-\version "2.16.0"
+\version "2.19.0"
\include "pop-chords.ly"
\include "english.ly"
-% Good sizes are 16, 18, & 20
+% Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
staffSize = #16
#(set-default-paper-size "letter")
#(set-global-staff-size staffSize)
\header
{
-%Let's bump up the title size and switch to the chord font. :-)
-
title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Joy To The World / Hark The Herald Angels Sing" }
composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "George Friedrich Handel/Felix Mendelssohn" }
arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart/Craig Harris" }
%
-% Lead vocal
+% Song's structure
%
-
-LeadVox = \relative c''
+Global =
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Lead vox"
\clef G
\key d \major
- \override Staff.TimeSignature #'style = #'()
+ \numericTimeSignature
\time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
% Intro
- s1 | % 1
- s1 | % 2
- s1 | % 3
- s1 | % 4
- s1 | % 5
- s1 | % 6
- s1 | % 7
- s1 \bar "||:" % 8
+ s1*8 \bar ".|:-||" % 1-8
\repeat volta 2
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { A } } }
-
- d4 cs8. b16 a4. g8 | % 9
- fs4 e d4. a'8 | % 10
- b4. b8 cs4. cs8 | % 11
- d2.. d8 \bar "||" % 12
+ \mark \markup { \override #'(font-family . sans) { \box { A } } }
+ s1*4 \bar "||" % 9-12
-\mark \markup { \override #'(font-family . sans) { \box { A5 } } }
-
- d8 ( cs ) b ( a ) a8. ( g16 fs8 ) d' | % 13
- d8 ( cs ) b ( a ) a8. ( g16 fs8 ) fs | % 14
- fs8 fs fs fs16 ( g ) a4. g16 ( fs ) | % 15
- e8 e e e16 ( fs ) g4. fs16 ( e ) | % 16
- d8 ( d'4 ) b8 a8. ( g16 fs8 ) g8 | % 17
-
- \time 2/4 fs4 e \time 4/4 | % 18
-
- \voiceThree d2 \oneVoice s2 | % 19
- s1 | % 20
+ \mark \markup { \override #'(font-family . sans) { \box { A5 } } }
+ s1*5 | % 13-17
+ \time 2/4 s2 \time 4/4 | % 18
+ s1*2 | % 19-20
}
\alternative
{
{
- s1 | % 21
- s1 | % 22
+ s1*2 | % 21-22
}
{
s1 | % 23
\key ef \major
-\mark \markup { \override #'(font-family . sans) { \box { B } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B } } }
- ef'4 d8. c16 bf4. af8 | % 25
- g4 f ef4. bf'8 | % 26
- c4. c8 d4. d8 | % 27
- ef2.. ef8 \bar "||" % 28
+ s1*4 \bar "||" % 25-28
-\mark \markup { \override #'(font-family . sans) { \box { B5 } } }
+ \mark \markup { \override #'(font-family . sans) { \box { B5 } } }
- ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) ef' | % 29
- ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) g | % 30
- g8 g g g16 ( af ) bf4. af16 ( g ) | % 31
- f8 f f f16 ( g ) af4. g16 ( f ) | % 32
- ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 33
- g4 f ef4. g16 ( f ) | % 34
- ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 35
- g2 f \bar "||" % 36
+ s1*8 \bar "||" % 29-36
- \voiceThree ef2 \oneVoice s2 | % 37
- s1 | % 38
- s1 | % 39
- s1 \bar "||" % 40
+ s1*4 \bar "||" % 37-40
\key f \major
{
% Verse
-\mark \markup { \override #'(font-family . sans) { \box { C } } }
-
- c4 f f4. e8 | % 41
- f4 a a ( g ) | % 42
- c4 c c4. bf8 | % 43
- a4 g a2 | % 44
- c,4 f f4. e8 | % 45
- f4 a a ( g ) | % 46
- c4 g g4. e8 | % 47
- e4 d c2 \bar "||" % 48
-
-\mark \markup { \override #'(font-family . sans) { \box { C9 } } }
-
- c'4 c c f, | % 49
- bf4 a a ( g ) | % 50
- c4 c c f, | % 51
- bf4 a a ( g ) | % 52
- d'4 d d c | % 53
- bf4 a bf2 | % 54
- g4 a8 ( bf ) c4. f,8 | % 55
- f4 g a2 | % 56
- d4. d8 d4 c | % 57
- bf4 a bf2 | % 58
- g4 a8 ( bf ) c4. f,8 | % 59
+ \mark \markup { \override #'(font-family . sans) { \box { C } } }
+ s1*8 \bar "||" % 48
+
+ \mark \markup { \override #'(font-family . sans) { \box { C9 } } }
+ s1*11 | % 49-59
}
\alternative
{
{
- \time 2/4 f4 g \time 4/4 | % 60
- f2 s2 | % 61
- s1 | % 62
+ \time 2/4 s2 \time 4/4 | % 60
+ s1*2 | % 61-62
}
{
- f4 g a2 | % 63
+ s1 | % 63
}
}
+ s1*7 \bar "|." % 64-70
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c''
+{
+ \clef G
+
+ % Intro
+
+ s1*8 | % 1-8
+
+ % Verse
+
+ d4 cs8. b16 a4. g8 | % 9
+ fs4 e d4. a'8 | % 10
+ b4. b8 cs4. cs8 | % 11
+ d2.. d8 | % 12
+
+ d8 ( cs ) b ( a ) a8. ( g16 fs8 ) d' | % 13
+ d8 ( cs ) b ( a ) a8. ( g16 fs8 ) fs | % 14
+ fs8 fs fs fs16 ( g ) a4. g16 ( fs ) | % 15
+ e8 e e e16 ( fs ) g4. fs16 ( e ) | % 16
+ d8 ( d'4 ) b8 a8. ( g16 fs8 ) g8 | % 17
+
+ fs4 e | % 18
+
+ \voiceThree d2 \oneVoice s2 | % 19
+ s1 | % 20
+
+ s1 | % 21
+ s1 | % 22
+
+ s1 | % 23
+
+ s1 | % 24
+
+ ef'4 d8. c16 bf4. af8 | % 25
+ g4 f ef4. bf'8 | % 26
+ c4. c8 d4. d8 | % 27
+ ef2.. ef8 | % 28
+
+ ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) ef' | % 29
+ ef8 ( d ) c ( bf ) bf8. ( af16 g8 ) g | % 30
+ g8 g g g16 ( af ) bf4. af16 ( g ) | % 31
+ f8 f f f16 ( g ) af4. g16 ( f ) | % 32
+ ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 33
+ g4 f ef4. g16 ( f ) | % 34
+ ef8 ( ef'4 ) c8 bf8. ( af16 g8 ) af8 | % 35
+ g2 f | % 36
+
+ \voiceThree ef2 \oneVoice s2 | % 37
+ s1*3 | % 38-40
+
+ % Verse
+
+ c4 f f4. e8 | % 41
+ f4 a a ( g ) | % 42
+ c4 c c4. bf8 | % 43
+ a4 g a2 | % 44
+ c,4 f f4. e8 | % 45
+ f4 a a ( g ) | % 46
+ c4 g g4. e8 | % 47
+ e4 d c2 | % 48
+
+ c'4 c c f, | % 49
+ bf4 a a ( g ) | % 50
+ c4 c c f, | % 51
+ bf4 a a ( g ) | % 52
+ d'4 d d c | % 53
+ bf4 a bf2 | % 54
+ g4 a8 ( bf ) c4. f,8 | % 55
+ f4 g a2 | % 56
+ d4. d8 d4 c | % 57
+ bf4 a bf2 | % 58
+ g4 a8 ( bf ) c4. f,8 | % 59
+
+ f4 g | % 60
+ f2 s2 | % 61
+ s1 | % 62
+
+ f4 g a2 | % 63
+
d4. d8 d4 c | % 64
bf4 a bf2 | % 65
g4 a8 bf c4. f,8 | % 66
f2 g | % 67
f2 s2 | % 68
- s1 | % 69
- s1 \bar "|." % 70
+ s1*2 | % 69-70
}
+
LeadVoxText = \lyricmode
{
Joy to the world! the Lord is come:
Riffs = \relative c'''
{
- \clef G
- \key d \major
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
-\override Score.SpacingSpanner #'average-spacing-wishes = ##f
-
% Intro
\tiny
\voiceTwo c,4 \oneVoice f f4. e8 | % 68
f4 a a g | % 69
- f1-\fermata \bar "|." % 70
+ f1-\fermata | % 70
\normalsize
}
%
% Chord names
%
-
Chords = \chordmode
{
-%Bah, can't we set this globally?
-% \popChords
-
% Intro
- d1:5.9 | % 1
+ d1:3.5.9 | % 1
s1 | % 2
- c1:5.9 | % 3
+ c1:3.5.9 | % 3
s1 | % 4
- d1:5.9 | % 5
+ d1:3.5.9 | % 5
s1 | % 6
- c2..:5.9 s16 g/a | % 7
+ c2..:3.5.9 s16 g/a | % 7
s2 a | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- d4 a8./d g16/d d4. g8 | % 9
- d4/a a d2 | % 10
- g2 a | % 11
- b4:m s16 a8/cs d16 s2 | % 12
+ d4 a8./d g16/d d4. g8 | % 9
+ d4/a a d2 | % 10
+ g2 a | % 11
+ b4:m s16 a8/cs d16 s2 | % 12
- d4 g/d a8./d d16 s4 | % 13
- d4 g/d a8./d d16 s4 | % 14
- d2 s8. d16/fs s4 | % 15
- a2 s8. a16/cs s4 | % 16
- g4/b a/cs d g:maj7 | % 17
+ d4 g/d a8./d d16 s4 | % 13
+ d4 g/d a8./d d16 s4 | % 14
+ d2 s8. d16/fs s4 | % 15
+ a2 s8. a16/cs s4 | % 16
+ g4/b a/cs d g:maj7 | % 17
- \time 2/4 d4/a a \time 4/4 | % 18
+ d4/a a | % 18
- d1:5.9 | % 19
- s1 | % 20
- }
- \alternative
- {
- {
- c2..:5.9 s16 g/a | % 21
- s2 a | % 22
- }
- {
- c2..:5.9 s16 af/bf | % 23
- }
- }
+ d1:3.5.9 | % 19
+ s1 | % 20
+
+ c2..:3.5.9 s16 g/a | % 21
+ s2 a | % 22
+
+ c2..:3.5.9 s16 af/bf | % 23
s2 bf | % 24
ef4 af:maj7 g:m7 c:m7 | % 35
ef2/bf bf | % 36
- ef1:5.9 | % 37
+ ef1:3.5.9 | % 37
s1 | % 38
- df2..:5.9 s16 bf/c | % 39
+ df2..:3.5.9 s16 bf/c | % 39
s2 c | % 40
- \repeat volta 2
- {
- f2 g:m11 | % 41
- f2/a f4/c c | % 42
- f2/a bf | % 43
- f4/c c f2 | % 44
- f2 f/e | % 45
- d2:m7 g:9 | % 46
- a4:m g/b c2 | % 47
- c4/g g c2 | % 48
-
- f2. f4/a | % 49
- bf4 d:m7 f/c c/bf | % 50
- f2/a bf | % 51
- g2:m7 f4/c c | % 52
- bf2. d4:7.9- | % 53
- g4:m d:7.9- g2:m7 | % 54
- c4 c/bf f2/a | % 55
- f4/c c f2 | % 56
- bf2 d:aug/a | % 57
- g4:m7 d:7.9- g2:m7 | % 58
- c2/e f/a | % 59
- }
- \alternative
- {
- {
- \time 2/4 f4/c c \time 4/4 | % 60
- f2 g:m11 | % 61
- f2/a f4/c c | % 62
- }
- {
- f4/c c f2 | % 63
- }
- }
+ f2 g:m11 | % 41
+ f2/a f4/c c | % 42
+ f2/a bf | % 43
+ f4/c c f2 | % 44
+ f2 f/e | % 45
+ d2:m7 g:9 | % 46
+ a4:m g/b c2 | % 47
+ c4/g g c2 | % 48
+
+ f2. f4/a | % 49
+ bf4 d:m7 f/c c/bf | % 50
+ f2/a bf | % 51
+ g2:m7 f4/c c | % 52
+ bf2. d4:7.9- | % 53
+ g4:m d:7.9- g2:m7 | % 54
+ c4 c/bf f2/a | % 55
+ f4/c c f2 | % 56
+ bf2 d:aug/a | % 57
+ g4:m7 d:7.9- g2:m7 | % 58
+ c2/e f/a | % 59
+
+ f4/c c | % 60
+ f2 g:m11 | % 61
+ f2/a f4/c c | % 62
+
+ f4/c c f2 | % 63
bf2 d:aug/a | % 64
g4:m7 d:7.9- g2:m7 | % 65
%
% Chord rhythms
%
-
-% Use a RhythmicStaff on the chords instead of this?
-% It almost works, but not quite. Doesn't collapse chords above to single notes...
-
StaffC = \relative c
{
-% \set Voice.autoBeaming = ##f
-% \set Staff.instrumentName = #"Rhythm"
- \override Staff.TimeSignature #'style = #'()
- \time 4/4
+ \numericTimeSignature
\override NoteHead #'style = #'slash
+ \teeny
% Intro
c4 c c c8. c16-> ~ | % 5
c1 | % 6
c4 c c c8. c16-> ~ | % 7
- c4 c c c \bar "||:" % 8
+ c4 c c c | % 8
- \repeat volta 2
- {
- % Verse
+ % Verse
- c4 c8. c16 c4. c8 | % 9
- c4 c c c | % 10
- c4 c c c | % 11
- c8.-> c16-^ ~ c c8-^ c16-> ~ c2 \bar "||" % 12
+ c4 c8. c16 c4. c8 | % 9
+ c4 c c c | % 10
+ c4 c c c | % 11
+ c8.-> c16-^ ~ c c8-^ c16-> ~ c2 | % 12
- c4 c c8. c16 ~ c4 | % 13
- c4 c c8. c16 ~ c4 | % 14
- c4-^ c-^ r8. c16-> ~ c4 | % 15
- c4-^ c-^ r8. c16-> ~ c4 | % 16
- c4 c c c | % 17
+ c4 c c8. c16 ~ c4 | % 13
+ c4 c c8. c16 ~ c4 | % 14
+ c4-^ c-^ r8. c16-> ~ c4 | % 15
+ c4-^ c-^ r8. c16-> ~ c4 | % 16
+ c4 c c c | % 17
- \time 2/4 c4 c \time 4/4 | % 18
+ c4 c | % 18
- c4 c c c8. c16 ~ | % 19
- c1 | % 20
- }
- \alternative
- {
- {
- c4 c c c8. c16-> ~ | % 21
- c4 c c c | % 22
- }
- {
- c4 c c c8. c16-> ~ | % 23
- }
- }
+ c4 c c c8. c16 ~ | % 19
+ c1 | % 20
+
+ c4 c c c8. c16-> ~ | % 21
+ c4 c c c | % 22
- c4 c c c \bar "||" % 24
+ c4 c c c8. c16-> ~ | % 23
+
+ c4 c c c | % 24
c2.. c8 | % 25
c4 c c c | % 26
c4 c c c | % 27
- c8.-> c16-^ ~ c c8-^ c16-> ~ c2 \bar "||" % 28
+ c8.-> c16-^ ~ c c8-^ c16-> ~ c2 | % 28
c4 c c8. c16 ~ c4 | % 29
c4 c c8. c16 ~ c4 | % 30
c4 c c c | % 33
c4 c c c | % 34
c4 c c c | % 35
- c2 c \bar "||" % 36
+ c2 c | % 36
c4 c c c8. c16 ~ | % 37
c1 | % 38
c4 c c c8. c16 ~ | % 39
- c4 c c c \bar "||" % 40
-
- \repeat volta 2
- {
- c4 c c c | % 41
- c4 c c c | % 42
- c4 c c c | % 43
- c4 c c c | % 44
- c4 c c c | % 45
- c4 c c c | % 46
- c4 c c c | % 47
- c4 c c c \bar "||" % 48
-
- c2.-> c4-> | % 49
- c4 c c c | % 50
- c4 c c c | % 51
- c4 c c c | % 52
- c4 c c c | % 53
- c4 c c c | % 54
- c4 c c c | % 55
- c4 c c c | % 56
- c4 c c c | % 57
- c4 c c c | % 58
- c4 c c c | % 59
- }
- \alternative
- {
- {
- \time 2/4 c4 c \time 4/4 | % 60
- c4 c c c | % 61
- c4 c c c | % 62
- }
- {
- c4 c c c | % 63
- }
- }
+ c4 c c c | % 40
+
+ c4 c c c | % 41
+ c4 c c c | % 42
+ c4 c c c | % 43
+ c4 c c c | % 44
+ c4 c c c | % 45
+ c4 c c c | % 46
+ c4 c c c | % 47
+ c4 c c c \bar "||" % 48
+
+ c2.-> c4-> | % 49
+ c4 c c c | % 50
+ c4 c c c | % 51
+ c4 c c c | % 52
+ c4 c c c | % 53
+ c4 c c c | % 54
+ c4 c c c | % 55
+ c4 c c c | % 56
+ c4 c c c | % 57
+ c4 c c c | % 58
+ c4 c c c | % 59
+
+ c4 c | % 60
+ c4 c c c | % 61
+ c4 c c c | % 62
+
+ c4 c c c | % 63
c4 c c c | % 64
c4 c c c | % 65
c2 c | % 67
c4 c c c | % 68
c4 c c c | % 69
- c1-\fermata \bar "|." % 70
+ c1-\fermata | % 70
}
\score
{
<<
+ \Global % The "roadmap" that everything else depends on
+
+ \context Staff
<<
-% \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
- \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
+ \new Voice = "lead" \LeadVox
+ \new Voice = "riffs" \Riffs
\new Lyrics \lyricsto "lead" \LeadVoxText
\new Lyrics \lyricsto "lead" \LeadVoxTextB
>>
- \new ChoirStaff = "Rhythm"
+ \new ChoirStaff
<<
- \new ChordNames = "chords" \Chords
- \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
+ \new ChordNames \Chords
+ \new RhythmicStaff << \StaffC \Dynamics >>
>>
\set Score.skipBars = ##t
\set Score.melismaBusyProperties = #'()
>>
-
- \layout
- {
-% \context { \Staff \RemoveEmptyStaves }
-% ragged-last-bottom = ##t
- ragged-last = ##t
- }
}
\paper
{
- #(define fonts (make-pango-font-tree
- "Times New Roman"
- "DomCasual BT"
- "Luxi Mono"
- (/ staffSize 20)))
-
-% top-margin = -0.25 \in
+ #(define fonts (make-pango-font-tree
+ "Times New Roman"
+ "LilyJAZZText"
+ "Luxi Mono"
+ (/ staffSize 20)))
+
+% Don't spread staves vertically across last page (default: t)
+% ragged-last-bottom = ##f
+% Don't spread staves vertically across the page (default: f)
+% ragged-bottom = ##t
+% Allow partial line for last stave (default: f)
+ ragged-last = ##t
+
+% To find out what's eating the space at the top...
+% annotate-spacing = ##t
}
+