<ul>
<li><a href="http://www.digido.com/how-to-make-better-recordings-part-2.html">How To Make Better Recordings in the 21st Century—An Integrated Approach to Metering, Monitoring, and Leveling Practices</a> by Bob Katz. Has a good historic overview of meters and motivates the K-meter</li>
<li><a href="https://en.wikipedia.org/wiki/Peak_programme_meter#Table_of_characteristics">Wikipedia: Peak programme meter</a>—overview of meter types.</li>
- <li>"Audio Metering: Measurements, Standards and Practice: Measurements, Standards and Practics", by Eddy Brixen. ISBN: 0240814673</li>
+ <li>"Audio Metering: Measurements, Standards and Practice: Measurements, Standards and Practice", by Eddy Brixen. ISBN: 0240814673</li>
<li>"Art of Digital Audio", by John Watkinson. ISBN: 0240515870</li>
</ul>
<td>An <dfn><abbr title="Root Mean Square">RMS</abbr>-type meter</dfn>
is an averaging meter that looks at the energy in the signal. It
provides a general indication of loudness as perceived by humans. Ardour
- features three RMS meters, all of which offer additonal peak indication.
+ features three RMS meters, all of which offer additional peak indication.
<ul>
<li><dfn>K20</dfn>: A meter according to the K-system introduced by Bob
Katz, scale aligned to -20 dBFS, rise/fall times and color schema
outside the context of broadcast.
</p>
<p>
- Their specification is very exact, and consquently, there are no
+ Their specification is very exact, and consequently, there are no
customizable parameters.
</p>
</td></tr>