<p>Tempo provides a musical pulse, which is divided into beats and bars by a meter.</p>
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<h3>Tempo</h3>
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<p>In PROGRAM_NAME, tempo can be adjusted in several ways:
<.p>
<p>To copy a tempo, hold down the primary modifier and drag the tempo you wish to copy.</p>
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-METER
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+<h3>Meter</h3>
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<p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
</p>
<li>To copy a meter, hold down control and drag it.</li>
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-Techniques
+<h3>Techniques </h3>
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-As a general approach, the best way to control tempo ramps is to use them in pairs (disregarding the first one).
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+<p>As a general approach, the best way to control tempo ramps is to use them in pairs (disregarding the first one).
+</p>
<p>Lets imagine we want to match PROGRAM_NAMEs click to a drum performance recorded in 'free time'.
The first thing we need to do is determine where the first beat is. Drag the first meter to that position.
</p>
<p>Holding down the constraint modifier, and with snap set to 'TC Frames', grab the BBT ruler just *after* 4|1|0.
Drag the ruler so that 4|1|0 snaps to the 'phone' frame.
</p>
-<p>Notice what happened : The second tempo was changed.
-</p>
-<p>You had set a musical position for the second tempo marker. It was not alignaed with the frame you wanted, so
+<p class="note">Notice what happened : The second tempo was changed.<br>
+You had set a musical position for the second tempo marker. It was not alignaed with the frame you wanted, so
you dragged the BBT ruler, making the second tempo provide enough pulses over the ramp for 4|1|0 to align with the desired frame.
</p>
<p>If your ramp doesn't feel correct, you may add more points within it and keep adjusting beat positions in a similar manner.
</p>
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-General note:
+<h3>General</h3>
<p>Audio locked meters can be useful when composing, as they allow a continuous piece of music to be worked on in
isolated segments, preventing the listening fatigue of a fixed form.