-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "There Is A Rock" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Tommy Walker" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. " }
+ arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-column { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-column { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-column { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-column { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-column { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-column { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global =
{
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% Intro
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
s1*4 | % 1-4
r1-\fermata | % 62
}
+
LeadVoxText = \lyricmode
{
_ Light of the world, _ light of all truth,
Riffs = \relative c'
{
- \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\teeny
c4 c c c8. c16 ~ | % 54
c4 c c c | % 55
- c4 c c c8. c16 ~ | % 56
+ c4 c c c8. c16 \laissezVibrer | % 56
- c4 c c c8. c16 ~ | % 57
+ c4 c c c | % 57
% Outro
Dynamics =
{
-%{
- s4_\markup { \italic { snare pat. } } s2 | % 1
- s4_\markup { \italic { simile } } s2 | % 2
- s2.*19
- s4_\markup { \italic { spacey } } s2 | % 22
- s2.*5
- s4 s \< s \! | % 28
- s2.*22
- s4_\markup { \italic { Last time } } s2 | % 51
-%}
s1*40 | % 1-40
s4_\markup { \bold { Guitar solo } } s2. | % 41
s1*3 | % 42-44
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \LeadVox
\new Voice \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
{
#(define fonts (make-pango-font-tree
"Times New Roman"
- "DomCasual BT"
+ "LilyJAZZText"
"Luxi Mono"
(/ staffSize 20)))
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+