-\once \override Score.RehearsalMark #'self-alignment-X = #left
-\mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
-%\mark \markup { \override #'(font-family . sans) \box { B } }
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
+
+ s1*7 | % 12-18
+ \time 2/4 s2 \time 4/4 | % 19
+ s2...
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { to Coda } \hspace #1.0 \musicglyph #"scripts.coda" }
+ s16 \bar "||" % 20
+
+ % A section
+
+ \mark \markup { \override #'(font-family . sans) \box { C } }
+ s1*8 \bar "||" % 21-28
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #right
+ \mark \markup { \italic { D.S. al Coda } }
+
+% \stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
+\stopStaff s1 \startStaff
+\set Score.currentBarNumber = #29
+
+ \once \override Score.RehearsalMark #'self-alignment-X = #left
+ \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
+
+ % Coda
+
+ s1*8 \bar "||" % 29-36
+
+ % Outro
+
+ \key ef \major
+
+ \mark \markup { \override #'(font-family . sans) \box { D } }
+ s1*14 \bar "|." % 37-50
+}
+
+
+%
+% Lead vocal
+%
+LeadVox = \relative c'
+{
+ \clef G
+
+ % Intro
+
+ s1*2 | % 1-2
+
+ % A section
+
+ r8 fs16 fs fs fs g8 ~ g4 r8 r16 g | % 3
+ b4 a8 a ~ a4 r | % 4
+ r8 d,16 d d e fs e ~ e4 r8 a | % 5
+ a8 e4 fs8 ~ fs4 r | % 6
+ r8 fs16 fs fs fs g8 ~ g4 r8 b | % 7
+ b8 a4 a8 ~ a4 r8 fs | % 8
+ d4 fs8 fs16 e ~ e4. d16 cs | % 9
+
+ d4 cs8 d ~ d4 r | % 10
+
+ d4 cs8 d ~ d4 r | % 11
+
+ % B section