Ruler/Markers rewrite, part 5 of N

[ardour-manual] / include / latency-considerations.html

diff --git a/include/latency-considerations.html b/include/latency-considerations.html
index 04a93e34d1a2815fbbeef1b300ec5ea12e6ae2cb..655f1b3a7c1c478ce57089f38a4ea99c44d87f3b 100644 (file)
--- a/include/latency-considerations.html
+++ b/include/latency-considerations.html
@@ -5,7 +5,7 @@
   recorders have the same feature, but may impart some
   <a
   href="@@latency-and-latency-compensation"><dfn>latency</dfn></a>
   recorders have the same feature, but may impart some
   <a
   href="@@latency-and-latency-compensation"><dfn>latency</dfn></a>

-  (delay) between the time you make a noise and the time that you hear it
+  (delay) between the time a noise is made and the time that it will

   come back from the recorder.
 </p>
 <p>
   come back from the recorder.
 </p>
 <p>


@@ -16,8 +16,8 @@
   can have approximately 3&nbsp;ms of latency, due to the time the sound
   takes to travel from the instrument to the musician's ears. Latency below
   5&nbsp;ms should be suitable for a professional recording setup. Because
   can have approximately 3&nbsp;ms of latency, due to the time the sound
   takes to travel from the instrument to the musician's ears. Latency below
   5&nbsp;ms should be suitable for a professional recording setup. Because

-  2&nbsp;ms are already used in the A/D/A process, you must use extremely low
-  <dfn>buffer sizes</dfn> in your workstation <abbr title="Input/Output">I/O</abbr>
+  2&nbsp;ms are already used in the A/D/A process, extremely low
+  <dfn>buffer sizes</dfn> must be used in the workstation <abbr title="Input/Output">I/O</abbr>

   setup to keep the overall latency below 5ms. Not all
   <a href="@@the-right-computer-system-for-digital-audio">computer audio systems</a>
   are able to work reliably at such low buffer sizes.
   setup to keep the overall latency below 5ms. Not all
   <a href="@@the-right-computer-system-for-digital-audio">computer audio systems</a>
   are able to work reliably at such low buffer sizes.


@@ -27,8 +27,11 @@
   through an external mixing console while recording, an approach taken by
   most if not all professional recording studios. Many computer I/O devices
   have a hardware mixer built in which can route the monitor signal "around"
   through an external mixing console while recording, an approach taken by
   most if not all professional recording studios. Many computer I/O devices
   have a hardware mixer built in which can route the monitor signal "around"

-  the computer, avoiding the systemlatency.<br>
-  In either case, the monitoring hardware may be digital or analog.  And in
-  the digital case you will still have the A-D-A conversion latency of
+  the computer, avoiding the system latency.
+</p>
+<p>
+  In either case, the monitoring hardware may be digital or analog. And in
+  the digital case there will still be the A-D-A conversion latency of

   1&ndash;2&nbsp;ms.
 </p>
   1&ndash;2&nbsp;ms.
 </p>

+