X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=include%2Fstereo-panner.html;h=60ded644bd6c2d278377961f195419d3b6c0aee4;hb=e66a7d50d6be2d32ca1201da916913543e653776;hp=0d3addb81d56efcc6a865050f9ddea588e975e06;hpb=081e7af0b6f6dec0ca685d3a538eacf20394c2cc;p=ardour-manual diff --git a/include/stereo-panner.html b/include/stereo-panner.html index 0d3addb..60ded64 100644 --- a/include/stereo-panner.html +++ b/include/stereo-panner.html @@ -5,16 +5,15 @@ position. By default, the panner is centered at full width.

- The stereo panner assumes that the signals - you wish to distribute are either uncorrelated (i.e. totally - independent), or that they contain a stereo image which is + The stereo panner assumes that the signals to distribute are either uncorrelated + (i.e. totally independent), or that they contain a stereo image which is mono-compatible, such as a co-incident microphone recording, or a sound stage that has been created with pan pots.*

With the default values it is not possible to alter the position, since the width is already spread entirely across both outputs. To - alter the position, you must first reduce the width. + alter the position, the width must first be reduced.

Stereo Panner User Interface

@@ -28,8 +27,8 @@

The panner user interface consists of three elements, divided between - the top and bottom half. Click and/or drag in the top half to - control position; click and/or drag in the bottom half to control + the top and bottom half. Clicking and/or dragging in the top half + controls position; clicking and/or dragging in the bottom half controls width (see below for details).

@@ -40,11 +39,11 @@ the left, the stereo image collapses to just the left speaker.

- In the bottom half are two signal indicators, one marked "L" and the - other "R". The distance between these two shows the width of the + In the bottom half are two signal indicators, one marked L and the + other R. The distance between these two shows the width of the stereo image. If the width is reduced to zero, there will only be a - single signal indicator marked "M" (for mono), whose color will - change to indicate the special state. + single signal indicator marked M (for mono), whose color will + change to indicate this special state.

It is possible to invert the outputs (see below) so that whatever @@ -65,10 +64,8 @@ PositionL/REnglish 0L=50% R=50%signal image is midway between left and right speakers - -1L=100% R=0%signal image is entirely at the left speaker - 1L=0% R=100%signal image is entirely at the right speaker @@ -104,16 +101,16 @@ parameter, constrained by the current position setting.

- To change the position smoothly, press the right button and drag - within the top half of the panner, then release. The position will - be limited by the current width setting. Note: you do not need + The position can be changed smoothly, by pressing the right button and dragging + within the top half of the panner, then releasing. The position will + be limited by the current width setting. Note: it is not necessary to grab the position indicator in order to drag.

- To change the width smoothly, press the right button and drag - within the lower half of the panner, then release. The width will be - limited by the current position setting. Note: you do not need to - grab the L/R indicators in order to drag. + The width can also be changed smoothly, by pressing the right button and dragging + within the lower half of the panner, then releasing. The width will be + limited by the current position setting. Note: it is not necessary + to grab the L/R indicators in order to drag.

@@ -165,7 +162,7 @@ - + @@ -196,12 +193,12 @@ The stereo panner will introduce unwanted side effects on material that includes a time difference between the channels, such as A/B, ORTF or NOS microphone recordings, or delay-panned mixes.
-When you reduce the with, you are effectively summing two highly -correlated signals with a delay, which will cause comb filtering. +When the width is reduced, two highly correlated signals with a delay are +effectively summed, which will cause comb filtering.

-Let's take a closer look at what happens when you record a source at 45° to the -right side with an ORTF stereo microphone array and then manipulate the width. +Let's take a closer look at what happens when a source is recorded at 45° to the +right side with an ORTF stereo microphone array and then the width manipulated.

For testing, we apply a pink noise signal to both inputs of an Ardour stereo @@ -211,40 +208,52 @@ straight line, which would indicate that our signal chain does not color the sound:

- +
+ Stereo panner
+    with ORTF fullwidth +
Stereo panner with ORTF full width
+

- To simulate an ORTF, we use Robin Gareus' stereo balance control LV2 to set the level difference and time delay. Ignore the Trim/Gain—its purpose is just to align the test signal with the 0dB line of the analyser. + An ORTF is simulated using Robin Gareus' stereo balance control LV2 to set the + level difference and time delay. The Trim/Gain can be ignored—its purpose + is just to align the test signal with the 0dB line of the analyser.

-Recall that an ORTF microphone pair consists of two cardioids spaced 17 cm -apart, with an opening angle of 110°. -For a far source at 45° to the right, the time difference between the capsules -is 350 μs or approximately 15 samples at 44.1 kHz. The level difference -due to the directivity of the microphones is about 7.5 dB (indicated by the -distance between the blue and red lines in the analyser). + An ORTF microphone pair consists of two cardioids spaced 17 cm + apart, with an opening angle of 110°. For a far source at 45° to the + right, the time difference between the capsules is 350 μs or + approximately 15 samples at 44.1 kHz. The level difference due to the + directivity of the microphones is about 7.5 dB (indicated by the distance + between the blue and red lines in the analyser).

-Now for the interesting part: if we reduce the width of the signal to 50%, -the time-delayed signals will be combined in the panner. Observe what -happens to the frequency response of the left and right outputs: + Now for the interesting part: if the width of the signal is reduced to 50%, + the time-delayed signals will be combined in the panner. What happens to the + frequency response of the left and right outputs is shown in the following + picture:

- + +
+ Stereo panner
+    with ORTF halfwidth +
Stereo panner with ORTF half width
+
+

-You may argue that all spaced microphone recordings will undergo comb -filtering later, when the two channels recombine in the air between the speakers. -Perceptually however, there is a huge of difference: our hearing system is -very good at eliminating comb filters in the real world, where their component -signals are spatially separated. But once you combine them -inside your signal chain, this spatial separation is lost and the brain will -no longer be able to sort out the timbral mess. As usual, you -get to keep the pieces. + It can be argued that all spaced microphone recordings will undergo comb + filtering later, when the two channels recombine in the air between the + speakers. Perceptually however, there is a huge difference: our hearing + system is very good at eliminating comb filters in the real world, where their + component signals are spatially separated. But once they are combined inside + a signal chain, this spatial separation is lost and the brain will no + longer be able to sort out the timbral mess.

-Depending on your material and on how much you need to manipulate the width, -some degree of comb filtering may be acceptable. Then again, it may not. Listen -carefully for artefacts if you manipulate unknown stereo signals—many -orchestra sample libraries for example do contain time-delay components. + Depending on the material and on how much the width needs to be manipulated, + some degree of comb filtering may be acceptable. Then again, it may not. + It is advised to listen carefully for artefacts when manipulating unknown stereo + signals—many orchestra sample libraries for example do contain + time-delay components.

-
/ move position 1° / 5° to the left
/ move position 1° / 5° to the right
move position 1° / 5° to the right
0 reset position to center