-\version "2.18.2"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
-staffSize = #20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
+staffSize = #23
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
#(ly:set-option (quote no-point-and-click))
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Wait By The Water" }
subtitle = \markup { \override #'(font-family . sans) \fontsize #1.3 "Honoring The MoRanch Professional Women’s Group" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Helen Currie Foster" }
% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Craig Harris" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 3/4
\once \override Score.RehearsalMark #'self-alignment-X = #left
\mark \markup { \override #'(font-family . sans) { \box { A } } }
-% \once \override TextScript #'padding = #2.0
s2.*0^\markup { \large \italic { Refrain } }
-% Capo 4 version
-% s1*0^\markup { \hspace #0.0 \raise #2.0 \larger \bold { "Moderate pop (*** CAPO 4 ***)" } }
% Refrain
\mark \markup { \override #'(font-family . sans) { \box { B } } }
s2.*0^\markup { \large \italic { Verse } }
s2.*16 \bar ":|." % 16-32
-
-%{
- s1*4 | % 15-18
-
- s1*2 | % 19-20
- }
- \alternative
- {
- {
- s1 | % 21
- }
- {
- s1 | % 22
- }
- }
-
- \repeat volta 2
- {
- \mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- s1*0^\markup { \large \bold \italic { Solos } }
- s1*2 | % 23-24
- }
-
- % Coda
-
- s2. s4^\markup { \large \bold \italic { Free Time } } | % 39
- s1*3 \bar ":||" % 40-42
-%}
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Refrain
e4 g4. d8 | % 1
bf4 c d | % 15
c2. | % 16
-
% Verse
g'4 c c | % 17
Riffs = \relative c
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
% \tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
-
-%Not small enough...
\teeny
-% \magnify #0.3
+
% Refrain
| % 1
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
% ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+