Add Clips in the Editor chapter

[ardour-manual] / include / techniques-for-working-with-tempo-and-meter.html

diff --git a/include/techniques-for-working-with-tempo-and-meter.html b/include/techniques-for-working-with-tempo-and-meter.html
index 212fc0fc9e015554d98cbad30db54ec07b507198..557790fa1ae7e0e006c26705785639a1564ad4c7 100644 (file)
--- a/include/techniques-for-working-with-tempo-and-meter.html
+++ b/include/techniques-for-working-with-tempo-and-meter.html
@@ -13,7 +13,7 @@ pairs.
 
 <p>
 One typical use of tempo ramps is to match the click to a drum performance recorded in
-'free time', like in the (admittedly bad) 4/4 exemple on the left.
+'free time', like in the (admittedly bad) 4/4 example on the left.
 </p>
 
 <h3 class="clear">Step 1 : First meter</h3>
@@ -49,7 +49,8 @@ playhead may be moved to this location to "pin" it).
 </figure>
 
 <p>
-Holding the constraint modifier (<kbd class="mod3n"></kbd> by default), the third
+Holding the constraint modifier (<kbd class="mod3n"></kbd> by default, 
+may be changed in Preferences->Editor->Modifiers), the third
 bar marker in the BBT ruler is dragged at the position of the third bar in the
 recording (where the playhead is located). This drag can be done either in the Meter
 or in the Tempo rulers. The tempo (on the first and only tempo marker) reflects
@@ -142,6 +143,6 @@ fatigue of a fixed form. Reassembly is left as an excercise for the reader.
 
 <p>
 Tempo ramps can also be used in a video context, e.g. for an accelerando,
-by snapping to TC frames and drag the ruler so that a bar ends up on a significant
+by snapping to TC frames and dragging the ruler so that a bar ends up on a significant
 video frame.
 </p>