X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=include%2Ftrack-types.html;h=1a3894ce2408048bdce175482cbaa9120e96f52f;hb=1bc084d882bf5792634c5fd08c35eff78de26b02;hp=eb2c5839654e46dfe935379c07040127319dc95a;hpb=a123dfec51122f0be59c06e9e836d5fceedc7650;p=ardour-manual diff --git a/include/track-types.html b/include/track-types.html index eb2c583..1a3894c 100644 --- a/include/track-types.html +++ b/include/track-types.html @@ -16,9 +16,8 @@ would turn MIDI data into audio data.

- Nevertheless, when adding tracks to a session, you typically have an idea - of what you need to use the new tracks for, and Ardour offers you three - choices: + Nevertheless, when adding tracks to a session, its content is typically + known, and Ardour offers three choices:

@@ -34,16 +33,16 @@ of a MIDI track: add an instrument plugin to the track, connect the track to a software synthesizer, or connect it to external MIDI hardware.

- If you add an instrument plugin, the MIDI track outputs audio alongside + If an instrument plugin is added, the MIDI track outputs audio alongside MIDI data.

+ MIDI tracks, and a dialog will warn of this.
Audio
Audio/MIDI There are a few notable plugins that can usefully accept both Audio and MIDI data (Reaktor is one, and various "auto-tune" like plugins - are another). It can be tricky to configure this type of track manually, - so Ardour allows you to select this type specifically for use with such + are another). It can be tricky to configure this type of track manually, + so Ardour allows to select this type specifically for use with such plugins. It is not generally the right choice when working normal - MIDI tracks, and a dialog will warn you of this.

Track Modes

@@ -69,22 +68,32 @@ Tape Tape-mode tracks do destructive recording: - all data is recorded to a single file and if you overdub a section of - existing data, the existing data is destroyed irrevocably—there is no + all data is recorded to a single file and if a section of + existing data is overdub, the existing data is destroyed irrevocably—there is no undo. Fixed crossfades are added at every punch in and out point. This mode - can be useful for certain kinds of re-recording workflows, but it not + can be useful for certain kinds of re-recording workflows, but is not suggested for normal use. -normal and non-layered overdubbing comparision + +
+ Normal and non-layered overdubbing comparision +
+ Normal and non-layered overdubbing comparision +
+
+

The screenshot on the right shows the subtle difference between an overdub in normal mode (upper track) and one in non-layered mode - (lower track). Both tracks were created using identical audio data.
+ (lower track). Both tracks were created using identical audio data. +

+

The upper track shows a new region which has been layered on - top of the the existing (longer) region. You can see this if you look - carefully at the region name strips.
+ top of the the existing (longer) region. It can be seen by the region + name strips. +

+

The lower track has split the existing region in two, trimmed each new region to create space for the new overdub, and inserted the overdub region in between. @@ -96,27 +105,32 @@ number of either can be changed at any time (subject to restrictions caused by any plugins in a track). However it is useful to not have to configure this sort of thing for the most common cases, and so the - Add Tracks dialog allows you to - select "Mono", "Stereo" and few other typical multichannel presets
+ Add Tracks dialog allows to + select "Mono", "Stereo" and few other typical multichannel presets +

+

The name of the preset describes the number of input channels of the track or bus.

- If you have configured Ardour to automatically connect new tracks and - busses for you, the number of outputs will be determined by the number of + If Ardour is configured to automatically connect new tracks and + busses, the number of outputs will be determined by the number of inputs of the master bus, - to which the track outputs will be connected.
- For example, if you have a two-channel master bus, then a Mono track has one + to which the track outputs will be connected. +

+

+ For example, with a two-channel master bus, a Mono track has one input and two outputs; a Stereo track has two inputs and two outputs.

- If you you set Edit > Preferences > Audio - > Connection of Tracks and Busses to Edit > Preferences > Signal Flow + > Track and Bus Connections is set to manual, then tracks will be left disconnected by default - and there will be as many outputs as there are inputs. It is up to you to connect - them as you wish. This is not a particularly useful way to work unless you are doing - something fairly unusual with signal routing and processing. It is almost always - preferable to leave Ardour to make connections automatically, even if you later - change some of them manually. + and there will be as many outputs as there are inputs. It is up to the user to connect + them as desired. This is not a particularly useful way to work unless something + fairly unusual is done with signal routing and processing. It is almost always + preferable to leave Ardour make connections automatically, even if some changes + are manually done later.

+