Why I/O plugins are cheaper than busses

[ardour-manual] / include / timecode-generators-and-slaves.html

diff --git a/include/timecode-generators-and-slaves.html b/include/timecode-generators-and-slaves.html
index d221c1d60073b917ac47a009319f6d5481b3a1ca..81ba10f4ddf36d5d8c917547fca402ee7f2a276e 100644 (file)
--- a/include/timecode-generators-and-slaves.html
+++ b/include/timecode-generators-and-slaves.html
@@ -22,7 +22,7 @@
 <p>
   Each Ardour session has a specific timecode frames-per-second setting which
   is configured in <kbd class="menu">session &gt; properties &gt;
-  timecode</kbd>. The selected timecode affects the timecoderuler in the main
+  timecode</kbd>. The selected timecode affects the timecode ruler in the main
   window as well as the clock itself.
 </p>
 
@@ -36,7 +36,7 @@
   for changing a film soundtrack from one frame rate to another. The concept is
   beyond the scope of this manual, but Wikipedia's entry on
   <a href="http://en.wikipedia.org/wiki/Telecine">Telecine</a>
-  may get you started.
+  may be a good start.
 </p>
 
 <h2>Ardour Timecode Generator Configuration</h2>
@@ -103,7 +103,7 @@
   machines which unspool the tape if no LTC timecode is received.
 </p>
 <p>
-  LTC is send regardless of Ardour's transport speed. It is accurately
+  LTC is sent regardless of Ardour's transport speed. It is accurately
   generated even for very slow speeds (&lt;5%) and only limited by the
   soundcard's sampling-rate and filter (see
   <a
@@ -175,14 +175,14 @@
 <h3>Clock Sync Lock</h3>
 <p>
   As described in the
-  <a href="http://manual.ardour.org/synchronization/on-clock-and-time/">On Clock and Time</a>
+  <a href="@@on-clock-and-time">On Clock and Time</a>
   chapter, timecode and clock are independent. If the external timecode
   source is not in sample-sync with the audio hardware (and JACK), Ardour
   needs to run at varispeed to adjust for the discrepancy.
 </p>
 <p>
   The checkbox <kbd class="option">External timecode is sync locked</kbd>
-  allows to select the behavior according to your setup. When enabled, it
+  allows to select the behavior according to the setup. When enabled, it
   indicates that the selected external timecode source shares sync (Black
   &amp; Burst, Wordclock, etc) with the audio interface.
 </p>
@@ -193,7 +193,7 @@
 </p>
 <p class="note">
   Note that vari-speed is unavailable when recording in Ardour, and all
-  tracking happens at speed 1.0. So if you want to record in sync with
+  tracking happens at speed 1.0. So in order to record in sync with
   external timecode it must be sample-locked or it will drift over time.
 </p>
 
@@ -229,8 +229,12 @@
   the video Frame boundaries.
 </p>
 
-<img src="/images/ltc-transport-alignment.png"  title="LTC frame alignment" alt="LTC frame alignment"/>
-<p><em>Figure: LTC frame alignment for the 525/60 TV standard</em></p>
+<figure class="center">
+  <img src="/images/ltc-transport-alignment.png" alt="LTC frame alignment">
+  <figcaption>
+    LTC frame alignment for the 525/60 TV standard
+  </figcaption>
+</figure>
 
 <p>
   Ardour supports vari-speed and backwards playback but will only follow
@@ -286,4 +290,3 @@
   <kbd class="option">Session &gt; Properties &gt; JACK Time Master</kbd>
   configures Ardour to act as translator from timecode to BBT information.
 </p>
-