Meh, capitalization

[ardour-manual] / include / control-masters-mixer-strips.html

diff --git a/include/control-masters-mixer-strips.html b/include/control-masters-mixer-strips.html
index 89e7eb5f837c2db4483613ed91fb02693d22f6a3..466f54ebf3b1c837e65019b658e13782528cf744 100644 (file)
--- a/include/control-masters-mixer-strips.html
+++ b/include/control-masters-mixer-strips.html
@@ -1,6 +1,6 @@
 
-<figure>
-  <img class="right" src="/images/vca-numbered.png" alt="A VCA mixer strip">
+<figure class="right">
+  <img src="/images/vca-numbered.png" alt="A VCA mixer strip">
   <figcaption>
     A VCA mixer strip
   </figcaption>
@@ -10,12 +10,12 @@
    Although track/bus <a href="@@the-track-and-bus-group-list">groups</a> offer a certain
    kind of grouped-control over gain, solo, mute and more, traditional mixing consoles have long had
    group master channels ("<abbr title="Voltage-Controlled Amplifier">VCA</abbr>s") which allows to combine
-   both a single fader to control the group level while also allowing you to easily adjust the relative
+   both a single fader to control the group level while also allowing to easily adjust the relative
    levels inside the group. For large projects, this can make mixing much easier to control.
 </p>
 <p>
   Ardour implements those <dfn>VCAs</dfn> in a way that allows to use either or both
-  of the conventions used on different traditionnal consoles for combining multiple masters:
+  of the conventions used on different traditional consoles for combining multiple masters:
 </p>
 <ul>
   <li>Nest VCAs (VCA 2 controls VCA 1 etc.)</li>
@@ -38,24 +38,31 @@ A VCA strip is made of (from top to bottom in the screenshot):
 </ol>
 
 <p>Right-clicking the name button shows a context menus comprised of:</p>
-<dl>
-  <dt>Rename</dt><dd>Renames the VCA</dd>
-  <dt>Color&hellip;</dt><dd>Changes the color of the VCA button in the tracks connected to this one</dd>
-  <dt>Drop All Slaves</dt><dd>Deletes all connections to this VCA, i.e. no tracks are controlled by this VCA anymore</dd>
-  <dt>Remove</dt><dd>Deletes this VCA</dd>
-</dl>
+<table class="dl">
+  <tr><th>Rename</th><td>Renames the VCA</td></tr>
+  <tr><th>Color&hellip;</th><td>Changes the color of the VCA button in the tracks connected to this one</td></tr>
+  <tr><th>Drop All Slaves</th><td>Deletes all connections to this VCA, i.e. no tracks are controlled by this VCA anymore</td></tr>
+  <tr><th>Remove</th><td>Deletes this VCA</td></tr>
+</table>
 
 <h2>Connecting to a VCA strip</h2>
 
-<img class="left" src="/images/connecting_to_vca.png" alt="Connecting to VCA">
+<figure class="left">
+  <img src="/images/connecting_to_vca.png" alt="Connecting to VCA">
+  <figcaption>
+    Connecting to a VCA
+  </figcaption>
+</figure>
 
 <p>
        Connecting a track/bus/VCA to a VCA is as simple as clicking the VCA button that appears on any mixer strip
   under the main fader and choosing the VCA to connect to.
 </p>
 
-<p class="note">The VCA button only shows up in mixer strips when at least one VCA exists, i.e., a
-  VCA must be created <em>before</em> connecting tracks to it.</p>
+<p class="note">
+  The VCA button only shows up in mixer strips when at least one VCA exists, i.e., a
+  VCA must be created <em>before</em> connecting tracks to it.
+</p>
 
 <p>
   Clicking the VCA button shows all the VCAs in the session, and any or all of this VCA can be checked