- Bus usage goes way beyond this simple example though: busses, as tracks, can receive plugins for common audio treatment, and be routed themselves as needed. This makes for a very useful tool that is very commonly used both for musical purposes and computing ones: instead of using e.g. ten discrete delay plugins on ten different tracks, busses are often used as receivers of sends, and only one delay plugin is used on this bus, reducing the processing power needed. + Bus usage goes way beyond this simple example though: busses, as tracks, can receive plugins for common audio treatment, and be routed themselves as needed. This makes for a very useful tool that is very commonly used both for musical purposes and computing ones: instead of using e.g. ten discrete delay plugins on ten different tracks, busses are often used as receivers of sends, and only one delay plugin is used on this bus, reducing the processing power needed.
- Busses look and behave exactly like tracks, so they share nearly all of their controls. + Busses look and behave exactly like tracks, so they share nearly all of their controls. The differences are:
- Clicking the Aux button makes every track that sends a signal to this bus through Aux sends blink in turquoise. + Clicking the Aux button makes every track that sends a signal to this bus through Aux sends blink in turquoise. Right clicking this button brings up a menu: