2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
13 %Let's bump up the title size and switch to the chord font. :-)
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Word Of God, Speak" }
16 % composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
36 \override Staff.TimeSignature #'style = #'()
41 \once \override TextScript #'padding = #2.0
42 s1*0^\markup { \large \italic { Piano only } }
48 \mark \markup { \override #'(font-family . sans) { \box { A } } }
53 \mark \markup { \override #'(font-family . sans) { \box { B } } }
54 s1*8 \bar "||" % 13-20
58 \mark \markup { \override #'(font-family . sans) { \box { B2 } } }
59 s1*4 \bar "||" % 21-24
63 \mark \markup { \override #'(font-family . sans) { \box { C } } }
64 s1*8 \bar "||" % 25-32
68 \mark \markup { \override #'(font-family . sans) { \box { D } } }
69 s1*8 \bar "||" % 33-40
71 \mark \markup { \override #'(font-family . sans) { \box { E } } }
72 s1*9 \bar "||" % 41-49
74 \mark \markup { \override #'(font-family . sans) { \box { F } } }
75 s1*4 \bar "|." % 96-100
83 LeadVox = \relative c'
85 % \set Voice.autoBeaming = ##f
86 % \set Staff.instrumentName = #"Lead vox"
89 \override Staff.TimeSignature #'style = #'()
91 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
98 r4 r8. c16 e8 g a g ~ | % 4
102 g2 ~ g8 e16 g a4 ~ | % 5
103 a16 g g8 ~ g4 r g8 g16 g | % 6
104 c,16 c8. c4 r c16 d8. ~ | % 7
105 d8 c ~ c8. c16 e8 g a g ~ | % 8
107 g2 ~ g8. e16 a4 ~ | % 9
108 a16 g g8 ~ g2 g8 g16 g ~ | % 10
109 g2 r8. g16 c d8 d16 ~ | % 11
110 d2 <c, \hn e>8 <d \hn f>16 <e \hn g> ~ <e \hn g>8 <e \hn g> ~ | % 12
114 <e \hn g>4 r8 <g, \hn c>16 <g \hn c> <e' \hn g>8 <d \hn f> <c \hn e> <d \hn g> ~ | % 13
115 <d \hn g>4 r <d \hn g>8 <d \hn g> <e \hn g> <d \hn g> ~ | % 14
116 <d \hn g>8 <c \hn f>16 <c \hn f> ~ <c \hn f>2 <a \hn c>8 <d \hn g> ~ | % 15
117 <d \hn g>8 <c \hn f>16 <c \hn f> r8. <a \hn c>16 <\hn g c \hn e>8 <\hn a d \hn f> <\hn c e \hn g> <\hn c e \hn g> ~ | % 16
119 <\hn c e \hn g>4 r8.<g \hn e'>16 <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 17
120 <\hn c d \hn g>4 r <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 18
121 <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 19
122 <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>4 <g \hn g'>8 <g \hn g'>16 <g \hn g'> ~ <g \hn g'>8 <g \hn g'> ~ | % 20
126 <g \hn g'>4 r r2 | % 21
129 r4 r8. <\hn g c>16 <\hn c e>8 <\hn e g> <\hn f a> <\hn e g> ~ | % 24
133 <\hn e g>4 r r8 <\hn c e>16 <\hn e g> <\hn f a>4 ~ | % 25
134 <\hn f a>16 <\hn e g> <\hn e g>8 ~ <\hn e g>4 r8. g16 g8 g16 g ~ | % 26
135 g16 c,8. r4 r8. c16 c8 d16 c16 ~ | % 27
136 c4 r <\hn c e>8 <\hn e g> <\hn f a> <\hn e g> ~ | % 28
138 <\hn e g>4 r r8 <\hn c e>16 <\hn e g> <\hn f a>4 ~ | % 29
139 <\hn f a>16 <\hn e g> <\hn e g>8 ~ <\hn e g>4 r8. g16 g8 g16 g ~ | % 30
140 g16 g r8 r4 r <\hn g, c \hn f>16 <\hn c d \hn g>8 <\hn c d \hn g>16 ~ | % 31
141 <\hn c d \hn g>4 r <\hn g c \hn e>8 <\hn a d \hn f>16 <\hn c e \hn g> ~ <\hn c e \hn g>8 <\hn c e \hn g> ~ | % 32
145 <\hn c e \hn g>4 r8 <\hn g c>16 <\hn g c> <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 33
146 <\hn c d \hn g>2 <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 34
147 <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>2 <a \hn c>8 <\hn a d \hn g> ~ | % 35
148 <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> r8. <a \hn c>16 <\hn g c \hn e>8 <\hn a d \hn f> <\hn c e \hn g> <\hn c e \hn g> ~ | % 36
150 <\hn c e \hn g>4 r8.<g \hn e>16 <\hn c e \hn g>8 <\hn a d \hn f> <\hn g c \hn e> <\hn c d \hn g> ~ | % 37
151 <\hn c d \hn g>4 r <\hn b d \hn g>8 <\hn b d \hn g> <\hn c e \hn g> <\hn bf d \hn g> ~ | % 38
152 <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 39
153 <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>4 <\hn g f' \hn g>8 <\hn a e' \hn a>16 <\hn c d \hn g \hn c> ~ <\hn c c \hn g' \hn c>8 <\hn c e \hn g \hn c> ~ | % 40
155 <\hn c e \hn g \hn c>4 r8 <\hn g c \hn e \hn g>16 <\hn g c \hn e \hn g> <\hn c \hn e g \hn c>8 <\hn a \hn d f \hn a> <\hn g \hn c e \hn g> <\hn g \hn c e \hn g> ~ | % 41
156 <\hn g \hn c d \hn g>4 r <\hn g \hn b d \hn g>8 <\hn g \hn b d \hn g> <\hn a \hn c e \hn g> <\hn bf d \hn g> ~ | % 42
157 <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r <a \hn c>8 <\hn a d \hn g> ~ | % 43
158 <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> r8. <a \hn c \hn f>16 <\hn g c \hn e \hn g>8 <\hn a d \hn f \hn a> <\hn c e \hn g \hn c> <\hn c e \hn g \hn c> ~ | % 44
160 <\hn c e \hn g \hn c>4 r8. <c \hn e \hn g>16 <\hn c \hn e g \hn c>8 <\hn a \hn d f \hn a> <\hn g \hn c e \hn g> <\hn g \hn c e \hn g> ~ | % 45
161 <\hn g \hn c d \hn g>4 r <\hn g \hn b d \hn g>8 <\hn g \hn b d \hn g> <\hn a \hn c e \hn g> <\hn bf d \hn g> ~ | % 46
162 <\hn bf d \hn g>8 <\hn bf c \hn f>16 <\hn bf c \hn f> ~ <\hn bf c \hn f>4 r8 <a \hn c> <c \hn f> <\hn a d \hn g> ~ | % 47
163 <\hn a d \hn g>8 <\hn a c \hn f>16 <\hn a c \hn f> ~ <\hn a c \hn f>2 r4 | % 48
164 r4 r8. c16 e8 g a g ~ | % 49
168 g2 r8 e16 g a4 ~ | % 50
169 a16 g g8 ~ g4 r g8 g16 g | % 51
170 c,16 c8. c4 r c16 d8. ~ | % 52
171 d8 c ~ c2.-\fermata | % 53
174 LeadVoxText = \lyricmode
176 I'm find -- ing my -- self _ _ at a loss _ for words _
177 and the fun -- ny thing is, it's o -- _ kay _
178 The last thing I need _ _ is to _ be heard _
179 but to hear _ what you might say _
181 Word of God _ speak, _ would you pour down like rain, _
182 wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
183 To be still and know _ that you're in this place, _
184 please let me stay _ and rest _ in your ho -- _ li -- ness _
185 Word of God _ speak. _
187 I'm find -- in' my -- self _ in the midst _ of you _
188 be -- yond the mu -- _ sic, be -- yond the noise, _
189 all that I need _ is to be _ with you, _
190 and in the qui -- _ et, hear your voice, _
192 Word of God _ speak, _ would you pour down like rain, _
193 wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
194 To be still and know _ that you're in this place, _
195 please let me stay _ and rest _ in your ho -- _ li -- ness _
197 Word of God _ speak, _ would you pour down like rain, _
198 wash -- ing my eyes _ to see _ your ma -- _ jes -- ty
199 To be still and know _ that you're in this place, _
200 please let me stay _ and rest _ in your ho -- _ li -- ness _
202 I'm find -- ing my -- self _ at a loss _ for words _
203 and the fun -- ny thing is, it's o -- _ kay _
207 Riffs = \relative c''
212 \override Staff.TimeSignature #'style = #'()
214 \override Score.SpacingSpanner #'average-spacing-wishes = ##f
219 r8 g16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 1
220 c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 2
221 d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 3
222 c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 4
223 d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ | % 5
224 c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 6
225 d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 7
226 \voiceOne <g' d c g>1 \oneVoice | % 8
250 \time 2/4 s2 \time 4/4 | % 24
251 \voiceOne r8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. ~ \oneVoice | % 25
252 c8 g16 d' ~ d c8 b16 ~ b8. c16 ~ c16 d8. ~ | % 26
257 d8 g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 27
258 \voiceOne <g' d c g>1 \oneVoice | % 28
261 d8 \repeatTie g,16 d' ~ d c8 g16 ~ g8 g16 d' ~ d c8. | % 29
265 c8 bf16 f ~ f2. | % 30
266 c'8 bf16 f ~ f4 ~ f8. af16 ~ af bf8. | % 31
268 \voiceOne d2 e \oneVoice | % 33
294 \voiceOne r8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ \oneVoice | % 50
295 d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 51
296 e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 52
297 d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 53
298 e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 54
299 d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 e8. ~ | % 55
300 e8 a,16 e' ~ e d8 a16 ~ a8 a16 e' ~ e d8. ~ | % 56
301 d8 a16 e' ~ e d8 cs16 ~ cs8. d16 ~ d16 cs8. ~ | % 57
302 <d a fs d>1^\fermata | % 59
318 c2./f c4:sus4/f | % 3
319 c2./f c4:sus2/f | % 4
325 c2./f c4:sus4/f | % 7
326 c2./f c4:sus2/f | % 8
330 c2./f c4:sus4/f | % 11
336 g2:sus4 g4 a:m11 | % 14
341 g2:sus4 g4 a:m11 | % 18
349 c2./f c4:sus4/f | % 23
350 c2./f c4:sus2/f | % 24
356 c2./f c4:sus4/f | % 27
357 c2./f c4:sus2/f | % 28
361 c2./f c4:sus4/f | % 31
367 g2:sus4 g4 a:m11 | % 34
372 g2:sus4 g4 a:m11 | % 38
377 g2:sus4 g4 a:m11 | % 42
382 g2:sus4 g4 a:m11 | % 46
391 c2./f c4:sus4/f | % 52
400 % Use a RhythmicStaff on the chords instead of this?
401 % It almost works, but not quite. Doesn't collapse chords above to single notes...
405 % \set Voice.autoBeaming = ##f
406 % \set Staff.instrumentName = #"Rhythm"
407 \override Staff.TimeSignature #'style = #'()
409 \override NoteHead #'style = #'slash
496 s4_\markup { \italic { Add bass, pad } } s2. | % 13
498 s4_\markup { \italic { Add perc, Ac. gtrs. } } s2. | % 21
500 s4_\markup { \italic { Piano only, like intro } } s2. | % 50
502 s4_\markup { \italic { Full band } } s2. | % 53
511 % \new Staff = leadStaff { \new Voice = "lead" \LeadVox }
512 \new Staff = leadStaff { << \new Voice = "lead" \LeadVox \new Voice = "riffs" \Riffs >> }
513 \new Lyrics \lyricsto "lead" \LeadVoxText
516 \new ChoirStaff = "Rhythm"
518 \new ChordNames = "chords" \Chords
519 \new RhythmicStaff = "chordRhythm" << \StaffC \Dynamics >>
522 \set Score.skipBars = ##t
523 \set Score.melismaBusyProperties = #'()
527 \set Score.skipBars = ##t
528 \set Score.melismaBusyProperties = #'()
533 \new Voice = "lead" \LeadVox
535 \new Lyrics \lyricsto "lead" \LeadVoxText
540 \new ChordNames \Chords
541 \new RhythmicStaff << \Rhythm \Dynamics >>
549 #(define fonts (make-pango-font-tree
555 % Spread staves vertically across last page (default: t)
556 % ragged-last-bottom = ##f
557 % Don't spread staves vertically across the page (default: f)
558 % ragged-bottom = ##t
559 % Allow partial line for last stave (default: f)
562 % To find out what's eating the space at the top...
563 % annotate-spacing = ##t
564 %let's try this: [It works! Huzzah!][nope... :-/]
565 % obsolete-page-top-space = 0 top-system-spacing #'basic-distance = #(/ obsolete-page-top-space staff-space)