X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=in-christ-alone.ly;h=3e5f7bc6c303bf494aec76e3341c8e90ecdc08f8;hb=HEAD;hp=e386812e182fc6edfac33e8639e638ac27b08fc2;hpb=7add1480813db617ee22ba3276c5b61649445f50;p=music diff --git a/in-christ-alone.ly b/in-christ-alone.ly index e386812..3e5f7bc 100644 --- a/in-christ-alone.ly +++ b/in-christ-alone.ly @@ -1,8 +1,8 @@ -\version "2.16.0" +\version "2.19.0" \include "pop-chords.ly" \include "english.ly" -% Good sizes are 16, 18, & 20 +% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26) staffSize = #18 #(set-default-paper-size "letter") #(set-global-staff-size staffSize) @@ -12,14 +12,10 @@ staffSize = #18 \header { -%Let's bump up the title size and switch to the chord font. :-) - title = \markup { \override #'(font-family . sans) \fontsize #3.5 "In Christ Alone" } composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Stuart Townend/Keith Getty" } % arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " } tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version)) -% Let's try a chord dictionary -% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } } } % Useful tweak abbreviations (hn = harmony note) @@ -37,7 +33,7 @@ hn = #(define-music-function (parser location arg) (ly:music?) Global = { \key d \major - \override Staff.TimeSignature #'style = #'() + \numericTimeSignature \time 3/4 % Intro @@ -46,9 +42,9 @@ Global = s1*0^\markup { \large \bold { Not too fast } } % Capo 4 version % s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } } - - s2.*17 \bar "|." % 1-17 -% \mark \markup { \override #'(font-family . sans) { \box { A } } } + \partial 8*3 s4. | % 0 + s2.*15 | % 1-15 + \partial 8*3 s4. \bar "|." % 16 } @@ -57,13 +53,10 @@ Global = % LeadVox = \relative c' { -% \set Staff.instrument = #"Lead vox" \clef G - \override Staff.TimeSignature #'style = #'() -%Hm. Needed anymore? -% \override Score.SpacingSpanner #'average-spacing-wishes = ##f - r4 r8 a b8. d16 | % 0 +% r4 r8 a b8. d16 | % 0 + a8 b8. d16 | % 0 d4. a8 b d | % 1 e2 fs8 e16 d | % 2 b8 fs' e4. d8 | % 3 @@ -82,7 +75,8 @@ LeadVox = \relative c' d4. a8 b d | % 13 e2 fs8 e16 d | % 14 b8 fs' e4. d8 | % 15 - d4. r8 r4 | % 16 +% d4. r8 r4 | % 16 + d4. | % 16 } LeadVoxText = \lyricmode @@ -144,10 +138,6 @@ LeadVoxTextD = \lyricmode Riffs = \relative c'' { - \clef G -%Hm. Needed anymore? -% \override Score.SpacingSpanner #'average-spacing-wishes = ##f - % Intro %{ @@ -162,10 +152,8 @@ Riffs = \relative c'' % Chords = \chordmode { -%Bah, can't we set this globally? -% \popChords - - s4. d8 g4/a | % 0 +% s4. d8 g4/a | % 0 + d8 g4/a | % 0 d2 g4 | % 1 a4:sus4 a b:m | % 2 g4 a4. g8/a | % 3 @@ -184,24 +172,22 @@ Chords = \chordmode d4:sus4 d g | % 13 a4:sus4 a b:m | % 14 g4 a4. g8/a | % 15 - d4. s | % 16 +% d4. s | % 16 + d4. | % 16 } % % Chord rhythms % -% Use a RhythmicStaff on the chords instead of this? -% It almost works, but not quite. Doesn't collapse chords above to single notes... -% Rhythm = \relative c { -%% \set Voice.autoBeaming = ##f -%% \set Staff.instrument = #"Rhythm" - \override Staff.TimeSignature #'style = #'() + \numericTimeSignature \override NoteHead #'style = #'slash + \teeny - r4 r8 c c4 | % 0 +% r4 r8 c c4 | % 0 + c8 c4 | % 0 c4 c c | % 1 c4 c c | % 2 c4 c4. c8 | % 3 @@ -220,7 +206,8 @@ Rhythm = \relative c c4 c c | % 13 c4 c c | % 14 c4 c4. c8 | % 15 - c4. r | % 16 +% c4. r | % 16 + c4. | % 16 } @@ -242,20 +229,12 @@ Dynamics = \score { << + \Global % The "roadmap" that everything else depends on \set Score.skipBars = ##t \set Score.melismaBusyProperties = #'() -% \new Staff + \context Staff << - \new ChordNames \Chords -%Capo 4 edition -% \new ChordNames \transpose b g \Chords - \new RhythmicStaff << \Rhythm \Dynamics >> - >> - - \new Staff - << - \Global % The "roadmap" that everything else depends on \new Voice = "lead" \LeadVox \new Voice \Riffs \new Lyrics \lyricsto "lead" \LeadVoxText @@ -263,17 +242,25 @@ Dynamics = \new Lyrics \lyricsto "lead" \LeadVoxTextC \new Lyrics \lyricsto "lead" \LeadVoxTextD >> + + \new ChoirStaff + << + \new ChordNames \Chords +%Capo 4 edition +% \new ChordNames \transpose b g \Chords + \new RhythmicStaff << \Rhythm \Dynamics >> + >> >> } \paper { - #(define fonts (make-pango-font-tree - "Times New Roman" - "DomCasual BT" - "Luxi Mono" - (/ staffSize 20))) + #(define fonts (make-pango-font-tree + "Times New Roman" + "LilyJAZZText" + "Luxi Mono" + (/ staffSize 20))) % Spread staves vertically across last page (default: t) ragged-last-bottom = ##f @@ -284,6 +271,5 @@ Dynamics = % To find out what's eating the space at the top... % annotate-spacing = ##t -%let's try this: [It works! Huzzah!] - obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space) } +