Correct busses spelling

[ardour-manual] / include / create-region-fades-and-crossfades.html

diff --git a/include/create-region-fades-and-crossfades.html b/include/create-region-fades-and-crossfades.html
index 449276844542759203b355911fa06de06d1f6c44..5b452bf7a4292a6c3404d13f9454ed2a30f310c4 100644 (file)
--- a/include/create-region-fades-and-crossfades.html
+++ b/include/create-region-fades-and-crossfades.html
@@ -1,6 +1,6 @@
-<p>Every Region has a fade-in and fade-out. By default, the region fade 
-is very short, and serves to de-click the transitions at the start and 
-end of the region.  By adjusting the regions fade length, a more 
+<p>Every Region has a fade-in and fade-out. By default, the region fade
+is very short, and serves to de-click the transitions at the start and
+end of the region.  By adjusting the regions fade length, a more
 gradual transition can be accomplished.<br></p>
 
 <h2>Region Fades</h2>
@@ -8,7 +8,7 @@ gradual transition can be accomplished.<br></p>
 all audio regions. In object mode, a grip appears at the top left and
 top right of an audio region when the cursor hovers over it. Placing
 the cursor over the top of the grip displays the region fade cursor
-tip. Click and drag the grip left or right in the timeline to 
+tip. Click and drag the grip left or right in the timeline to
 adjust the length of the fade.<br>
 </p>
 <h2>Crossfades</h2>
@@ -67,20 +67,20 @@ shapes differ, and which are most suitable for various editing tasks.<br>
 <p>The different types of fades are:<br>
 </p>
 <ul>
-  <li><kbd class="menu">Linear</kbd> : A simple linear coefficient decrease, and its
+  <li><kbd class="menu">Linear</kbd>: A simple linear coefficient decrease, and its
 mathematical inverse. A Linear fade starts attentuating quickly
 and then cuts off even more abruptly at lower levels. When used
 as a crossfade, the signals are each -6dB attenuated at the midpoint.
 This is the correct crossfade to use with highly-correlated signals for
 a smooth transition.<br>
   </li>
-  <li><kbd class="menu">Constant Power</kbd> : The constant power curve starts fading
+  <li><kbd class="menu">Constant Power</kbd>: The constant power curve starts fading
 slowly and then cuts off abruptly. When used as a crossfade
 between 2 audio regions, the signals are symetrically attenuated, and
 they each reach -3dB at the midpoint. This is the correct crossfade to
 use when you want to splice audio in the general ( uncorrelated ) case.<br>
   </li>
-  <li><kbd class="menu">Symmetric</kbd> : The Symmetric fade starts slowly, then
+  <li><kbd class="menu">Symmetric</kbd>: The Symmetric fade starts slowly, then
 attenuates significantly before transitioning to a slower fade-out near
 the end of the fade. When used as a crossfade, the Symmetric
 curve is not mathematically correct like the Equal Power or Linear
@@ -88,13 +88,13 @@ curves, but it provides a slower fade-out at low volumes. This is
 sometimes useful when editing 2 entire music works together so that the
 transition is more gradual.<br>
   </li>
-  <li><kbd class="menu">Fast</kbd> : The Fast curve is a linear decibel fade; It sounds
+  <li><kbd class="menu">Fast</kbd>: The Fast curve is a linear decibel fade; It sounds
 like a perfectly smooth fader or knob moved to silence. This shape is
 excellent as a general-purpose fade-in. When used as a
 crossfade, the inverse fade curve maintains constant power but is
 therefore non-symmetric; so its use is limited to those cases where the
 user finds it appropriate.</li>
-  <li><kbd class="menu">Slow</kbd> : The Slow curve is a modified linear decibel fade.
+  <li><kbd class="menu">Slow</kbd>: The Slow curve is a modified linear decibel fade.
 The initial curve starts more gradually so that it has a less
 abrupt transition near unity. After that, it sounds like a
 perfectly smooth fader or knob moved to silence. This shape is excellent as