<p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
</p>
<p>The first meter in a new session may be moved freely. It has an associated tempo which cannot be dragged by itself (although all others can).
<p>Meter positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.
</p>
<p>The first meter in a new session may be moved freely. It has an associated tempo which cannot be dragged by itself (although all others can).
<p>As a general approach, the best way to control tempo ramps is to use them in pairs.
</p>
<p>Lets imagine we want to match the click to a drum performance recorded in 'free time'.<br>
<p>As a general approach, the best way to control tempo ramps is to use them in pairs.
</p>
<p>Lets imagine we want to match the click to a drum performance recorded in 'free time'.<br>
<p>Imagine you have some video and have located where your music cue begins. Move the first meter to that frame
(you may snap to TC frames, but not music with an audio locked meter).
</p>
<p>Imagine you have some video and have located where your music cue begins. Move the first meter to that frame
(you may snap to TC frames, but not music with an audio locked meter).
</p>