X-Git-Url: http://shamusworld.gotdns.org/cgi-bin/gitweb.cgi?a=blobdiff_plain;f=bless-the-lord-o-my-soul.ly;h=6f7b6383c7dd5e4f0dab6133cd195b5bdf5382d3;hb=bd3b595932c04f7eb329df944c474f89bce236af;hp=e4e952c7dc48bfe32f6ea2dbee972fe848d82968;hpb=6f8ca2d1ddc26dc34f0be9b733d6ef860005c06d;p=music diff --git a/bless-the-lord-o-my-soul.ly b/bless-the-lord-o-my-soul.ly index e4e952c..6f7b638 100644 --- a/bless-the-lord-o-my-soul.ly +++ b/bless-the-lord-o-my-soul.ly @@ -3,7 +3,7 @@ \include "english.ly" % Good sizes are 16, 18, & 20 -staffSize = #16 +staffSize = #18 #(set-default-paper-size "letter") #(set-global-staff-size staffSize) #(ly:set-option (quote no-point-and-click)) @@ -12,8 +12,6 @@ staffSize = #16 \header { -%Let's bump up the title size and switch to the chord font. :-) - title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Bless The Lord, O My Soul" } subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "(10,000 Reasons)" } composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Matt Redman" } @@ -42,7 +40,7 @@ Global = % Intro - s1*4 | % 1-4 + s1*4 \bar ".|:-||" % 1-4 \repeat volta 2 { @@ -60,10 +58,12 @@ Global = \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" } s1*6 | % 14-19 - s1*3 | % 20-22 + s1*2 | % 20-22 + s2... \once \override Score.RehearsalMark #'self-alignment-X = #right \mark \markup { \italic { to Coda } \musicglyph #"scripts.coda" } + s16 } \alternative { @@ -71,7 +71,7 @@ Global = s1 | % 23 } { - s1 | % 24 + s1 \bar "||" % 24 } } @@ -96,7 +96,7 @@ Global = % blank measure between last measure and coda % \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break - \stopStaff s1 \startStaff % That removed the spurious floating bar line from line break (DID IT???) + \stopStaff s1 \startStaff % \break % Meh \set Score.currentBarNumber = #41 @@ -136,16 +136,6 @@ Global = } s1 \bar "|." % 63 - -%{ - -% \once \override TextScript #'padding = #2.0 -% s1*0^\markup { \large \bold { Moderately fast pop } } -%%Capo 3 version -%% s1*0^\markup { \large \bold { Moderately fast pop "(*** CAPO 3 ***)" } } -% s1*13 \bar "||:" % 1-13 - -%} } @@ -155,7 +145,6 @@ Global = LeadVox = \relative c' { \clef G - \override Score.SpacingSpanner #'average-spacing-wishes = ##f % Intro @@ -262,7 +251,7 @@ LeadVoxText = \lyricmode { The sun comes up it's a new day daw -- ning, it's time to sing your song _ a -- gain, What -- e -- ver may _ pass _ and what -- e -- ver lies be -- fore _ me, - let me go sing -- ing when the eve -- ning comes. } + let me be sing -- ing when the eve -- ning comes. } \new Lyrics = "verse2" \with { alignBelowContext = #"verse1" } { \set associatedVoice = "Lead" @@ -376,7 +365,7 @@ Chords = \chordmode f2 c | % 16 g2 a:m | % 17 f2 c | % 18 - g2 a:m | % 19 + g2 a4:m r | % 19 (rest here shows as N.C.!!!) s2 f | % 20 c2 g4:sus4 g | % 21 c1 | % 22 @@ -453,13 +442,14 @@ Chords = \chordmode % Chord rhythms % -% Use a RhythmicStaff on the chords instead of this? -% It almost works, but not quite. Doesn't collapse chords above to single notes... +Slash = { \override NoteHead #'style = #'slash } +Cross = { \override NoteHead #'style = #'cross } Rhythm = { \numericTimeSignature \override NoteHead #'style = #'slash + \teeny % Intro @@ -488,8 +478,8 @@ Rhythm = c4 c c c | % 16 c4 c c c | % 17 c4 c c c | % 18 - c4 c c c-> | % 19 - c4-> c-> c c | % 20 + c4 c c \Cross c-> | % 19 + c4-> c-> \Slash c c | % 20 c4 c c c | % 21 c4 c c c | % 22 @@ -582,7 +572,7 @@ Dynamics = s2 s4 \< s \! | % 53 %} s1*18 - s2. s4_\markup { \italic { No chord } } +% s2. s4_\markup { \italic { No chord } } } @@ -622,7 +612,7 @@ Dynamics = (/ staffSize 20))) % Don't spread staves vertically across last page (default: t) - ragged-last-bottom = ##f +% ragged-last-bottom = ##f % Don't spread staves vertically across the page (default: f) % ragged-bottom = ##t % Allow partial line for last stave (default: f)