2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "You Have Been Good" }
17 % subtitle = \markup { \fret-diagram #"6-3;5-x;4-2;3-o;2-3;1-3;" " - " \fret-diagram-terse #"3-(;6;;5;4;3-);" }
18 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Twila Paris" }
19 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
20 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
42 \mark \markup { \override #'(font-family . sans) { \box { A } } }
43 s1.*8 \bar "||" % 5-12
47 \once \override Score.RehearsalMark #'self-alignment-X = #left
48 \mark \markup { \override #'(font-family . sans) { \box { B } } \hspace #1.0 \raise #2.0 \musicglyph #"scripts.segno" }
50 s1.*4 \bar "||" % 13-16
62 s2. s4. s8^\markup { \hspace #4.0 \raise #1.0 \bold { D.S. } } s s \bar "||" % 22
71 s1.*4 \bar "|." % 24-27
78 LeadVox = \relative c'
89 d2. ~ d4. d8 d a' | % 5
90 a2. ~ a4. d,8 e fs | % 6
91 e4. d ~ d4 d8 d e fs | % 7
94 d2. ~ d4. d8 d a' | % 9
95 a2. ~ a4. d,8 e fs | % 10
96 e4. d ~ d4 d8 d e fs | % 11
97 e4. d r d8 fs a | % 12
101 b2. ~ b4. cs,8 e a | % 13
102 a2. ~ a4. d,8 e fs | % 14
103 e4. d ~ d b8 d e | % 15
108 d2. ~ d4. d8 d a' | % 17
109 a2. ~ a4. d,8 e fs | % 18
110 e4. d ~ d d8 fs e | % 19
115 d2. r4. d8 fs a | % 22
117 d,2. r4. d8 e fs | % 23
121 e4. d r d8 fs e | % 24
122 d2. r4. d8 e fs | % 25
123 e4. d r d8 fs e | % 26
128 LeadVoxText = \lyricmode
130 O Lord, _ you have been good, _
131 you have been faith -- ful _ to all gen -- e -- ra -- tions.
132 O Lord, _ your stead -- fast love _
133 and ten -- der mer -- cy _ have been our sal -- va -- tion.
135 For by your hand, _ we have been fed _
136 And by your spi -- rit, _ we have been led
137 O Lord, _ you have been good, _
138 you have been faith -- ful, _ you have been good.
144 you have been faith -- ful, you have been good.
145 you have been faith -- ful, you have been good.
148 LeadVoxTextB = \lyricmode
151 _ _ _ _ _ _ _ _ _ _ _ _
152 O Lord, _ Al -- migh -- ty God, _
153 Fa -- ther un -- chang -- ing, _ _ up -- right and ho -- ly.
162 \repeat "percent" 3 { <d a fs>4. <d a g> <d a fs> << \tiny d \\ \tiny { b8 a g } >> } | % 1 - 3
178 d4. d:sus4 d g/a | % 4
183 fs2.:m7 b4.:m7 b:m7/a | % 6
185 e4.:m7/d d g2./a | % 8
188 fs2.:m7 b4.:m7 b:m7/a | % 10
190 e4.:m7/d d2. d4./fs | % 12
195 fs2.:m7 b4.:m7 b:m7/a | % 14
201 d4. d:sus4 d2. | % 17
202 fs2.:m7 b4.:m7 b:m7/a | % 18
205 d4. d:sus4 d g | % 20
206 d4. d:sus4 d g/a | % 21
208 d4. d:sus4 d d/fs | % 22
210 d4. d:sus4 d d/fs | % 23
215 d4. d:sus4 d d/fs | % 25
226 \numericTimeSignature
227 \override NoteHead #'style = #'slash
279 s4._\markup { \dynamic mf \italic { piano only, rolling } } s s s | % 1
283 s4._\markup { \italic { add bass & drum colors } } s s s | % 3
287 s4._\markup { \dynamic mf \italic { 1st X stick, 2nd X snare } } s s s | % 5
291 s4. s s \< s \! | % 12
292 s4._\markup { \dynamic f \italic { snare } } s s s | % 13
296 s4. s s \> s \! | % 21
297 s4. s s \< s \! | % 22
301 s4._\markup { \italic { rit. } } s s2. | % 26
309 \Global % The "roadmap" that everything else depends on
313 \new Voice = "lead" \LeadVox
315 \new Lyrics \lyricsto "lead" \LeadVoxText
316 \new Lyrics \lyricsto "lead" \LeadVoxTextB
321 \new ChordNames \Chords
322 \new RhythmicStaff << \Rhythm \Dynamics >>
325 \set Score.skipBars = ##t
326 \set Score.melismaBusyProperties = #'()
333 #(define fonts (make-pango-font-tree
339 % Spread staves vertically across last page (default: t)
340 ragged-last-bottom = ##f
341 % Spread staves vertically across the page (default: f)
342 % ragged-bottom = ##t
343 % Allow partial line for last stave (default: f)
346 % To find out what's eating the space at the top...
347 % annotate-spacing = ##t