Tempo meter - more break removal.

[ardour-manual-diverged] / _manual / 25_tempo-meter / 01_tempo-and-meter.html

diff --git a/_manual/25_tempo-meter/01_tempo-and-meter.html b/_manual/25_tempo-meter/01_tempo-and-meter.html
index 582cadb4e65a3ccf5389d88636e990c94612b3c7..500b0ea68bcead1e8ae12114d3c5909ab78d93d0 100644 (file)
--- a/_manual/25_tempo-meter/01_tempo-and-meter.html
+++ b/_manual/25_tempo-meter/01_tempo-and-meter.html
@@ -56,7 +56,6 @@ The new tempo will be the same as the tempo at the position of the mouse click (
 <p>To copy a tempo, hold down the primary modifier and drag the tempo you wish to copy.</p>
 
 <h3>Meter</h3>
-<br>
 <p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
 </p>
 <p>The first meter in a new session may be moved freely. It has an associated tempo which cannot be dragged by itself (although all others can).
@@ -79,9 +78,7 @@ If you need another bar, lock the meter to music again (right click->"Lock to Mu
 <br>
 <li>To copy a meter, hold down control and drag it.</li>
 
-<br>
 <h3>Techniques </h3>
-<br>
 <p>As a general approach, the best way to control tempo ramps is to use them in pairs.
 </p>
 <p>Lets imagine we want to match the click to a drum performance recorded in 'free time'.<br>
@@ -97,24 +94,22 @@ You will see this reflected in the tempo lines.. they won't quite match the drum
 We now locate the earliest position where the click doesn't match, and place a new tempo just before this.
 Two bars later, place another new tempo.
 </p>
-Now while dragging any beat *after* the second new tempo, watch the drum audio and tempo lines until they align.
+Now while dragging any beat <strong>after</strong> the second new tempo, watch the drum audio and tempo lines until they align.
 <p class="note">
 Notice what is happeneing here: the tempo previous to your mouse pointer is being changed so that the beat you grabbed
 aligns with the pointer.
-Notice that the tempo lines previous to the changed one also move. This is because the previous tempo is ramping *to* the tempo you are changing.
+Notice that the tempo lines previous to the changed one also move. This is because the previous tempo is ramping <strong>to</strong> the tempo you are changing.
 Look further to the left. The tempo lines in the first four bars do not move.
 </p>
 <p>Again, some time later the click will not align. I didn't say this was easy.
 </p>
 
-<p>Repeat the same technique : add two new tempos and drag the BBT ruler *after* the newest tempo so that the beats align with the audio again.
+<p>Repeat the same technique : add two new tempos and drag the BBT ruler <strong>after</strong> the newest tempo so that the beats align with the audio again.
 </p>
 
 <p>In a general sense, adding tempo markers in pairs allows you to 'pin' your previous work while you move further to the right.
 </p>
-<br>
-Another use case : matching accelerando.
-<br>
+<h3>Another use case : matching accelerando</h3>
 <p>Imagine you have some video and have located where your music cue begins. Move the first meter to that frame
 (you may snap to TC frames, but not music with an audio locked meter).
 </p>
@@ -128,7 +123,7 @@ would be good for this, but you want an accelerando to that point.
 <p>
   Add a tempo ar bar 4.
 </p>
-<p>Holding down the constraint modifier, and with snap set to 'TC Frames', grab the BBT ruler just *after* 4|1|0.
+<p>Holding down the constraint modifier, and with snap set to 'TC Frames', grab the BBT ruler just <strong>after</strong> 4|1|0.
 Drag the ruler so that 4|1|0 snaps to the 'phone' frame.
 </p>
 <p class="note">Notice what happened : The second tempo was changed.<br>
@@ -137,7 +132,6 @@ you dragged the BBT ruler, making the second tempo provide enough pulses over th
 </p>
 <p>If your ramp doesn't feel correct, you may add more points within it and keep adjusting beat positions in a similar manner.
 </p>
-<br>
 <h3>General</h3>
 
 <p>Audio locked meters can be useful when composing, as they allow a continuous piece of music to be worked on in