X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=in-the-secret.ly;h=08dc6e21c8bd5738a32ba77198684eb6ee907403;hb=bd3b595932c04f7eb329df944c474f89bce236af;hp=2e38c7514b42a64288d27034302d04e98e6d2eeb;hpb=6f8ca2d1ddc26dc34f0be9b733d6ef860005c06d;p=music diff --git a/in-the-secret.ly b/in-the-secret.ly index 2e38c75..08dc6e2 100644 --- a/in-the-secret.ly +++ b/in-the-secret.ly @@ -1,8 +1,8 @@ -\version "2.16.0" +\version "2.19.0" \include "pop-chords.ly" \include "english.ly" -% Good sizes are 16, 18, & 20 +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) staffSize = #18 #(set-default-paper-size "letter") #(set-global-staff-size staffSize) @@ -12,8 +12,6 @@ staffSize = #18 \header { -%Let's bump up the title size and switch to the chord font. :-) - title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Secret" } composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "A. Park" } arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" } @@ -22,93 +20,146 @@ staffSize = #18 % -% Lead vocal +% Song's structure % - -LeadVox = \relative c' +Global = { -% \set Voice.autoBeaming = ##f -% \set Staff.instrumentName = #"Lead vox" \clef G \key af \major - \override Staff.TimeSignature #'style = #'() + \numericTimeSignature \time 4/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f % Intro -\once \override Score.RehearsalMark #'self-alignment-X = #left -\mark \markup { \small "16th note rock" } + \once \override Score.RehearsalMark #'self-alignment-X = #left + \mark \markup { \small "16th note rock" } - R1 | % 1 + s1 | % 1 \repeat volta 2 { - r8 c bf16 af8. bf c16 ~ c8 af ~ | % 2 - af4 r ef'8. f16 ~ f8 ef | % 3 + s1*2 | % 2-3 } \alternative { { - r8 c bf16 af8. bf f16 ~ f8 af ~ | % 4 - af1 | % 5 + s1*2 | % 4-5 } { - r8 c bf16 af8. bf c16 ~ c8 af ~ | % 6 + s1 | % 6 } } - af1 | % 7 - R1 \bar "||:" % 8 + s1*2 \bar ".|:-||" % 7-8 \repeat volta 3 { % Verse -\mark \markup { \override #'(font-family . sans) { \box { A } } } - - r16 af af bf ~ bf c8. r16 af af bf ~ bf c8. | % 9 - bf16 ( af8. ) ~ af4 r2 | % 10 - r16 af af bf ~ bf c8. bf f16 ~ f8 bf ( | % 11 - af2 ) r2 | % 12 - r16 af af bf ~ bf c8. r16 af af bf ~ bf c8 df16 ~ | % 13 - df16 c bf af ~ af8. df16 ~ df c bf af ~ af4 | % 14 - r16 af af bf ~ bf c8. bf c16 ~ c8 bf ( | % 15 - af2. ) r4 \bar "||" % 16 + \mark \markup { \override #'(font-family . sans) { \box { A } } } + s1*8 \bar "||" % 9-16 % Chorus -\once \override Score.RehearsalMark #'self-alignment-X = #left -\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } + \once \override Score.RehearsalMark #'self-alignment-X = #left + \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } - r8 8. 16 ~ 4 | % 17 - r8 16 ~ 8. 16 ~ 8 | % 18 - r8 8. 16 ~ 8 << { \voiceOne ( | % 19 - 1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 20 - r8 8. 16 r4 | % 21 - r8 16 ~ 8. 16 ~ 8 | % 22 - r8 8. 16 r8 ( | % 23 + s1*7 | % 17-23 } \alternative { { - 1 ) | % 24 - R1 | % 25 + s1*2 | % 24-25 } { - af1^\markup { \hspace #18.0 \raise #1.0 \large \italic { D.S. } } \repeatTie \bar "||" % 26 + s1^\markup { \hspace #18.0 \raise #1.0 \large \italic { D.S. } } \bar "||" % 26 } { - af1 \repeatTie | % 27 + s1 | % 27 } } - R1 | % 28 - R1 \bar "||" % 29 + s1*2 \bar "||" % 28-29 % Chorus (reprise) -\mark \markup { \override #'(font-family . sans) { \box { C } } } + \mark \markup { \override #'(font-family . sans) { \box { C } } } + s1*8 | % 30-37 + + \repeat volta 2 + { + % Chorus (outro) + + \mark \markup { \override #'(font-family . sans) { \box { D } } } + s1*8 | % 38-45 + } + + \mark \markup { \override #'(font-family . sans) { \box { E } } } + s1*4 \bar "|." % 46-49 +} + + +% +% Lead vocal +% +LeadVox = \relative c' +{ + \clef G + + % Intro + + R1 | % 1 + + \repeat volta 2 + { + r8 c bf16 af8. bf c16 ~ c8 af ~ | % 2 + af4 r ef'8. f16 ~ f8 ef | % 3 + } + \alternative + { + { + r8 c bf16 af8. bf f16 ~ f8 af ~ | % 4 + af1 | % 5 + } + { + r8 c bf16 af8. bf c16 ~ c8 af ~ | % 6 + } + } + + af1 | % 7 + R1 | % 8 + + % Verse + + r16 af af bf ~ bf c8. r16 af af bf ~ bf c8. | % 9 + bf16 ( af8. ) ~ af4 r2 | % 10 + r16 af af bf ~ bf c8. bf f16 ~ f8 bf ( | % 11 + af2 ) r2 | % 12 + r16 af af bf ~ bf c8. r16 af af bf ~ bf c8 df16 ~ | % 13 + df16 c bf af ~ af8. df16 ~ df c bf af ~ af4 | % 14 + r16 af af bf ~ bf c8. bf c16 ~ c8 bf ( | % 15 + af2. ) r4 \bar "||" % 16 + + % Chorus + + r8 8. 16 ~ 4 | % 17 + r8 16 ~ 8. 16 ~ 8 | % 18 + r8 8. 16 ~ 8 << { \voiceOne ( | % 19 + 1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 20 + r8 8. 16 r4 | % 21 + r8 16 ~ 8. 16 ~ 8 | % 22 + r8 8. 16 r8 ( | % 23 + + 1 ) | % 24 + R1 | % 25 + + af1 \repeatTie | % 26 + + af1 \repeatTie | % 27 + + R1*2 | % 28-29 + + % Chorus (reprise) r8 af af ef' ef8. bf16 ~ bf4 | % 30 r8 af16 af ~ af ef'8. ef df16 ~ df8 c | % 31 @@ -120,30 +171,22 @@ LeadVox = \relative c' r8 8. 16 ~ 4 | % 36 r4 2. | % 37 - \repeat volta 2 - { - % Chorus (outro) - -\mark \markup { \override #'(font-family . sans) { \box { D } } } + % Chorus (outro) - r8 8. 16 ~ 4 | % 38 - r8 16 ~ 8. 16 ~ 8 | % 39 - r8 8. 16 ~ 8 << { \voiceOne ( | % 40 - 1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 41 - r8 8. 16 r4 | % 42 - r8 16 ~ 8. 16 ~ 8 | % 43 - r8 8. 16 r8 ( | % 44 - 1 ) | % 45 - } + r8 8. 16 ~ 4 | % 38 + r8 16 ~ 8. 16 ~ 8 | % 39 + r8 8. 16 ~ 8 << { \voiceOne ( | % 40 + 1 ) } \new Voice = "v" { \voiceThree s8 df8. c16 ~ c8 df ~ df2 } >> \oneVoice | % 41 + r8 8. 16 r4 | % 42 + r8 16 ~ 8. 16 ~ 8 | % 43 + r8 8. 16 r8 ( | % 44 + 1 ) | % 45 -\mark \markup { \override #'(font-family . sans) { \box { E } } } - - R1 | % 46 - R1 | % 47 - R1 | % 48 - r1-\fermata \bar "|." % 49 + R1*3 | % 46-48 + r1-\fermata | % 49 } + LeadVoxText = \lyricmode { Bah bah dah bah bah _ bah, _ doo doo _ doo @@ -190,12 +233,6 @@ LeadVoxTextB = \lyricmode Riffs = \relative c' { - \clef G - \key af \major - \override Staff.TimeSignature #'style = #'() - \time 4/4 -\override Score.SpacingSpanner #'average-spacing-wishes = ##f - %{ \tiny r2 r8 d f bf | % 1 @@ -230,71 +267,50 @@ Riffs = \relative c' % % Chord names % - Chords = \chordmode { -%Bah, can't we set this globally? -% \popChords - % Intro s1 | % 1 - \repeat volta 2 - { - af2 ef | % 2 - f8.:m ef df8 s2 | % 3 - } - \alternative - { - { - af2 ef | % 4 - df8. af/c df8 s2 | % 5 - } - { - f2:m ef | % 6 - } - } + af2 ef | % 2 + f8.:m ef df8 s2 | % 3 + + af2 ef | % 4 + df8. af/c df8 s2 | % 5 + + f2:m ef | % 6 df8. af/c df8 s2 | % 7 s1 | % 8 % Verse - \repeat volta 3 - { - af2 af/c | % 9 - df1 | % 10 - f2:m ef | % 11 - df1 | % 12 - af2 af/c | % 13 - df1 | % 14 - f2:m ef | % 15 - df1 | % 16 + af2 af/c | % 9 + df1 | % 10 + f2:m ef | % 11 + df1 | % 12 + af2 af/c | % 13 + df1 | % 14 + f2:m ef | % 15 + df1 | % 16 - % Chorus + % Chorus - af2 ef | % 17 - f8.:m ef df8 s2 | % 18 - af2 ef | % 19 - df8. af/c df8 s2 | % 20 - af2 ef | % 21 - f8.:m ef df8 s2 | % 22 - f2:m ef | % 23 - } - \alternative - { - { - df8. af/c df8 s2 | % 24 - s1 | % 25 - } - { - df8. af/c df8 s2 | % 26 - } - { - df8. af/c df8 s2 | % 27 - } - } + af2 ef | % 17 + f8.:m ef df8 s2 | % 18 + af2 ef | % 19 + df8. af/c df8 s2 | % 20 + af2 ef | % 21 + f8.:m ef df8 s2 | % 22 + f2:m ef | % 23 + + df8. af/c df8 s2 | % 24 + s1 | % 25 + + df8. af/c df8 s2 | % 26 + + df8. af/c df8 s2 | % 27 af1 | % 28 s1 | % 29 @@ -310,19 +326,16 @@ Chords = \chordmode f2:m ef | % 36 df8. af/c df af/c df4 | % 37 - \repeat volta 2 - { - % Chorus (outro) + % Chorus (outro) - af2 ef | % 38 - f8.:m ef df8 s2 | % 39 - af2 ef | % 40 - df8. af/c df8 s2 | % 41 - af2 ef | % 42 - f8.:m ef df8 s2 | % 43 - f2:m ef | % 44 - df8. af/c df8 s2 | % 45 - } + af2 ef | % 38 + f8.:m ef df8 s2 | % 39 + af2 ef | % 40 + df8. af/c df8 s2 | % 41 + af2 ef | % 42 + f8.:m ef df8 s2 | % 43 + f2:m ef | % 44 + df8. af/c df8 s2 | % 45 af2 ef | % 46 f8.:m ef d8 s2 | % 47 @@ -334,80 +347,57 @@ Chords = \chordmode % % Chord rhythms % - -% Use a RhythmicStaff on the chords instead of this? -% It almost works, but not quite. Doesn't collapse chords above to single notes... - StaffC = \relative c { -% \set Voice.autoBeaming = ##f -% \set Staff.instrumentName = #"Rhythm" - \override Staff.TimeSignature #'style = #'() - \time 4/4 + \numericTimeSignature \override NoteHead #'style = #'slash + \teeny % Intro c4 c c c | % 1 - \repeat volta 2 - { - c8 c ~ c4 c8 c ~ c4 | % 2 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 3 - } - \alternative - { - { - c8 c ~ c4 c8 c ~ c4 | % 4 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 5 - } - { - c8 c ~ c4 c8 c ~ c4 | % 6 - } - } + c8 c ~ c4 c8 c ~ c4 | % 2 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 3 + + c8 c ~ c4 c8 c ~ c4 | % 4 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 5 + + c8 c ~ c4 c8 c ~ c4 | % 6 c8. c16 ~ c8 c ~ c4 c | % 7 - c4 c c c \bar "||:" % 8 + c4 c c c | % 8 % Verse - \repeat volta 3 - { - c4 c c c | % 9 - c4 c c c | % 10 - c4 c c c | % 11 - c4 c c c | % 12 - c4 c c c | % 13 - c4 c c c | % 14 - c4 c c c | % 15 - c4 c c c \bar "||" % 16 + c4 c c c | % 9 + c4 c c c | % 10 + c4 c c c | % 11 + c4 c c c | % 12 + c4 c c c | % 13 + c4 c c c | % 14 + c4 c c c | % 15 + c4 c c c | % 16 - % Chorus + % Chorus - c8 c ~ c4 c8 c ~ c4 | % 17 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 18 - c8 c ~ c4 c8 c ~ c4 | % 19 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 20 - c8 c ~ c4 c8 c ~ c4 | % 21 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 22 - c8 c ~ c4 c8 c ~ c4 | % 23 - } - \alternative - { - { - c8.-> c16-> ~ c8 c-> ~ c4 c | % 24 - c4 c c c | % 25 - } - { - c8.-> c16-> ~ c8 c-> ~ c4 c | % 26 - } - { - c8.-> c16-> ~ c8 c-> ~ c4 c | % 27 - } - } + c8 c ~ c4 c8 c ~ c4 | % 17 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 18 + c8 c ~ c4 c8 c ~ c4 | % 19 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 20 + c8 c ~ c4 c8 c ~ c4 | % 21 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 22 + c8 c ~ c4 c8 c ~ c4 | % 23 + + c8.-> c16-> ~ c8 c-> ~ c4 c | % 24 + c4 c c c | % 25 + + c8.-> c16-> ~ c8 c-> ~ c4 c | % 26 + + c8.-> c16-> ~ c8 c-> ~ c4 c | % 27 c1 ~ | % 28 - c1 \bar "||" % 29 + c1 | % 29 % Chorus (reprise) @@ -420,24 +410,21 @@ StaffC = \relative c c2 c | % 36 c8.-> c16-> ~ c8 c-> ~ c16 c8.-> c4-> | % 37 - \repeat volta 2 - { - % Chorus (outro) + % Chorus (outro) - c8 c ~ c4 c8 c ~ c4 | % 38 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 39 - c8 c ~ c4 c8 c ~ c4 | % 40 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 41 - c8 c ~ c4 c8 c ~ c4 | % 42 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 43 - c8 c ~ c4 c8 c ~ c4 | % 44 - c8.-> c16-> ~ c8 c-> ~ c4 c | % 45 - } + c8 c ~ c4 c8 c ~ c4 | % 38 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 39 + c8 c ~ c4 c8 c ~ c4 | % 40 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 41 + c8 c ~ c4 c8 c ~ c4 | % 42 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 43 + c8 c ~ c4 c8 c ~ c4 | % 44 + c8.-> c16-> ~ c8 c-> ~ c4 c | % 45 c8 c ~ c4 c8 c ~ c4 | % 46 c8.-> c16-> ~ c8 c-> ~ c4 c | % 47 c8 c ~ c4 c8 c ~ c4 | % 48 - c8.-> c16-> ~ c8 c-> ~ c2-\fermata \bar "|." % 49 + c8.-> c16-> ~ c8 c-> ~ c2-\fermata | % 49 } @@ -460,32 +447,26 @@ Dynamics = s1*6 | % 31-36 s4_\f s s \< s | % 37 s4_\ff s2. | % 38 -%{ - s1*27 | % 1-27 - s4 s \< s \! s | % 28 - s4_\markup { \italic { add backbeat } } s2. | % 29 - s1*18 | % 30-47 - s4 s \< s \! s | % 48 - s1*8 | % 49-55 - s2 s_\markup { \italic { rit. } } | % 56 -%} } \score { << + \Global % The "roadmap" that everything else depends on + + \context Staff << -% \new Staff = leadStaff { \new Voice = "lead" \LeadVox } - \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> } + \new Voice = "lead" \LeadVox + \new Voice = "riffs" \Riffs \new Lyrics \lyricsto "lead" \LeadVoxText \new Lyrics \lyricsto "lead" \LeadVoxTextB >> - \new ChoirStaff = "Rhythm" + \new ChoirStaff << - \new ChordNames = "chords" \Chords - \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >> + \new ChordNames \Chords + \new RhythmicStaff << \StaffC \Dynamics >> >> \set Score.skipBars = ##t @@ -498,7 +479,7 @@ Dynamics = { #(define fonts (make-pango-font-tree "Times New Roman" - "DomCasual BT" + "LilyJAZZText" "Luxi Mono" (/ staffSize 20))) @@ -511,6 +492,5 @@ Dynamics = % To find out what's eating the space at the top... % annotate-spacing = ##t -%let's try this: [It works! Huzzah!] - obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space) } +