- <tr><th><kbd class="menu">Linear</kbd></th><td>A simple linear coefficient decrease, and its
-mathematical inverse. A Linear fade starts attentuating quickly
-and then cuts off even more abruptly at lower levels. When used
-as a crossfade, the signals are each -6dB attenuated at the midpoint.
-This is the correct crossfade to use with highly-correlated signals for
-a smooth transition.</td></tr>
- <tr><th><kbd class="menu">Constant Power</kbd></th><td>The constant power curve starts fading
-slowly and then cuts off abruptly. When used as a crossfade
-between 2 audio regions, the signals are symetrically attenuated, and
-they each reach -3dB at the midpoint. This is the correct crossfade to
-use when you want to splice audio in the general ( uncorrelated ) case.</td></tr>
- <tr><th><kbd class="menu">Symmetric</kbd></th><td>The Symmetric fade starts slowly, then
-attenuates significantly before transitioning to a slower fade-out near
-the end of the fade. When used as a crossfade, the Symmetric
-curve is not mathematically correct like the Equal Power or Linear
-curves, but it provides a slower fade-out at low volumes. This is
-sometimes useful when editing 2 entire music works together so that the
-transition is more gradual.</td></tr>
- <tr><th><kbd class="menu">Fast</kbd></th><td>The Fast curve is a linear decibel fade; It sounds
-like a perfectly smooth fader or knob moved to silence. This shape is
-excellent as a general-purpose fade-in. When used as a
-crossfade, the inverse fade curve maintains constant power but is
-therefore non-symmetric; so its use is limited to those cases where the
-user finds it appropriate.</td></tr>
- <tr><th><kbd class="menu">Slow</kbd></th><td>The Slow curve is a modified linear decibel fade.
-The initial curve starts more gradually so that it has a less
-abrupt transition near unity. After that, it sounds like a
-perfectly smooth fader or knob moved to silence. This shape is excellent as
-a general-purpose fade-out. When used as a crossfade, the
-inverse fade curve maintains constant power but is therefore
-non-symmetric; so its use is limited to those cases where the user
-finds it appropriate.</td></tr>
+ <tr><th><kbd class="menu">Linear</kbd></th><td>A simple linear coefficient
+ decrease, and its mathematical inverse. A Linear fade starts attentuating
+ quickly and then cuts off even more abruptly at lower levels. When used as a
+ crossfade, the signals are each -6dB attenuated at the midpoint. This is the
+ correct crossfade to use with highly-correlated signals for a smooth
+ transition.</td></tr>
+ <tr><th><kbd class="menu">Constant power</kbd></th><td>The constant power
+ curve starts fading slowly and then cuts off abruptly. When used as a
+ crossfade between 2 audio regions, the signals are symetrically attenuated,
+ and they each reach -3dB at the midpoint. This is the correct crossfade to
+ use when splicing audio in the general ( uncorrelated ) case.</td></tr>
+ <tr><th><kbd class="menu">Symmetric</kbd></th><td>The Symmetric fade starts
+ slowly, then attenuates significantly before transitioning to a slower
+ fade-out near the end of the fade. When used as a crossfade, the Symmetric
+ curve is not mathematically correct like the Equal Power or Linear curves,
+ but it provides a slower fade-out at low volumes. This is sometimes useful
+ when editing 2 entire music works together so that the transition is more
+ gradual.</td></tr>
+ <tr><th><kbd class="menu">Slow</kbd></th><td>The Slow curve is a modified
+ linear decibel fade. The initial curve starts more gradually so that it has
+ a less abrupt transition near unity. After that, it sounds like a perfectly
+ smooth fader or knob moved to silence. This shape is excellent as a
+ general-purpose fade-out. When used as a crossfade, the inverse fade curve
+ maintains constant power but is therefore non-symmetric; so its use is
+ limited to those cases where the user finds it appropriate.</td></tr>
+ <tr><th><kbd class="menu">Fast</kbd></th><td>The Fast curve is a linear
+ decibel fade; It sounds like a perfectly smooth fader or knob moved to
+ silence. This shape is excellent as a general-purpose fade-in. When used as
+ a crossfade, the inverse fade curve maintains constant power but is
+ therefore non-symmetric; so its use is limited to those cases where the
+ user finds it appropriate.</td></tr>