Tempo and time signature belong together. Without both, there is no way to know where a beat lies in time.

Tempo provides a musical pulse, which is divided into beats and bars by a time signature. When tempo is changed or an audio-locked time signature is moved, all objects on the timeline that are glued to bars and beats (locations, regions) will move in sympathy.

When performing time signature or tempo operations, it is advisable to use the BBT ruler (available by right-clicking an existing marker or ruler name), and ensure that the constraint modifier is set ( by default, may be changed in Preferences > Editor > Modifiers) so that no other modifiers share its key combination. The constraint modifier is the "Constrain drags using: " setting under the "When Beginning a Drag" heading. One viable setting is .

Tempo

Tempo can be adjusted in several ways:

A tempo may be locked to audio or musical time. This can be changed by right-clicking on a tempo. If a tempo is locked to music, an entry will be available to lock it to audio. Similarly an audio-locked tempo may be locked to music by right-clicking it and selecting the "Lock to Music" entry.

Audio locked tempo marks stay in their frame position as their neighbor's positions are altered. Their pulse (musical) position will change as their neighbors move. Music locked tempo marks move their frame position as their neighbors are moved, but keep their pulse position (they will move as the music is moved).

A tempo may be constant or ramped:

A constant tempo displaying the
    tempo at the playhead in the audio clock
A series of constant tempo markers. The tempo at the playhead position is the same as the previous tempo.
A ramped tempo displaying the tempo
    at the playhead in the audio clock
A ramped tempo marker. The tempo at the playhead position is approaching the second tempo. Because the playhead is equidistant (in beats) between the two markers, the tempo at the playhead is the average of the two.

To add a new tempo, use the primary modifier and click on the tempo line at the desired position. The new tempo will be the same as the tempo at the position of the mouse click (it will not change the shape of the ramp).

To copy a tempo, hold down the primary modifier and drag the tempo to be copied.

Time signature

Time signature positions beats using the musical pulse of a tempo, and groups them into bars using its number of divisions per bar.

The first time signature in a new session may be moved freely. It has an associated tempo which cannot be dragged by itself (although all others can). It can be moved freely and is locked to audio.

New time signatures are locked to music. They may only occur on a bar line if music locked.

An audio locked time signature provides a way to cope with musical passages which have no time signature (rubato, pause), or to allow a film composer to insert a break in music which cannot be counted in beats.

If a time signature is audio-locked, its bar number is fixed from the point at which it left the main score. That bar number cannot be changed, nor can tempo motion allow the previous bar to overlap. If another bar is needed, lock the time signature to music again (right > Lock to Music), drag the time signature to the desired bar and re-lock to audio. The new bar can be freely dragged again.