X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=in-the-garden-lead.ly;fp=in-the-garden-lead.ly;h=3ec2bcd9028e7d754b1b5bff50aedbb673a751a2;hb=43b3a3e2ca80feff762e05e9b1cac3df14eb6c2a;hp=0000000000000000000000000000000000000000;hpb=3ff91f76ce7bd7f1f63aba2054d4400702e8ee8e;p=music diff --git a/in-the-garden-lead.ly b/in-the-garden-lead.ly new file mode 100644 index 0000000..3ec2bcd --- /dev/null +++ b/in-the-garden-lead.ly @@ -0,0 +1,277 @@ +\version "2.21.1" +\include "pop-chords.ly" +\include "english.ly" + +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) +staffSize = #20 +#(set-default-paper-size "letter") +#(set-global-staff-size staffSize) +#(ly:set-option (quote no-point-and-click)) + +\header +{ + title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In The Garden" } +% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% poet = \markup { \override #'(font-family . sans) \fontsize #1.3 "" } +% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr." } + tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) +} + + +% +% Song's structure +% +Global = +{ + \key g \major + \numericTimeSignature + \time 6/8 + + \partial 8*1 s8 | % 0 + s2.*4 | % 1-4 + + \repeat volta 3 + { + s2.*8 \bar "||" % 5-12 + s2.*7 % 13-19 + } + \alternative + { + { + s2. | % 20 + } + { + s2. | % 21 + } + } + + s1*0^\markup { \large \italic { Rit. } } + s2.*2 \bar "|." % 22-23 +} + + +Soprano = \relative c' +{ + \clef G + \voiceOne + + s8 | % 0 + s2.*3 | % 1-3 + s2 s8 ef | % 4 + + ef8 c df ef af bf | % 5 + c4. ~ c8 bf af | % 6 + af4 af8 bf af f | % 7 + af4. ef4 g16 af | % 8 + bf4 bf8 g4 f16 g | % 9 + af4 bf8 c4 c8 | % 10 + bf4 c8 bf4 af8 | % 11 + g4 ( af8 ) bf-\fermata c8.-\fermata bf16 | % 12 + + af4 af8 af g f | % 13 + g4 g8 g4 ef16 ef | % 14 + df'4 df8 df c b | % 15 + c4. ~ c4 af16 bf | % 16 + c4 c8 bf bf g | % 17 + af4 af8 af4 f8 | % 18 + ef16 af8. af8 g16 bf8. ~ bf8 | % 19 + + af4. ~ af4 ef8 | % 20 + + af4. ~ af4 f8 | % 21 + + ef16 af8. af8 g16 bf8. ~ bf8 | % 22 + af2. | % 23 +} + + +VerseA = \lyricmode +{ + I come to the gar -- den a -- lone, _ + While the dew is still on the ros -- es; + And the voice I hear, fall -- ing on my ear, + The Son of God dis -- clos -- _ es. + + And He walks with me, and He talks with me, + And He tells me I am His own; _ + And the joy we share as we tar -- ry there, + None oth -- er has ev -- er _ known. _ + + He + known. _ + + None oth -- er has ev -- er _ known. _ + +} + +VerseB = \lyricmode +{ + _ speaks, and the sound of His voice _ + Is so sweet the birds hush their sing -- ing, + And the mel -- o -- dy that He gave to me + With -- in my heart is ring -- _ ing. + + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ _ + _ _ _ _ _ _ _ _ _ + + I'd +} + +VerseC = \lyricmode +{ + _ stay in the gar -- den with Him _ + Though the night a -- round me be fall -- ing, + But He bids me go; through the voice of woe, + His voice to me is call -- _ ing. +} + + +% +% Instrumental lines +% +RhythmB = \relative c'' +{ + \clef G + \tiny + + % Intro + af16 bf | % 0 + c4 c8 bf bf g | % 1 + af4 af8 af4 f8 | % 2 + ef16 af8. af8 g16 bf8. ~ bf8 | % 3 + af4. ~ af4 s8 | % 4 +} + + +% +% Chord names +% +Chords = \chordmode +{ + % Intro + + s8 | % 0 + af4. c:m | % 1 + f4.:m df | % 2 + af4. ef:7 | % 3 + af4 df8 af4. | % 4 + + af4. f:m | % 5 + af2. | % 6 + df4. bf:m | % 7 + af2. | % 8 + ef2.:7 | % 9 + af4 ef8 af4. | % 10 + bf2.:7 | % 11 + ef2:7 c8:m ef:7 | % 12 + + af2. | % 13 + ef2.:7 | % 14 + s2. | % 15 + af2. | % 16 + af4. c:m | % 17 + f4.:m df | % 18 + af4. ef:7 | % 19 + + af4 df8 af4. | % 20 + + f4.:m df | % 21 + + af4. ef:7 | % 22 + af4 df8 af4. | % 23 +} + + +% +% Chord rhythms +% +StaffC = \relative c +{ + \numericTimeSignature + \override NoteHead #'style = #'slash + \teeny + + % Intro + + s8 | % 0 + \stemDown c8 c c c c c | % 1 + c8 c c c c c | % 2 + c8 c c c c c | % 3 + c8 c c c c c | % 4 + + % Verse + + c8 c c c c c | % 5 + c8 c c c c c | % 6 + c8 c c c c c | % 7 + c8 c c c c c | % 8 + c8 c c c c c | % 9 + c8 c c c c c | % 10 + c8 c c c c c | % 11 + c8 c c c-\fermata c-\fermata c | % 12 + + % Chorus + + c8 c c c c c | % 13 + c8 c c c c c | % 14 + c8 c c c c c | % 15 + c8 c c c c c | % 16 + c8 c c c c c | % 17 + c8 c c c c c | % 18 + c8 c c c c c | % 19 + + c8 c c c c c | % 20 + + c8 c c c c c | % 21 + + c8 c c c c c | % 22 + c8 c c c4. | % 23 +} + + +\score +{ + << + \Global % The "roadmap" that everything else depends on + + \context Staff + << + \new Voice = "lead" \transpose af g \Soprano + \new Lyrics \lyricsto "lead" \VerseA + \new Lyrics \lyricsto "lead" \VerseB + \new Lyrics \lyricsto "lead" \VerseC + \new Voice \transpose af g \RhythmB + >> + + \new ChoirStaff + << + \new ChordNames \transpose af g \Chords + \new RhythmicStaff \StaffC + >> + + \set Score.skipBars = ##t + \set Score.melismaBusyProperties = #'() + >> +} + + +\paper +{ + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJazz Text" + "Luxi Mono" + (/ staffSize 20))) + +% Spread staves vertically across last page (default: t) +% ragged-last-bottom = ##f +% Don't spread staves vertically across the page (default: f) +% ragged-bottom = ##t +% Allow partial line for last stave (default: f) + ragged-last = ##t + +% To find out what's eating the space at the top... +% annotate-spacing = ##t +}