2 \include "pop-chords.ly"
5 % Good sizes are 16, 18, & 20 (11, 13, 14, 23, 26)
7 #(set-default-paper-size "letter")
8 #(set-global-staff-size staffSize)
9 #(ly:set-option (quote no-point-and-click))
11 %{ Some useful characters: ‘ ’ “ ” – — † ‡ • … %}
15 title = \markup { \override #'(font-family . sans) \fontsize #3.5 "Wonderful, Merciful Savior" }
16 composer = \markup { \override #'(font-family . sans) \fontsize #1.3 "Dawn Rodgers/Eric Wyse" }
17 arranger = \markup { \override #'(font-family . sans) \fontsize #1.3 "arr. Ed Smart" }
18 tagline = $(string-append "Engraved by JLH and Lilypond " (lilypond-version))
21 % Useful tweak abbreviations (hn = harmony note)
23 hn = #(define-music-function (parser location arg) (ly:music?)
24 ;; Harmony Note: Set the tweaks property of the passed in note to use a smaller font
26 (set! (ly:music-property arg 'tweaks)
27 (acons 'font-size -3.0 (ly:music-property arg 'tweaks))) arg)
42 s2.*8 \bar ".|:-||" % 1-8
48 \once \override Score.RehearsalMark #'self-alignment-X = #left
49 \mark \markup { \override #'(font-family . sans) { \box { A } } \italic \smaller { 1st X piano only, unison } }
58 \set Score.repeatCommands = #'((volta "2.–3.") end-repeat) % That's an ndash in there...
60 \set Score.repeatCommands = #'((volta #f))
68 \mark \markup { \override #'(font-family . sans) { \box { B } } }
71 \once \override Score.RehearsalMark #'self-alignment-X = #left
72 \mark \markup { \musicglyph #"scripts.coda" \italic { to Coda } }
73 s2.*4 \bar ":|." % 51-54
75 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
77 \stopStaff s2. \startStaff
78 \set Score.currentBarNumber = #55
80 \once \override Score.RehearsalMark #'self-alignment-X = #left
81 \mark \markup { { \musicglyph #"scripts.coda" } "Coda" }
85 s2.*2 \bar "||" % 55-56
87 \mark \markup { \override #'(font-family . sans) { \box { C } } }
88 s2.*27 \bar "|." % 57-83
95 LeadVox = \relative c'
103 <e \hn c>4. <e \hn c>8 <e \hn c>4 | % 9
104 <f \hn d>4. <e \hn c>8 <d \hn b>4 | % 10
107 <g' \hn e \hn b>4 <g \hn e \hn b> <g \hn e \hn b> | % 13
108 <a \hn f \hn c>4 <g \hn e \hn c> <f \hn d \hn a>8 ( <g \hn c,> ) | % 14
109 <g \hn d \hn c>2. ~ | % 15
110 <g \hn d \hn b>2. | % 16
111 <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 17
112 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn b> | % 18
113 <a \hn f \hn c>2. | % 19
114 <c, \hn a>2 r4 | % 20
115 <e \hn c>4 <f \hn d> <g \hn d> | % 21
116 <b, \hn g>2 <c \hn a>4 | % 22
118 << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 24
119 <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 25
120 <e \hn b \hn g>2 <d \hn b>4 | % 26
133 <c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 33
134 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 34
135 <a \hn f \hn c>2. ( | % 35
136 <b \hn g \hn d>2. )| % 36
137 <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 37
138 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 38
139 << { \voiceOne <a \hn f>2 ^( ~ <a \hn f>8 <b \hn g>16 <a \hn f> } \context Voice = "v2" { \voiceTwo <\hn c,>2. ( } \oneVoice >> | % 39
140 << { \voiceOne <g' \hn e>2. ^) } \context Voice = "v2" { \voiceTwo <\hn b,>2. ) } \oneVoice >> | % 40
141 <c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 41
142 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 42
143 <a \hn f \hn c>2. | % 43
145 <e \hn c>4 <f \hn d> <g \hn e> | % 45
146 <b, \hn g>4 <b \hn g>2 | % 46
148 << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 48
149 <g \hn e \hn c>4 <f \hn d> <e \hn c> | % 49
150 <e \hn b>4 <d \hn b>2 | % 50
164 <c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 57
165 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 58
166 <a \hn f \hn c>2. ( | % 59
167 <b \hn g \hn d>2. )| % 60
168 <c \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 61
169 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 62
170 << { \voiceOne <a \hn f>2 ^( ~ <a \hn f>8 <b \hn g>16 <a \hn f> } \context Voice = "v2" { \voiceTwo <\hn c,>2. ( } \oneVoice >> | % 63
171 << { \voiceOne <g' \hn e>2. ^) } \context Voice = "v2" { \voiceTwo <\hn b,>2. ) } \oneVoice >> | % 64
172 <c' \hn a \hn e>4 <c \hn a \hn e> <c \hn a \hn e>8 <c \hn a \hn e> ~ | % 65
173 <c \hn a \hn e>4 <b \hn g \hn d> <a \hn e \hn c> | % 66
174 <a \hn f \hn c>2. | % 67
176 <e \hn c>4 <f \hn d> <g \hn e> | % 69
177 <b, \hn g>4 <b \hn g>2 | % 70
179 << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 72
180 <g \hn e \hn c>4 <f \hn d \hn c> <e \hn c \hn g> | % 73
181 <e \hn b \hn g>2 <d \hn b \hn g>4 | % 74
184 << { \voiceOne a'4 ( b ) c } \context Voice = "v2" { \voiceTwo <\hn f, \hn c>2 <\hn f \hn a,>4 } \oneVoice >> | % 76
185 <g \hn e \hn c>4 <f \hn d> <e \hn c> | % 77
186 <e \hn b>2 <d \hn b>4 | % 78
195 LeadVoxText = \lyricmode
197 Won -- der -- ful, mer -- ci -- ful sav -- ior,
198 pre -- cious re -- dee -- mer and _ friend; _
199 Who would have thought _ that a lamb could
200 res -- cue the souls of men?
201 Oh, _ you res -- cue the souls of men.
205 You are the one _ that we praise, _
206 you are the one _ we a -- dore; __ _ _ _ _
207 You give the heal -- _ ing and grace our
208 hearts al -- ways hun -- ger for,
209 Oh, _ our hearts al -- ways hun -- ger for.
213 You are the one _ that we praise, _
214 you are the one _ we a -- dore; __ _ _ _ _
215 You give the heal -- _ ing and grace our
216 hearts al -- ways hun -- ger for,
217 Oh, _ our hearts al -- ways hun -- ger for.
218 Oh, _ our hearts al -- ways hun -- ger for. _
221 LeadVoxTextB = \lyricmode
223 Coun -- se -- lor, com -- for -- ter, kee -- per,
224 spi -- rit we long to em -- _ brace; _
225 You of -- fer hope _ when our hearts have
226 hope -- less -- ly lost our way,
227 Oh, _ we’ve hope -- less -- ly lost our _
232 LeadVoxTextC = \lyricmode
234 Al -- might -- y in -- fi -- nite Fa -- ther,
235 faith -- ful -- ly lov -- ing your _ own; _
236 Here in our weak -- _ ness you find us,
237 fall -- ing be -- fore your throne,
238 Oh, _ we’re fall -- ing be -- fore your _
244 Riffs = \relative c''
249 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 1
250 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 2
251 << { \tiny r8 g c g' c c, } \\ { \tiny c,2. ~ } >> | % 3
252 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 4
253 << { \tiny r8 g c g' c c, } \\ { \tiny c,2. ~ } >> | % 5
254 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 6
255 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 7
256 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 8
260 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 27
261 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 28
262 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 29
263 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 30
267 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 51
268 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 52
269 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 53
270 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 54
274 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 79
275 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 80
276 << { \tiny r8 g' c g' c c, } \\ { \tiny c,2. ~ } >> | % 81
277 << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 82
278 % << { \tiny r8 g' c g' c c, } \\ { s2. } >> | % 79
279 % << { \tiny f8 g c2 } \\ { s2. } >> | % 80
280 % << { \tiny r8 g, c g' c c, } \\ { \tiny c,2. ~ } >> | % 81
281 % << { \tiny f'8 g c2 } \\ { \tiny c,,2. } >> | % 82
282 \arpeggioArrowUp <c g' c e g c>-\arpeggio-\fermata | % 83
399 \numericTimeSignature
400 \override NoteHead #'style = #'slash
469 %\stopStaff s1 \bar "" \startStaff % That removed the spurious floating bar line from line break
470 \stopStaff s2. \startStaff
510 s4_\markup { \italic { snare pat. } } s2 | % 1
511 s4_\markup { \italic { simile } } s2 | % 2
513 s4_\markup { \italic { spacy } } s2 | % 22
517 s4_\markup { \italic { Last time } } s2 | % 51
525 \Global % The "roadmap" that everything else depends on
529 \new Voice = "lead" \LeadVox
530 \new Voice = "riffs" \Riffs
531 \new Lyrics \lyricsto "lead" \LeadVoxText
532 \new Lyrics \lyricsto "lead" \LeadVoxTextB
533 \new Lyrics \lyricsto "lead" \LeadVoxTextC
538 \new ChordNames \Chords
539 \new RhythmicStaff << \StaffC \Dynamics >>
542 \set Score.skipBars = ##t
543 \set Score.melismaBusyProperties = #'()
550 #(define fonts (make-pango-font-tree
556 % Spread staves vertically across last page (default: t)
557 % ragged-last-bottom = ##f
558 % Spread staves vertically across the page (default: f)
559 % ragged-bottom = ##t
560 % Allow partial line for last stave (default: f)
563 % To find out what's eating the space at the top...
564 % annotate-spacing = ##t