-<p>Tempo and meter belong together. without both, there is no way to know where a beat lies in time.</p>
+<p>
+ Tempo and time signature belong together. Without both, there is no way to
+ know where a beat lies in time.
+</p>
-<p>Tempo provides a musical pulse, which is divided into beats and bars by a meter.
- When you change tempo or move an audio-locked meter, all objects on the timeline that are glued to bars and beats (locations, regions) will move in sympathy.
+<p>
+ Tempo provides a musical pulse, which is divided into beats and bars by a
+ time signature. When tempo is changed or an audio-locked time signature is
+ moved, all objects on the timeline that are glued to bars and beats
+ (locations, regions) will move in sympathy.
</p>
-<p class="note">When performing meter or tempo operations, it is advised that you show the BBT ruler (available by right-clicking an existing marker or ruler name),
- and ensure that the constraint modifier is set (in Preferences->User Interaction) so that no other modifiers share its key combination.<br>
- The constraint modifier is the "Constrain drags using : " setting under the "When Beginning a Drag" heading. One viable setting is <kbd class="mod1"></kbd><kbd class="mod3"></kbd>.
+
+<p class="note">
+ When performing time signature or tempo operations, it is advisable to use the
+ BBT ruler (available by right-clicking an existing marker or ruler name), and
+ ensure that the constraint modifier is set (<kbd class="mod3n"></kbd> by
+ default, may be changed in <kbd class="menu">Preferences > Editor >
+ Modifiers</kbd>) so that no other modifiers share its key combination. The
+ constraint modifier is the "Constrain drags using: " setting under the
+ "When Beginning a Drag" heading. One viable setting is
+ <kbd class="mod1n"></kbd><kbd class="mod3n"></kbd>.
</p>
<h3>Tempo</h3>
-<p>Tempo can be adjusted in several ways:
-
-<ul><li>by double clicking on a tempo marker.
-This opens the tempo dialog which will allow you to enter the tempo directly into an entry box.
-</li>
-
-<li> by using the constraint modifier (which is set in Preferences->User Interaction) to drag the beat/bars in the BBT ruler or the tempo/meter lines.
-This is the preferred way to match the tempo to previously recorded material.</li>
-<p class ="note">
- NOTE - When dragging the BBT ruler, musical snap has no effect, however be warned that non-musical snap is in effect if enabled.
- Snapping to a minute while dragging a beat may result in some verly slow tempos.
- Snapping a beat to a video frame however is an incredibly useful way to ensure your soundtrack is punchy and synchronised to the sample.
-</p>
-<li>by holding down the constaint modifier while dragging a tempo vertically.
-This is used for more complex tempo solving, as it allows you to change the position and tempo of a tempo marker in the same drag,
-it is, however, a useful way to adjust the first tempo for a quick result.
-</li></ul>
-</p>
-<p>A tempo may be locked to audio or musical time. You may change this by right-clicking on a tempo.
-If a tempo is locked to music, an entry will be available to lock it to audio.
-Similarly an audio-locked tempo may be locked to music by right clicking it an selecting the "Lock to Music" entry.
-</p>
-<p>Audio locked tempo marks stay in their frame position as their neigbours positions are altered. Their pulse (musical) position will change as their neighbours move.
-Music locked tempo marks move their frame position as their neighbours are moved, but keep their pulse position (they will move as the music is moved).
-</p>
-<br>
-<p>A tempo may be remped or constant.
-
- <ul>
- <li>A constant tempo will keep the sesion tempo constant until the next tempo section, at which time it will jump instantly to the next tempo.
- These are mostly useful abrupt changes, and is the way in which traditional DAWs deal with tempo changes (abrupt jumps in tempo).
- <br>
- </li>
-
- <li>A ramped tempo increases its tempo over time so that when the next tempo section has arrived, the sesion tempo is the same as the second one.
-This is useful for matching the session tempo to music which has been recorded without a metronome.
-Ramps may also be used as a compositional tool, but more on this later.
-Note that a ramp requires two points - a start and an end tempo. The first tempo in a new session is ramped, but appears to be constant as it has no tempo to ramp to. It is only when you add a new tempo and adjust one of them that you will hear a ramp.
- The same applies to the last tempo in the session - it will always appear to be constant until a new last tempo is added and changed.
- </li>
- </ul>
-</p>
-<br>
+
<p>
- <img src="/images/constant-tempo.png" alt="A constant tempo displaying the tempo at the playhead in the audio clock">
- <br>
- A series of constant tempo markers. The tempo at the playhead position is the same as the previous tempo.
+ Tempo can be adjusted in several ways:
</p>
-<br>
+
+<ul>
+ <li>By double clicking on a tempo marker. This opens the tempo dialog which
+ allows entering the tempo directly into an entry box.</li>
+ <li>By using the constraint modifier (<kbd class="mod3n"></kbd> by default,
+ may be changed in <kbd class="menu">Preferences > Editor > Modifiers</kbd>)
+ to drag the beat/bars in the BBT ruler or the tempo/time signature lines.
+ This is the preferred way to match the tempo to previously recorded
+ material.</li>
+
+ <p class ="note">
+ When dragging the BBT ruler, musical snap has no effect, however be warned
+ that non-musical snap is in effect if enabled. Snapping to a minute while
+ dragging a beat may result in some very slow tempos. Snapping a beat to a
+ video frame however is an incredibly useful way to ensure a soundtrack is
+ punchy and synchronized to the sample.
+ </p>
+
+ <li>by holding down the constraint modifier while dragging a tempo vertically.
+ This is used for more complex tempo solving, as it allows changing of the
+ position and tempo of a tempo marker in the same drag; it is, however, a
+ useful way to adjust the first tempo for a quick result.</li>
+</ul>
+
<p>
- <img src="/images/ramped-tempo.png" alt="A ramped tempo displaying the tempo at the playhead in the audio clock">
- <br>
- A ramped tempo marker. The tempo at the playhead position is approaching the second tempo. Because the playhead is equidistant (in beats) between the
- two markers, the tempo at the playhead is the average of the two.
+ A tempo may be locked to audio or musical time. This can be changed by <kbd
+ class="mouse">right</kbd>-clicking on a tempo. If a tempo is locked to music,
+ an entry will be available to lock it to audio. Similarly an audio-locked
+ tempo may be locked to music by <kbd class="mouse">right</kbd>-clicking it
+ and selecting the "Lock to Music" entry.
</p>
-<br>
-<p>To add a new tempo, use the primary modifier and click on the tempo line at the desired position.
-The new tempo will be the same as the tempo at the position of the mouse click (it will not change the shape of the ramp).
-</p>
-<p>To copy a tempo, hold down the primary modifier and drag the tempo you wish to copy.</p>
-<h3>Meter</h3>
-<p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
-</p>
-<p>The first meter in a new session may be moved freely. It has an associated tempo which cannot be dragged by itself (although all others can).
-It can be moved freely and is locked to audio.
-</p>
-<p>New meters are locked to music.
-They may only occur on a bar line if music locked.
-</p>
<p>
-An audio locked meter provides a way to cope with musical passages which have no meter (rubato, pause), or to allow a film composer to insert
-a break in music which cannot be counted in beats.
+ Audio locked tempo marks stay in their frame position as their neighbor's
+ positions are altered. Their pulse (musical) position will change as their
+ neighbors move. Music locked tempo marks move their frame position as their
+ neighbors are moved, but keep their pulse position (they will move as the
+ music is moved).
</p>
-<p>If a meter is audio-locked, its bar number is fixed from the point at which it left the main score.
-That bar number cannot be changed, nor can tempo motion allow the previous bar to overlap.
-If you need another bar, lock the meter to music again (right click->"Lock to Music"), drag the meter to the desired bar and re-lock to audio.
- You may now drag your new bar freely again.
- </p>
-<br>
-<li>To change a meter, double click it. A dialog will appear.</li>
-<br>
-<li>To copy a meter, hold down <kbd class="mod1"></kbd> and drag it.</li>
-<h3>Techniques </h3>
-<p>As a general approach, the best way to control tempo ramps is to use them in pairs.
-</p>
-<p>Lets imagine we want to match the click to a drum performance recorded in 'free time'.<br>
-The first thing we need to do is determine where the first beat is. Drag the first meter to that position.
-</p>
-<p>Now the first click will be in time with the first beat. To get all the other beats to align, we listen to the drums
-and visually locate the position of bar 4. You may wish to place the playhead here.
-</p>
-<p>We then locate bar 4 in the bbt ruler and while holding the constraint modifier, drag it to bar 4 in the drum performance.
-</p>
-<p>We notice that the click now matches the first 4 bars, but after that it wanders off.
-You will see this reflected in the tempo lines.. they won't quite match the drum hits.
-We now locate the earliest position where the click doesn't match, and place a new tempo just before this.
-Two bars later, place another new tempo.
-</p>
-<p>Now while dragging any beat <strong>after</strong> the second new tempo, watch the drum audio and tempo lines until they align.
-</p>
-<p class="note">Notice what is happeneing here: the tempo previous to your mouse pointer is being changed so that the beat you grabbed
-aligns with the pointer.
-Notice that the tempo lines previous to the changed one also move. This is because the previous tempo is ramping <strong>to</strong> the tempo you are changing.
-Look further to the left. The tempo lines in the first four bars do not move.
-</p>
-<p>Again, some time later the click will not align. I didn't say this was easy.
+<p>
+ A tempo may be constant or ramped:
</p>
-<p>Repeat the same technique : add two new tempos and drag the BBT ruler <strong>after</strong> the newest tempo so that the beats align with the audio again.
-</p>
+<ul>
+ <li>A constant tempo will keep the session tempo constant until the next tempo
+ section, at which time it will jump instantly to the next tempo. These are
+ mostly useful abrupt changes, and is the way in which traditional DAWs deal
+ with tempo changes (abrupt jumps in tempo).</li>
+ <li>A ramped tempo increases its tempo over time so that when the next tempo
+ section has arrived, the session tempo is the same as the second one. This is
+ useful for matching the session tempo to music which has been recorded
+ without a metronome. Ramps may also be used as a compositional tool, but more
+ on this later. Note that a ramp requires two points—a start and an end
+ tempo. The first tempo in a new session is ramped, but appears to be constant
+ as it has no tempo to ramp to. It is only when a new tempo is added and one
+ of them is adjusted that a ramp will be heard. The same applies to the last
+ tempo in the session—it will always appear to be constant until a new
+ last tempo is added and changed.</li>
+</ul>
+
+<figure>
+ <img src="/images/constant-tempo.png" alt="A constant tempo displaying the
+ tempo at the playhead in the audio clock">
+ <figcaption>
+ A series of constant tempo markers. The tempo at the playhead position is
+ the same as the previous tempo.
+ </figcaption>
+</figure>
+
+<figure>
+ <img src="/images/ramped-tempo.png" alt="A ramped tempo displaying the tempo
+ at the playhead in the audio clock">
+ <figcaption>
+ A ramped tempo marker. The tempo at the playhead position is approaching
+ the second tempo. Because the playhead is equidistant (in beats) between
+ the two markers, the tempo at the playhead is the average of the two.
+ </figcaption>
+</figure>
-<p>In a general sense, adding tempo markers in pairs allows you to 'pin' your previous work while you move further to the right.
-</p>
-<h3>Another use case : matching accelerando</h3>
-<p>Imagine you have some video and have located where your music cue begins. Move the first meter to that frame
-(you may snap to TC frames, but not music with an audio locked meter).
-</p>
<p>
- Find a starting tempo by listening to the click while you drag the meter's tempo vertically using teh constraint modifier.
- </p>
+ To add a new tempo, use the primary modifier and click on the tempo line at
+ the desired position. The new tempo will be the same as the tempo at the
+ position of the mouse click (it will not change the shape of the ramp).
+</p>
-<p>You have the playhead at point where the dude slams the phone down, and your idea was that 4|1|0
-would be good for this, but you want an accelerando to that point.
+<p>
+ To copy a tempo, hold down the primary modifier and drag the tempo to be
+ copied.
</p>
+
+<h3>Time signature</h3>
+
<p>
- Add a tempo ar bar 4.
+ Time signature positions beats using the musical pulse of a tempo, and groups
+ them into bars using its number of divisions per bar.
</p>
-<p>Holding down the constraint modifier, and with snap set to 'TC Frames', grab the BBT ruler just <strong>after</strong> 4|1|0.
-Drag the ruler so that 4|1|0 snaps to the 'phone' frame.
+
+<p>
+ The first time signature in a new session may be moved freely. It has an
+ associated tempo which cannot be dragged by itself (although all others can).
+ It can be moved freely and is locked to audio.
</p>
-<p class="note">Notice what happened : The second tempo was changed.<br>
-You had set a musical position for the second tempo marker. It was not aligned with the frame you wanted, so
-you dragged the BBT ruler, making the second tempo provide enough pulses over the ramp for 4|1|0 to align with the desired frame.
+
+<p>
+ New time signatures are locked to music. They may only occur on a bar line if
+ music locked.
</p>
-<p>If your ramp doesn't feel correct, you may add more points within it and keep adjusting beat positions in a similar manner.
+
+<p>
+ An audio locked time signature provides a way to cope with musical passages
+ which have no time signature (rubato, pause), or to allow a film composer to
+ insert a break in music which cannot be counted in beats.
</p>
-<h3>General</h3>
-<p>Audio locked meters can be useful when composing, as they allow a continuous piece of music to be worked on in
-isolated segments, preventing the listening fatigue of a fixed form.
-Reassembly is left as an excercise for the reader.
+<p>
+ If a time signature is audio-locked, its bar number is fixed from the point at
+ which it left the main score. That bar number cannot be changed, nor can tempo
+ motion allow the previous bar to overlap. If another bar is needed, lock the
+ time signature to music again (<kbd class="mouse">right</kbd> >
+ <kbd class="menu">Lock to Music</kbd>), drag the time signature to the desired
+ bar and re-lock to audio. The new bar can be freely dragged again.
</p>
+<ul>
+ <li>To change a time signature, double-click it. A dialog will appear.</li>
+ <li>To copy a time signature, hold down <kbd class="mod1n"></kbd> and drag it.</li>
+</ul>
+
projects / ardour-manual / blobdiff