-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #20
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Search My Heart" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Hillsong United" }
-% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
+% arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
-% Let's try a chord dictionary
-% subtitle = \markup { \center-align { "F#m" \fret-diagram-terse #"x;x;4;2;2;2;" } " " \center-align { "F#m/F" \fret-diagram-terse #"x;x;3;2;2;2;" } " " \center-align { "F#m/E" \fret-diagram-terse #"x;x;2;2;2;2;" } " " \center-align { "F#m/Eb" \fret-diagram-terse #"x;x;1;2;2;2;" } " " \center-align { "Em7" \fret-diagram-terse #"o;2;2;o;3;o;" } " " \center-align { "A13" \fret-diagram-terse #"x;o;2;o;2;2;" } }
}
% Useful tweak abbreviations (hn = harmony note)
Global = \transpose c g
{
\key c \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
% \once \override TextScript #'padding = #2.0
% Outro
\mark \markup { \override #'(font-family . sans) { \box { H } } }
- s1*5 \bar "|." %
+ s1*5 \bar "|." %
}
%
LeadVox = \relative c'
{
-% \set Staff.instrument = #"Lead vox"
- \clef G
- \override Staff.TimeSignature #'style = #'()
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\override MultiMeasureRest #'expand-limit = 1
e4 r r c | % 15
g'4. g8 ~ g ( d ) d4 ~ | % 16
d4 r c8 d4 c8 | % 17
- f4. f8 ~ f ( e ) e4 ~ | % 18
+ f4. f8 ~ f ( e ) e4 | % 18
% A section
g'4. g8 ~ g ( d ) d4 ~ | % 36
% d4 r << { c8 d4 c8 } \context Voice = vb { \voiceTwo \teeny c8 c d c \normalsize } >> | % 37
d4 r << { \stemDown \teeny c8 c d c \normalsize \stemNeutral } \context Voice = vb { \voiceTwo \stemUp c8 d4 c8 \stemNeutral } >> | % 37
- f4. f8 ~ f ( e ) e4 ~ | % 38
+ f4. f8 ~ f ( e ) e4 | % 38
% C section
- r1 | %
- r1 | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r1 | %
- r1 | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e e16 ( f e4 ) | %
- r1 | %
- r1 | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e e16 ( f e4 ) | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
+ r1 | %
+ r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r1 | %
+ r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e e16 ( f e4 ) | %
+ r1 | %
+ r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e e16 ( f e4 ) | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
% B section
e4 r r c | % 35
g'4. g8 ~ g ( d ) d4 ~ | % 36
d4 r c8 d4 c8 | % 37
- f4. f8 ~ f ( e ) e4 ~ | % 38
+ f4. f8 ~ f ( e ) e4 | % 38
% C section
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e c4. | %
- r2 r8 c8 d e ~ | %
- e8 c d e ~ e e16 ( f e4 ) | %
- r1 | %
- r1 | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e c4. | %
+ r2 r8 c8 d e ~ | %
+ e8 c d e ~ e e16 ( f e4 ) | %
+ r1 | %
+ r1 | %
% Outro
- r1 | %
- e4. d8 ~ d4 e ~ | %
- e2 r4 c | %
- e4. d8 ~ d4 c ~ | %
- c1-\fermata | %
+ r1 | %
+ e4. d8 ~ d4 e ~ | %
+ e2 r4 c | %
+ e4. d8 ~ d4 c ~ | %
+ c1-\fermata | %
}
Riffs = \relative c'
{
-% \clef G
-%Hm. Needed anymore?
-% \override Score.SpacingSpanner #'average-spacing-wishes = ##f
\set tupletSpannerDuration = #(ly:make-moment 1 4)
% Intro
%
% Chord rhythms
%
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-%
Rhythm = \relative c
{
-%% \set Voice.autoBeaming = ##f
-%% \set Staff.instrument = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\override NoteHead #'style = #'slash
\override MultiMeasureRest #'expand-limit = 1
-
-%Not small enough...
\teeny
-% \magnify #0.3
% Intro
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
-% \new Staff
- <<
- \new ChordNames \transpose c g \Chords
-%Capo 4 edition
-% \new ChordNames \transpose b g \Chords
- \new RhythmicStaff << \Rhythm \Dynamics >>
- >>
-
- \new Staff
+ \context Staff
<<
- \Global % The "roadmap" that everything else depends on
\new Voice = "lead" \transpose c g \LeadVox
\new Voice \transpose c g \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextC
\new Lyrics \lyricsto "lead" \LeadVoxTextD
>>
+
+ \new ChoirStaff
+ <<
+ \new ChordNames \transpose c g \Chords
+%Capo 4 edition
+% \new ChordNames \transpose b g \Chords
+ \new RhythmicStaff << \Rhythm \Dynamics >>
+ >>
>>
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
% Spread staves vertically across last page (default: t)
ragged-last-bottom = ##f
% To find out what's eating the space at the top...
% annotate-spacing = ##t
-%let's try this: [It works! Huzzah!]
- obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)
}
+