-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "This Little Light Of Mine" }
-% composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Group" }
+ composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Traditional" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Group" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key e \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
- s1*4 | % 1-4
-
- r1 | % 5
- r1 | % 6
- r1 | % 7
- r1 | % 8
+ s1*8 | % 1-8
b8 cs16 b e fs8 e16 ~ e4 r | % 9
gs8 gs 16 gs gs fs8 e16 ~ e4 r | % 10
r1 | % 30
}
+
LeadVoxText = \lyricmode
{
This lit -- tle light of mine, _
Riffs = \relative c'
{
- \clef G
\override NoteHead #'style = #'cross
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\stemDown e8[ r e] r e[ r e] r | % 1
e8[ r e] r e[ r e] r \stemNeutral | % 2
<< \override NoteHead #'style = #'cross { r8 b'[ r b] r b[ r b] } \\ \override NoteHead #'style = #'cross { e,8[ r e] r e[ r e] r } >> | % 3
- << { r8 b'[ r b] r b[ r b] } \\ { e,8[ r e] r e[ r e] r } >> | % 4
+
+ \repeat "percent" 5
+ { << { r8 b'[ r b] r b[ r b] } \\ { e,8[ r e] r e[ r e] r } >> } | % 4-8
\normalsize
}
{
s1*4 | % 1-4
- e2 r8 cs:m d4 | % 5
- e2 r8 g a4 | % 6
- e2 r8 cs:m d4 | % 7
+ e2 s8 cs:m d4 | % 5
+ e2 s8 g a4 | % 6
+ e2 s8 cs:m d4 | % 7
e1 | % 8
e1 | % 9
e2/b b | % 25
e1 | % 26
- e2 r8 cs:m d4 | % 27
- e2 r8 g a4 | % 28
- e2 r8 cs:m d4 | % 29
+ e2 s8 cs:m d4 | % 27
+ e2 s8 g a4 | % 28
+ e2 s8 cs:m d4 | % 29
e1 | % 30
}
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
s1*4 | % 1-4
s1 | % 2
s4_\markup { \italic { add clap } } s2. | % 3
s1 | % 4
- s4_\markup { \italic { w/stomp & clap } } s2. | % 5
+ s4_\markup { \italic { band in } } s2. | % 5
}
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
+% \new ChoirStaff
<<
\new ChordNames \Chords
%Capo 4 edition
\new Staff
<<
- \Global % The "roadmap" that everything else depends on
+ \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- page-top-space = 0
}
+