Fix a typo

[ardour-manual] / include / tempo-and-meter.html

diff --git a/include/tempo-and-meter.html b/include/tempo-and-meter.html
index acebf4ec3dd8d7f2a43dd3b43f3a271224e4197c..4d363f7883b21cbf82dcd51bdb3c28dd26c0e08e 100644 (file)
--- a/include/tempo-and-meter.html
+++ b/include/tempo-and-meter.html
@@ -1,6 +1,6 @@
 
 <p>
-  Tempo and meter belong together. without both, there is no way to know where
+  Tempo and meter belong together. Without both, there is no way to know where
   a beat lies in time.
 </p>
 
@@ -58,7 +58,7 @@
 </p>
 
 <p>
-  Audio locked tempo marks stay in their frame position as their neigbour's
+  Audio locked tempo marks stay in their frame position as their neighbour's
   positions are altered. Their pulse (musical) position will change as their
   neighbours move. Music locked tempo marks move their frame position as their
   neighbours are moved, but keep their pulse position (they will move as the
@@ -70,12 +70,12 @@
 </p>
 
 <ul>
-  <li>A constant tempo will keep the sesion tempo constant until the next tempo
+  <li>A constant tempo will keep the session tempo constant until the next tempo
   section, at which time it will jump instantly to the next tempo. These are
   mostly useful abrupt changes, and is the way in which traditional DAWs deal
   with tempo changes (abrupt jumps in tempo).</li>
   <li>A ramped tempo increases its tempo over time so that when the next tempo
-  section has arrived, the sesion tempo is the same as the second one. This is
+  section has arrived, the session tempo is the same as the second one. This is
   useful for matching the session tempo to music which has been recorded
   without a metronome. Ramps may also be used as a compositional tool, but more
   on this later. Note that a ramp requires two points&mdash;a start and an end