Minor corrections.

[ardour-manual] / include / latency-and-latency-compensation.html

diff --git a/include/latency-and-latency-compensation.html b/include/latency-and-latency-compensation.html
index 531c977ada68302c09a8a5158522b84cb1cfe047..8c6d00e58edfa4790384d93c900968cdc1ead51a 100644 (file)
--- a/include/latency-and-latency-compensation.html
+++ b/include/latency-and-latency-compensation.html
@@ -15,7 +15,7 @@
   Since sound is a mechanical perturbation in a fluid, it travels at 
   comparatively slow <a href="http://en.wikipedia.org/wiki/Speed_of_sound">speed</a> 
   of about 340 m/s. As a consequence, your acoustic guitar or piano has a 
-  latency of about 1&ndash;2 ms, due to the propagation time of the sound 
+  latency of about 1&ndash;2&nbsp;ms, due to the propagation time of the sound 
   between your instrument and your ear. 
 </p>
 <h3>Digital-to-Analog and Analog-to-Digital conversion</h3>
@@ -120,7 +120,7 @@
 <p>
   In many other cases, such as playback, recording, overdubbing, mixing, 
   mastering, etc. latency is not important, since it can easily be 
-  compensated for.<br />
+  compensated for.<br>
   To explain that statement: During mixing or mastering you don&#039;t care 
   if it takes 10ms or 100ms between the instant you press the play button
   and sound coming from the speaker. The same is true when recording with a count in.
@@ -241,4 +241,3 @@
   <li>Adjust the playback and capture levels in your mixer.</li>
 </ol>
 
-