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diff --git a/include/techniques-for-working-with-tempo-and-meter.html b/include/techniques-for-working-with-tempo-and-meter.html
index 6121209..557790f 100644
--- a/include/techniques-for-working-with-tempo-and-meter.html
+++ b/include/techniques-for-working-with-tempo-and-meter.html
@@ -49,7 +49,8 @@ playhead may be moved to this location to "pin" it).
 </figure>
 
 <p>
-Holding the constraint modifier (<kbd class="mod3n"></kbd> by default), the third
+Holding the constraint modifier (<kbd class="mod3n"></kbd> by default, 
+may be changed in Preferences->Editor->Modifiers), the third
 bar marker in the BBT ruler is dragged at the position of the third bar in the
 recording (where the playhead is located). This drag can be done either in the Meter
 or in the Tempo rulers. The tempo (on the first and only tempo marker) reflects
@@ -142,6 +143,6 @@ fatigue of a fixed form. Reassembly is left as an excercise for the reader.
 
 <p>
 Tempo ramps can also be used in a video context, e.g. for an accelerando,
-by snapping to TC frames and drag the ruler so that a bar ends up on a significant
+by snapping to TC frames and dragging the ruler so that a bar ends up on a significant
 video frame.
 </p>