parameter controls the opening angle of
   the distribution sector.
 </p>
-