<p>
To activate/deactivate or change the shape of a region's fadein or
- fade-out, the cursor has to be hovered over the regionfade grip until the
+ fade-out, the cursor has to be hovered over the region fade grip until the
cursor tip indicates region fade editing, then <kbd class="mouse">right</kbd>
clicked to bring up a context menu. In the context menu is a list of options
- for the regionfade. <kbd class="menu">Activate/Deactivate</kbd> enables and
- disables the regionfade.
+ for the region fade. <kbd class="menu">Activate/Deactivate</kbd> enables and
+ disables the region fade.
</p>
<p>
Because each fade is also a crossfade, it has an inverse fade shape
</p>
<table class="dl">
<tr><th><kbd class="menu">Linear</kbd></th><td>A simple linear coefficient
- decrease, and its mathematical inverse. A Linear fade starts attentuating
- quickly and then cuts off even more abruptly at lower levels. When used as a
+ decrease, and its mathematical inverse. A Linear fade starts attenuating
+ quickly, and then cuts off even more abruptly at lower levels. When used as a
crossfade, the signals are each -6dB attenuated at the midpoint. This is the
correct crossfade to use with highly-correlated signals for a smooth
transition.</td></tr>
- <tr><th><kbd class="menu">Constant power</kbd></th><td>The constant power
+ <tr><th><kbd class="menu">Constant Power</kbd></th><td>The constant power
curve starts fading slowly and then cuts off abruptly. When used as a
crossfade between 2 audio regions, the signals are symmetrically attenuated,
and they each reach -3dB at the midpoint. This is the correct crossfade to
- use when splicing audio in the general ( uncorrelated ) case.</td></tr>
+ use when splicing audio in the general (uncorrelated) case.</td></tr>
<tr><th><kbd class="menu">Symmetric</kbd></th><td>The Symmetric fade starts
slowly, then attenuates significantly before transitioning to a slower
fade-out near the end of the fade. When used as a crossfade, the Symmetric
<p>
These fade curves are developed to provide a range of common uses, and
are developed with the least possible amount of changes in the "slope"
- of the line. This provides artifact-free crossfades. Some
+ of the line. This provides artefact-free crossfades. Some
DAWs provide complicated fade editors with parametric "spline" controls
of the fade curves. While it might be interesting to develop a
fade curve with a faster cutoff, the mathematical difference between