all data is recorded to a single file and if a section of
existing data is overdub, the existing data is destroyed irrevocably—there is no
undo. Fixed crossfades are added at every punch in and out point. This mode
- can be useful for certain kinds of re-recording workflows, but it not
+ can be useful for certain kinds of re-recording workflows, but is not
suggested for normal
use.</td></tr>
</table>
-<img class="right" src="/images/a3_nonlayered_example.png" alt="normal and non-layered overdubbing comparision"
-/>
+
+<figure class="right">
+ <img src="/images/a3_nonlayered_example.png" alt="Normal and non-layered overdubbing comparision">
+ <figcaption>
+ Normal and non-layered overdubbing comparision
+ </figcaption>
+</figure>
+
<p>
The screenshot on the right shows the subtle difference between an overdub
in <dfn>normal mode</dfn> (upper track) and one in <dfn>non-layered mode</dfn>
input and two outputs; a Stereo track has two inputs and two outputs.
</p>
<p class="note">
- If <kbd class="menu">Edit > Preferences > Audio
- > Connection of Tracks and Busses</kbd> is set to <kbd
+ If <kbd class="menu">Edit > Preferences > Signal Flow
+ > Track and Bus Connections</kbd> is set to <kbd
class="menu">manual</kbd>, then tracks will be left disconnected by default
and there will be as many outputs as there are inputs. It is up to the user to connect
them as desired. This is not a particularly useful way to work unless something