-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #18
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "More Love, More Power" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Del Hierro" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
- tagline = "Engraved by JLH and Lilypond 2.8.6"
+ tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
}
+% Useful tweak abbreviations (hn = harmony note)
+
+hn = #(define-music-function (parser location arg) (ly:music?)
+;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
+
+ (set! (ly:music-property arg 'tweaks)
+ (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
+
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c'
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key e \minor
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
\repeat volta 2
{
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
+ s1^\markup { Half-Time Jazz Rock } | % 1
+ s1*3 | % 2-4
}
\repeat volta 2
{
% Verse
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c \bar "||" % 20
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1^\markup { \italic { Groove 2nd X } } | % 5
+ s1*7 \bar "||" % 6-12
+
+ \mark \markup { \override #'(font-family . sans) { \box { A9 } } }
+ s1*8 \bar "||" % 13-20
% Chorus
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
+ s1^\markup { \italic { Backbeat In } } | % 21
+ s1*14 | % 22-35
}
\alternative
{
{
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
+ s1*9 | % 36-44
}
{
- c4 c c c | % 45
+ s1 | % 45
}
}
\repeat volta 4
{
- c4 c c c | % 46
- c4 c c c | % 47
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*2 | % 46-47
}
\alternative
{
{
- c4 c c c | % 48
- c4 c c c | % 49
+ s1*2 | % 48-49
}
{
- c4 c c c | % 50
- c4 c c c | % 51
+ s1*2 | % 50-51
}
}
\repeat volta 2
{
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
+ \mark \markup { \override #'(font-family . sans) { \box { D } } }
+ s1*14 | % 52-65
}
\alternative
{
{
- c4 c c c | % 66
- c4 c c c | % 67
+ s1*2 | % 66-67
}
{
- c4 c c c | % 68
+ s1 | % 68
}
}
- c4 c c c | % 69
+ s1 | % 69
\repeat volta 2
{
- c4 c c c | % 70
- c4 c c c | % 71
- c4 c c c | % 72
- c4 c c c | % 73
+ \mark \markup { \override #'(font-family . sans) { \box { E } } }
+ s1*3 | % 70-72
+ s1^\markup { \italic { Rit. Last X } } | % 73
}
- c1^\fermata \bar "|." % 74
-
+ s1 \bar "|." % 74
+}
-%{
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
% Intro
- R1^\markup { 8th note ballad, s. stick & colors } | % 1
- R1 | % 2
- R1 | % 3
- r2 r4. d8 \bar "||" % 4
+ s1*4 | % 1-4
% Verse
-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { A } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-
- g8 g g g fs4 d8 ( fs | % 5
- e4 ) e16 ( d e8 ) d4 r | % 6
- r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 7
- g2 r4. d8 | % 8
- g8 g g g fs4 d8 ( fs | % 9
- e4 ) e16 ( d e8 ) d4 r | % 10
- r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 11
- g2 r \bar "||:" % 12
+ r4 g fs ( e ~ | % 5
+ << { \voiceOne e1 ) } \context Voice = vb { \voiceThree \tiny r4 g' fs e ~ \normalsize } >> | % 6
+ << { \voiceOne r4 g, fs e ~ } \context Voice = vb { \voiceThree \tiny e'1 \normalsize } >> | % 7
+ << { \voiceOne e,1 } \context Voice = vb { \voiceThree \tiny r4 g' fs e ~ \normalsize } >> | % 8
+ << { \voiceOne r2 } \context Voice = vb { \voiceThree \tiny e2 \normalsize } >> \oneVoice fs,4 fs | % 9
+ fs4 ( d8 b ) b fs'4 ( e8 ) | % 10
+ e1 | % 11
+ R1 | % 12
+
+ r4 g fs ( e ~ | % 13
+ << { \voiceOne e1 ) } \context Voice = vc { \voiceThree \tiny r4 g' fs e ~ \normalsize } >> | % 14
+ << { \voiceOne r4 g, fs e ~ } \context Voice = vc { \voiceThree \tiny e'1 \normalsize } >> | % 15
+ << { \voiceOne e,1 } \context Voice = vc { \voiceThree \tiny r4 g' fs e ~ \normalsize } >> | % 16
+ << { \voiceOne r2 } \context Voice = vc { \voiceThree \tiny e2 \normalsize } >> \oneVoice fs,4 fs | % 17
+ fs4 ( d8 b ) b fs'4 ( e8 ) | % 18
+ e2. b4 | % 19
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 20
% Chorus
- \repeat volta 3
- {
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
-
- c8.^\markup { \italic { 2nd time snare } } c16 c8 b a4 g8 a | % 13
- b8 b4 a16 ( g ) g4 r8 g | % 14
- c4 c8 b a a a16 g a8 | % 15
- b2 r4. g8 | % 16
- c4. b16 ( a ) a4. r16 g | % 17
- b8. c16 b8 a g e ~ e4 | % 18
- r8 g16 g g a g8 fs fs g16 a8 ( g16 ) | % 19
- }
- \alternative
- {
- {
- g2 r | % 20
- r2 r4.^\markup { \hspace #0.0 \raise #0.65 \bold D.S. } d8 \bar "||" % 21
- }
- {
- g2 r | % 22
- }
- {
- g2 r | % 23
- }
- }
+ <a \hn e \hn c>2. <a \hn e \hn c>4 | % 21
+ <a \hn d, \hn cs>4. <g \hn d \hn cs>8 ~ <g \hn d \hn cs> <fs \hn cs \hn a>4 e8 | % 22
+ <e \hn b \hn g>2. b4 | % 23
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 24
+ <a \hn e \hn c>2. <a \hn e \hn c>4 | % 25
+ <a \hn d, \hn cs>4. <g \hn d \hn cs>8 ~ <g \hn d \hn cs> <fs \hn cs \hn a>4 e8 | % 26
+ <e \hn b \hn g>2. b4 | % 27
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 28
+ <a \hn e \hn c>2. <a \hn e \hn c>4 | % 29
+ <a \hn d, \hn cs>4. <g \hn d \hn cs>8 ~ <g \hn d \hn cs> <fs \hn cs \hn a>4 e8 | % 30
+ <e \hn b \hn g>2. <b \hn g>4 | % 31
+ <e \hn b \hn g>4. <fs \hn d \hn a>8 ~ <fs \hn d \hn a> <g \hn e \hn b>4 e8 | % 32
+ <e \hn c \hn g>1 ~ ( | % 33
+ <e \hn c \hn g>2 <g \hn e \hn b> | % 34
+ <fs \hn d \hn a>1 ) | % 35
+
+ g4. fs8 ~ fs4 d8 e ~ | % 36
+ e2 s | % 37
+ s1 | % 38
+ s1 | % 39
+ s1 | % 40
+ s1 | % 41
+ s1 | % 42
+ s1 | % 43
+ s1 | % 44
+
+ g4. fs8 ~ fs4 d8 e ~ | % 45
+
+ e2 s | % 46
+ s1 | % 47
+
+ s1 | % 48
+ s1 | % 49
+
+ r2 r4 b | % 50
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 51
+
+ <a \hn e \hn c>2. <a \hn e \hn c>4 | % 52
+ <a \hn d, \hn cs>4. <g \hn d \hn cs>8 ~ <g \hn d \hn cs> <fs \hn cs \hn a>4 e8 | % 53
+ <e \hn b \hn g>2. b4 | % 54
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 55
+ <a \hn e \hn c>2. <a \hn e \hn c>4 | % 56
+ <a \hn d, \hn cs>4. <g \hn d \hn cs>8 ~ <g \hn d \hn cs> <fs \hn cs \hn a>4 e8 | % 57
+ <e \hn b \hn g>2. b4 | % 58
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 59
+ <a \hn e \hn c>2. <a \hn e \hn c>4 | % 60
+ <a \hn d, \hn cs>4. <g \hn d \hn cs>8 ~ <g \hn d \hn cs> <fs \hn cs \hn a>4 e8 | % 61
+ <e \hn b \hn g>2. <b \hn g>4 | % 62
+ <e \hn b \hn g>4. <fs \hn d \hn a>8 ~ <fs \hn d \hn a> <g \hn e \hn b>4 e8 | % 63
+ <e \hn c \hn g>1 ~ ( | % 64
+ <e \hn c \hn g>2 <g \hn e \hn b> | % 65
+
+ <fs \hn d \hn a>2. ) b,4 | % 66
+ <e \hn b \hn g>4 <fs \hn d \hn a> <g \hn e \hn b> <b \hn g \hn d> | % 67
+
+ <fs \hn d \hn a>1 \repeatTie | % 68
+
+ g4. fs8 ~ fs4 d8 e ~ | % 69
+
+ e2 s | % 70
+ s1 | % 71
+ s1 | % 72
+ s1 | % 73
+
+ R1^\fermata | % 74
+}
- % Ending
- r8 g16 g g a g8 fs fs fs16 a ( g8 ) | % 24
- g2 r | % 25
- r8 g16 g g a g8 fs fs fs16 a ( g8 ) | % 26
- g1^\fermata \bar "|." % 27
-%}
+LeadVoxText = \lyricmode
+{
+ More love, _ _ more po -- wer, _
+ more of you _ _ in my _ life,
+ More love, _ _ more po -- wer, _
+ more of you _ _ in my _ life,
+
+ << {
+ And I will wor -- ship you with all of _ my _ heart,
+ And I will wor -- ship you with all of _ my _ mind,
+ And I will wor -- ship you with all of _ my _ strength,
+ } \new Lyrics = "v2" \with { alignBelowContext = #"v1" } { \set associatedVoice = "Lead"
+ _ _ _ seek your face _ _ _ _ _ _ _
+ _ _ _ seek your face _ _ _ _ _ _ _
+ _ _ _ seek your face
+ } >>
+ for you are _ my _ Lord, _ _ _
+ you are _ my Lord. _
+
+ you are _ my Lord. _
+
+ << {
+ And I will wor -- ship you with all of _ my _ heart,
+ And I will wor -- ship you with all of _ my _ mind,
+ And I will wor -- ship you with all of _ my _ strength,
+ } \new Lyrics = "v2" \with { alignBelowContext = #"v1" } { \set associatedVoice = "Lead"
+ _ _ _ seek your face _ _ _ _ _ _ _
+ _ _ _ seek your face _ _ _ _ _ _ _
+ _ _ _ seek your face
+ } >>
+ for you are _ my _ Lord, _ _ _
+
+ And I will seek your
+
+ _
+ you are _ my Lord. _
}
-LeadVoxText = \lyricmode
+LeadVoxEcho = \lyricmode
{
- More love, more po- wer
- more of you in my life
- More love, more po- wer
- more of you in my life
+ More love, _ _ more po -- wer, _
+ More love, _ _ more po -- wer, _
+}
- And I will wor- ship you with all of my heart
+
+%
+% Riffs
+%
+Riffs = \relative c'
+{
+ \tiny
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 1
+ <e d cs a>1 | % 2
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 3
+ <e d cs a>4. <d b g>8 ~ <d b g> <e cs a> ~ <e cs a>4 | % 4
+
+ s1*32 | % 5-36
+
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 37
+ <e d cs a>1 | % 38
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 39
+ <e d cs a>4. <d b g>8 ~ <d b g> <e cs a> ~ <e cs a>4 | % 40
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 41
+ <e d cs a>1 | % 42
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 43
+ <e d cs a>4. <d b g>8 ~ <d b g> <e cs a> ~ <e cs a>4 | % 44
+
+ s1 | % 45
+
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 46
+ <e d cs a>1 | % 47
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 48
+ <e d cs a>4. <d b g>8 ~ <d b g> <e cs a> ~ <e cs a>4 | % 49
+
+ s1*20 | % 50-69
+
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 70
+ <e d cs a>1 | % 71
+ r2 <fs d b g>4. <e d cs a>8 ~ | % 72
+ <e d cs a>4. <d b g>8 ~ <d b g> <e cs a> ~ <e cs a>4 | % 73
+ \normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- \repeat volta 2
- {
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- }
-
- \repeat volta 2
- {
- % Verse
+ e2..:m9 b8:m11 | % 1
+ s1 | % 2
+ e2..:m9 b8:m11 | % 3
+ s4. g4/a a4./b | % 4
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c | % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c | % 20
-
- % Chorus
-
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
- }
- \alternative
- {
- {
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- }
- {
- c4 c c c | % 45
- }
- }
-
- \repeat volta 4
- {
- c4 c c c | % 46
- c4 c c c | % 47
- }
- \alternative
- {
- {
- c4 c c c | % 48
- c4 c c c | % 49
- }
- {
- c4 c c c | % 50
- c4 c c c | % 51
- }
- }
-
- \repeat volta 2
- {
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
- }
- \alternative
- {
- {
- c4 c c c | % 66
- c4 c c c | % 67
- }
- {
- c4 c c c | % 68
- }
- }
+ % Verse
- c4 c c c | % 69
+ e1:m7 | % 5
+ s1 | % 6
+ c1:maj7 | % 7
+ s1 | % 8
+ d1:sus2 | % 9
+ b1:m7 | % 10
+ e1:m7 | % 11
+ c2:sus2/e b:m7 | % 12
+
+ e1:m7 | % 13
+ s1 | % 14
+ c1:maj7 | % 15
+ s1 | % 16
+ a1:m/fs | % 17
+ b1:7.9- | % 18
+ e1:m7 | % 19
+ e1:m/d | % 20
- \repeat volta 2
- {
- c4 c c c | % 70
- c4 c c c | % 71
- c4 c c c | % 72
- c4 c c c | % 73
- }
+ % Chorus
- c1 | % 74
+ a1:m7 | % 21
+ b1:7.9- | % 22
+ e1:m7 | % 23
+ e1:m/d | % 24
+ a1:m7 | % 25
+ b1:7.9- | % 26
+ e1:m7 | % 27
+ e1:m/d | % 28
+ a1:m/fs | % 29
+ b1:7.9- | % 30
+ e1:m7 | % 31
+ e1:m/d | % 32
+ a1:m11 | % 33
+ s1 | % 34
+ b1:m7 | % 35
+
+ d1:sus2 | % 36
+ e2..:m9 b8:m11 | % 37
+ s1 | % 38
+ e2..:m9 b8:m11 | % 39
+ s4. g/a a4/b | % 40
+ e2..:m9 b8:m11 | % 41
+ s1 | % 42
+ e2..:m9 b8:m11 | % 43
+ s4. g/a a4/b | % 44
+
+ d1:sus2 | % 45
+
+ e2..:m9 b8:m11 | % 46
+ s1 | % 47
+
+ e2..:m9 b8:m11 | % 48
+ s4. g4/a a4./b | % 49
+
+ e1:m7 | % 50
+ e1:m7/d | % 51
+
+ a1:m7 | % 52
+ b1:7.9- | % 53
+ e1:m7 | % 54
+ e1:m/d | % 55
+ a1:m7 | % 56
+ b1:7.9- | % 57
+ e1:m7 | % 58
+ e1:m/d | % 59
+ a1:m/fs | % 60
+ b1:7.9- | % 61
+ c1:maj7 | % 62
+ b1:m11 | % 63
+ a1:m11 | % 64
+ s1 | % 65
+
+ b1:m7 | % 66
+ e2:m7 e:m7/d | % 67
+
+ b1:m7 | % 68
+
+ d1:sus2 | % 69
+
+ e2..:m9 b8:m11 | % 70
+ s1 | % 71
+ e2..:m9 b8:m11 | % 72
+ s4. g4/a a4./b | % 73
+
+ e1:m9 | % 74
}
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
- \repeat volta 2
- {
- c4 c c c | % 1
- c4 c c c | % 2
- c4 c c c | % 3
- c4 c c c | % 4
- }
+ c2. ~ c8 c ~ | % 1
+ c2. ~ c8 c | % 2
+ c2. ~ c8 c ~ | % 3
+ c4. c4 c4. | % 4
- \repeat volta 2
- {
- % Verse
-
- c4 c c c | % 5
- c4 c c c | % 6
- c4 c c c | % 7
- c4 c c c | % 8
- c4 c c c | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c4 c c c \bar "||" % 12
-
- c4 c c c | % 13
- c4 c c c | % 14
- c4 c c c | % 15
- c4 c c c | % 16
- c4 c c c | % 17
- c4 c c c | % 18
- c4 c c c | % 19
- c4 c c c \bar "||" % 20
-
- % Chorus
-
- c4 c c c | % 21
- c4 c c c | % 22
- c4 c c c | % 23
- c4 c c c | % 24
- c4 c c c | % 25
- c4 c c c | % 26
- c4 c c c | % 27
- c4 c c c | % 28
- c4 c c c | % 29
- c4 c c c | % 30
- c4 c c c | % 31
- c4 c c c | % 32
- c4 c c c | % 33
- c4 c c c | % 34
- c4 c c c | % 35
- }
- \alternative
- {
- {
- c4 c c c | % 36
- c4 c c c | % 37
- c4 c c c | % 38
- c4 c c c | % 39
- c4 c c c | % 40
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- }
- {
- c4 c c c | % 45
- }
- }
+ % Verse
- \repeat volta 4
- {
- c4 c c c | % 46
- c4 c c c | % 47
- }
- \alternative
- {
- {
- c4 c c c | % 48
- c4 c c c | % 49
- }
- {
- c4 c c c | % 50
- c4 c c c | % 51
- }
- }
+ c1 ~ | % 5
+ c1 | % 6
+ c1 ~ | % 7
+ c1 | % 8
+ c1 | % 9
+ c1 | % 10
+ c1 | % 11
+ c2 c | % 12
+
+ c1 ~ | % 13
+ c1 | % 14
+ c1 ~ | % 15
+ c1 | % 16
+ c1 | % 17
+ c4 c c c | % 18
+ c1 | % 19
+ c4 c c c | % 20
- \repeat volta 2
- {
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- c4 c c c | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- c4 c c c | % 63
- c4 c c c | % 64
- c4 c c c | % 65
- }
- \alternative
- {
- {
- c4 c c c | % 66
- c4 c c c | % 67
- }
- {
- c4 c c c | % 68
- }
- }
+ % Chorus
- c4 c c c | % 69
+ c4 c c c | % 21
+ c4 c c c | % 22
+ c4 c c c | % 23
+ c4 c c c | % 24
+ c4 c c c | % 25
+ c4 c c c | % 26
+ c4 c c c | % 27
+ c4 c c c | % 28
+ c4 c c c | % 29
+ c4 c c c | % 30
+ c4 c c c | % 31
+ c4 c c c | % 32
+ c4 c c c | % 33
+ c4 c c c | % 34
+ c4 c c c | % 35
+
+ c1 | % 36
+ c2. ~ c8 c ~ | % 37
+ c2. ~ c8 c | % 38
+ c2. ~ c8 c ~ | % 39
+ c4. c4 c4. | % 40
+ c2. ~ c8 c ~ | % 41
+ c2. ~ c8 c | % 42
+ c2. ~ c8 c ~ | % 43
+ c4. c4 c4. | % 44
+
+ c4 c c c | % 45
+
+ c2. ~ c8 c ~ | % 46
+ c2. ~ c8 c | % 47
+
+ c2. ~ c8 c ~ | % 48
+ c4. c4 c4 c8 | % 49
+
+ c4 c c c | % 50
+ c4 c c c | % 51
+
+ c4 c c c | % 52
+ c4 c c c | % 53
+ c4 c c c | % 54
+ c4 c c c | % 55
+ c4 c c c | % 56
+ c4 c c c | % 57
+ c4 c c c | % 58
+ c4 c c c | % 59
+ c4 c c c | % 60
+ c4 c c c | % 61
+ c4 c c c | % 62
+ c4 c c c | % 63
+ c4 c c c | % 64
+ c4 c c c | % 65
+
+ c4 c c c | % 66
+ c4 c c c | % 67
+
+ c4 c c c | % 68
+
+ c1 | % 69
+
+ c2. ~ c8 c ~ | % 46
+ c2. ~ c8 c | % 47
+ c2. ~ c8 c ~ | % 48
+ c4. c4 c4. | % 49
+
+ c1^\fermata | % 74
+}
- \repeat volta 2
- {
- c4 c c c | % 70
- c4 c c c | % 71
- c4 c c c | % 72
- c4 c c c | % 73
- }
- c1^\fermata \bar "|." % 74
+Dynamics =
+{
+ s1_\mf | % 1
+ s1*18
+ s4 \< s2 s4 \! | % 20
+ s1*13
+ s4 \< s2 s4 \! | % 34
+ s1
+ s4 \> s2 s4 \! | % 36
+ s1*8
+ s4 \< s2. | % 45
+ s4_\f s2. | % 46
+ s1*4
+ s4 \< s2 s4 \! | % 51
+ s1*13
+ s4 \< s2 s4 \! | % 65
+ s1
+ s4 \< s2 s4 \! | % 67
+ s1
+ s4 \> s2. | % 69
+ s4_\mf s2. | % 70
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
- \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Lyrics \lyricsto "lead" \LeadVoxText
+ \new Voice = "lead" \LeadVox
+ \new Voice \Riffs
+ \new Lyrics = "v1" \lyricsto "lead" \LeadVoxText
+ \new Lyrics \lyricsto "vb" \LeadVoxEcho
+ \new Lyrics \lyricsto "vc" \LeadVoxEcho
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" \StaffC
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
-% ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+